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It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Ram Gopal Varma is a good film maker. But some-how he has faltered in this movie. The dance numbers in the first half of the movie was not needed-period. This, eclipsed the real movie, that starts to unfold in the second half. This movie has some fine family values and virtues spelled out. Good acting by Urmila and then Less known-Antara Mali, who became famous after this movie. She and Urmila are few of the best Actors, If the viewer is spared the torture of seeing non Hindi speaking, can't dance, can't act Katrina alike. The problem is the good actors and directors are becoming a rarity with the "Monkeys of Mumbai" namely the ugly monkey, the midget makaka monkey, and the Ape monkey that have taken over the Bollywood. All of them have retarded features specially the Ape. Hollywood would not touch these simians with a ten foot barge pole (may be a banana). The brainwashed audience have given them a diamond and they wouldn't know what to do with it since they are basically monkeys. They have made movies like 'Dabhaang" "Three Idiots" "Delhi Belly" etc. which are the worst movies ever produced in the Illustious movie land of India. Then we have the suvvar scums of Mumbai media who share the same DNA as the monkeys who hype the movies since they are bribed by few bananas thrown at them.

Ram Gopal Varma is one of India's foremost film-makers. And like most film-makers he has not only done some good work, he's done some bad movies as well. While films like 'Satya', 'Rangeela' and 'Sarkar Raj' have been not just critically but also commercially well received, he has also made 'Daud' and 'Nishabd' which were complete disasters in every which way possible. No other filmmaker has oscillated between great and terrible so extremely as Ramu. This is one film of his I had missed and saw just the other day on television. And I'm sorry to say, it belongs to the disaster category as opposed to the successful film category. While Ramu valiantly tries to go away from his established zone of underworld and the seedy life of Bombay, he manages only to get there half-way. I was surprised as I read the previous comments because they said almost nothing about the film while praising it. I admit the thought is there - a simple story, a boy meets girl of his dreams, and strangely the girl is as much in love with the boy as the boy is with her. And then the inevitable choice. The music was good, hummable and the performances average. Probably where Ramu was let down was by the overall lack of 'oomph' so to speak of his leading lady, not to mention the lack of interesting script moments. The characters are caricatures in their simplicity and it starts to irritate after awhile because you wish it's not so easy to get around the people and problems in life. But then, it's a movie, so let's not get too philosophical. The problem with the film is that it tries very hard to be a teen movie and doesn't make that grade. The only thing that was a positive is that it's the only complete non-dark Ramu film I've seen to date. And that's a great attempt for a man who claims to be an Ayn Rand enthusiast and for whom the Romantic Manifesto is a very different idea that for most Indian film makers. Watch it to see the 'bright' side of Ramu. Unfortunately, the film has few bright spots to offer.

Every once in a while a film comes along that makes you believe in dreams all over again. As Paulo Coelho rightly says, somewhere along the line, most of us decide that dreams are not meant to be true. Well, this movie proves otherwise... and how! It is a movie for those young at heart - and my mother has seen it thrice!! Simply put, it is one long joy-ride, with wonderful music, exotic and virgin locales and just the right amount of characters. The best thing about the film is the willing suspension of disbelief that is required of any film-goer these days by the film-maker. Ram Gopal Varma takes care of our disbelief, and in his hands, it starts turning into that elusive 'belief'. That is why the film probably has an appeal only for those who are willing to give life a chance. If you believe life is just what happens to you while you are making other plans, I would recommend a dosage of MAST thrice a day! It will change the way you look at things; if you give it a fair chance. That is what a film should be - almost too good to be true, yet with that sweetly scented whiff of belief that stays with you long after you leave the movie-hall. A simple story about the things we consider the most complicated, brilliantly and sensitively handled and told. A modern fairy tale. A small 'big-movie'!!! Totally 'mast' baba!!! Sorry, but can't write anymore; have to catch the night show of the movie. Joining me, anyone???