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Very very predictable, including the post credit scene !!!

Too much of everything

To all those who have watched it: I hope you enjoyed it as much as I do.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The Christmas Carol (1949) ** 1/2 (out of 4) Vincent Price hosts and narrates this made-for-TV version of the Charles Dickens' classic about Ebeneezer Scrooge (Taylor Holmes) who is visited by his former partner and warned that three spirits will visit him. I've seen so many versions of this story that you obvious begin to feel a bit of deja vu but I've always felt that the story itself is so strong that it's not too hard to bring one into it. This version here has several good things going for it but it's obviously done on a pretty low-budget and the wooden sets and some poor acting certainly doesn't help. I thought that all of the sets were rather cheap and fake looking but I think a lot of the television shows from this period suffered the same fate. Just take a look at the chains around Marley and you can see that there wasn't too much imagination going on. Another weak thing was the performance by George James who is so still as the Ghost of Christmas Present that you'd think they really dug him up out of some grave. With that said, the performance by Holmes was actually pretty good. He's certainly not one of the best Scrooge's that I've seen but I enjoyed his performance. I also thought Price did a good job reading from the book and just check out the way he keeps reminding us that Marley is dead. I'm not sure why they changed the "A" to a "The" in the title but fans of the story and Price will want to check this one out.

The problem with "The Christmas Carol" (1949) is that it's a VERY familiar tale--with quite a few versions out there--including the classic versions with Alistair Sim as well as Reginald Owen, a musical, some wonderful made for TV versions and it's probably the most ripped-off plot used in sitcoms! So, because of this, a SHORT version with cheap sets is already at a huge disadvantage--even if it had Vincent Price narrating. Most of the acting (except for the Ghost of Christmas Present) is decent and it's okay for 1949 TV. But, shoving this into such a short time slot and the poor ending at the Cratchit ending didn't help. Overall, it's worth a look if you are curious but my advice is to see the made for TV version starring George C. Scott--I really think this is the best of the lot.This show is like white bread--inoffensive and a bit bland.

Mainly because of Vincent Price's excellent and tongue-in-cheek narration, reading the celebrated Dickens story, this works better than it should, especially given the ridiculously over the top performance of Taylor Holmes as Scrooge, acting in a way one associates more with the worst excesses of silent cinema.However, in twenty-five minutes this production does include a scene in Scrooge's office, Jacob Marley and all the three ghosts, as well as a glimpse at Scrooge's redemption and celebration of Christmas.As an example of early television's attempts to film the classics, it is very good indeed. There are of course better adaptations of this tale, but this one is worth seeking out even if is just the once.The version I watched is rather muddy picture-wise, but the sound is clear and understandable, and everyone has clear voices which serve Dickens' text well.

This was not the earliest television version of "A Christmas Carol," but it seems to be one reasonably available for viewing. It is a product of its time, given its limited production values. That was par for the course.And yes, it is a little odd that some performers have British accents, while others don't. But then, George C. Scott didn't exactly have one when he played Scrooge in 1984.Taken on its own terms, though, it is fun to watch, knowing that it was filmed in 1949. Vincent Price does a fine job as the narrator, and seeing a nine-year-old Jill St. John as Missie Cratchit is fun. This was her second television appearance, and the second of her child actress performances she did from 1949 to 1952.Both she and Mr. Price would go on to more notable performances, he in horror films, she in various ingénue roles, in the years ahead. While this production may not rank with the 1951 version with Alastair Sim or the George C. Scott version made 33 years after, it remains an interesting relic of the late 1940s, and an interesting artifact of the infancy of television.