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Good , But It Is Overrated By Some

A lot of fun.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

No seriously, I want to know where I can find this castle! For work as well as for holidays, I often travel through rural France and the medieval castle where the largest part of the film takes place looks like a beautiful and idyllic place to visit … And the fact that it's apparently inhabited by dozens of breath-taking, ravishing and scantily clad lesbians is an added value, of course. "Morgane Et Ses Nymphes" is a typical and almost routine product of the early 70s euro- exploitation industry. For some reason, surreal and pseudo- artistic stories about lesbian vampires in remote and isolated parts of the world were extremely popular. Next to Jesus Franco in Spain and Jean Rollin in France, who were undoubtedly the two most productive directors of this bizarre cult sub-genre, there were a handful of other directors who delivered a few films that gained cult-followings over the years, like Harry Kümel ("Daughters of Darkness"), José Ramon Larraz ("Vampyres") and Bruno Gantillon with his "Morgane Et Ses Nymphes". Strictly seen, this one is different, since the wenches aren't vampires. The titular Morgane is a sort of coven-sorceress who lures innocent young girls to her castle, along with the help of a creepy midget named Gurth, and then subsequently brings them into an erotic and surreal trance. The girls are offered the choice to remain young and beautiful forever whilst staying with Morgane in her castle, or to be dumped in the dungeons with a horde of old women. Hmm, tough choice! This overcomes also Anna and Françoise, two lively twenty-something beauties on a trip through the French countryside. They get lost and are forced to spend the night in a barn, though not before fondling each other intensely of course, but at dawn Françoise discovers that Anne is missing. She herself is lured to the castle, but Morgane immediately feels a bizarre and unique type of affection for Françoise and keeps her closer to her side than all the other "slaves". There's basically almost nothing happening in this film and, to be entirely honest, the cult reputation of this film is heavily exaggerated and undeserved. The filming locations and cinematography are fantastic and Bruno Gantillon manages to maintain a gloomy and ominous atmosphere throughout, but those are about the only positive aspects I can think of. The all-female cast (with the exception of Alfred Baillou as the whiny and pitiable Gurth) is attractive to look at, but their sexual escapades are brief and not exactly arousing.For me personally, the one special thing about this film is the fact that it provided the inspiration for my own daughter's name. My little girl is also named Morgane, because I like the idea she's named after a mysterious and seductive lead-sorceress of a cult.

The girlfriends Françoise (Mireille Saunin) and Anna (Michèle Perello) are traveling through the countryside of France by car. They stop at a roadhouse to drink wine and buy coffee, and the owner advises them to return. However they proceed their trip but they get lost on the road.They decide to spend the night in an abandoned barn. In the morning, Françoise does not find Anna and she seeks her out. Out of the blue, the dwarf Gurth (Alfred Baillou) asks her to follow him and he shows a castle in an island where Anna would be.Françoise takes a boat that sails alone and brings her to the castle. Sooner she learns that she has reached the lesbian realm of the witch Morgane (Dominique Delpierre) that proposes Françoise to stay in her kingdom living in eternal youth and beauty with her favorites Yael (Régine Motte), Sylviane (Ursule Pauly) and Sarah (Nathalie Chaine). Otherwise she would be doomed to get older and older in the dungeons of the castle. Further, Françoise learns that Anna has given her soul to Morgane and will stay in the place forever. But Françoise does not want to stay and plots a plan to escape."Morgane et ses Nymphes" is an erotic tale about a woman that is trapped in an oneiric castle of lesbians mastered by the evil witch Morgane. The director Bruno Gantillon succeeds in the atmosphere of dream, supported by gorgeous actresses and wonderful music score. But the film is disappointing since I was expecting much more from the synopsis. My vote is six.Title (Brazil): "Morgana e as Ninfas" ("Morgane and the Nymphs")

Last year this flick was released full uncut (85 minutes) here in our region, as soon as it came out it already vanished again and became an OOP. Strange because this is a weird flick. Mostly it is classified under horror but there isn't anything in it to say it is a horror. It's all about sorcery and the eternal life that can be given if you agree with the rules. It is beautifully shot and even as there isn't that much happening you still keep watching it. All girls look like fairy but that's because the clothes they are wearing. One dance scene takes a bit too long even as it has a lot of nudity. Maybe that's the reason why it is hunted down and has become a French cult flick. There's a lot of nudity in it and a bit of full frontal. Still, it isn't gratuitous and do adds towards the fairy atmosphere. Alfred Baillou (Gurth) is ideal in his role, his face and the androgyny he has given his character is excellent. Most of the actresses in this flick have only performed in a few flicks but they all looked believable. It's a typical French soft erotic 'horror', I would even compare it with Jean Rollins, but then with money and good editing and acting. Recommended.Gore 0/5 Nudity 2,5/5 Effects 0,5/5 Story 3/5 Comedy 0/5

A philosophy student, Françoise(the simply gorgeous Mireille Saunin)on a holiday trip with best friend and fellow student Anna(Michéle Perello), who has a desire towards being a professional comic-book artist, pass through a sleepy village, getting creeped out not only by locals within a rickety tavern, but especially from this dwarf Gurth(Alfred Baillou). They hit the road, making the mistake of taking a back road, running out of petrol and decidedly spend the night in a cold barn, sleeping on a hay spread. Overcome with desire for each other Anna makes a sexual advance and Françoise accepts with a slight make-out session commencing. Awakening the next morning, Françoise finds Anna missing, with the creepy dwarf Gurth waiting outside with directions towards where to find her. Leading Françoise to the decadent castle of Morgana Le Fay(Dominique Delpierre), Françoise finds herself unable to break the supernatural grip of this new place and hostess. Morgana is a goddess who rules over her kingdom and the grounds around her abode and Françoise finds herself with no exit available. Worse yet is the fact that Anna has become Morgana's eternal slave, and Françoise will be faced with the crisis of never being able to leave this alternate world outside the reality she calls home. Jealous of Morgana's blossoming transfixed love for the beautiful, alluring Françoise, her chosen "siren three" will secretly plot against the intruder so that she will be banished from the kingdom, or worse yet sent into the fold of the olders who would not accept the goddess' offer of eternal beauty, left as an example for all the women caught within the confines of this fantasy world.I consider "Girl Slaves of Morgana Le Fay" to be the perfect embodiment of the male fantasy. 99% of the film features women, naked under flowing gowns, or embracing in lesbian acts of lust. Utilizing the supernatural dream-like scenario set-up, director Bruno Gantillon can operate without restraint, allowed an opportunity to use any kind of mythical "gadget" at his disposal(talismans, enchantment spells, a goddess/queen/witch who can grant eternal youth if they submit their souls to her). I personally enjoy the sight of beautiful women, although I found that under the power of Morgana, despite the constant nakedness and lesbian sex, there's this repressed sadness and depressing atmosphere..Morgana has forced these women to make a choice without any sort of escape. Sure, for lovely women, the thought of eternal beauty is enticing perhaps, but limiting their options at having to remain under her jurisdiction removes the joy of love-making or sexual contact. There's one scene where dwarf Gurth commands the women under him to make-out and they do so with cold, bored expressions..making out has become a chore, considering they've perhaps been doing this for many a year. And, we can see that Morgana rules with cruelty, often barking orders(..sure this might provide an erotic aesthetic, the idea of a woman ordering a multitude of nubile beauties to do this and that for her, as they soldier on without complaint, like robotic servants)to her dwarf Gurth, hopelessly in love with his master(..and always rejected with coldly hostile insults)and female underlings. The protagonist Mireille Saunin is quite a trooper..she has a great lesbian sequence with Morgana's lead siren, a short make-out session with Michéle Perello in the barn which I thought was set-up nicely, and she's very attractive(..quite a sight for sore eyes, mostly either naked, or donning revealing clothing). Saunin is the ideal French innocent, overwhelmed by a strange and alluring world, which she finds both enticing and terrifying. I also felt Dominique Delpierre has an amazing presence on screen as Morgana..a steely, domineering presence which grabs you when she appears. I think you truly feel that she has complete control and no escape seems possible unless the right kind of beauty can chink her armor, which is why I felt that the casting of such a lovely creature as Saunin as Françoise is ideal to the success of this erotic fantasy. I think the open-ending is quite stunning..a decision Françoise chooses really provides food for thought. Would you pass up the opportunity to remain as lovely as you are for the idea of growing into a haggard, wrinkled lady?