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It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Bloodlust comes off like some cheaply shot rock video, you kind of think the director of Buffy Down Under was involved. That's a more simplified description. Cheaply shot, atrociously acted by some who don't even care. Some other characters purposely overacted, add flavor to this really bad indi-horror comedy, about three vampires roaming the streets of Melbourne, having sex, taking drugs, just like us humans, but also, of course craving blood. The scenes with the priest were great, his overacting, worthy of definite praise. If only they had Oscars for best overacting in a film. There's quite a bit of graphic violence, that runs quite successively throughout. One scene I recall in a servo, was a poor sod strung up, dead, save for what measly part was left of his johnson. This film does succeed as a comedy as I did find it very funny. But the bottom line, it is a terrible movie, but avid horror fan I am, I did like this one a lot. It's cheap credibility works for it, as well it's funny script, a lot of it's dialogue summed up in short sentences, which I liked. It's a movie I come to view every so often, between long spaces of years, after first seeing it in 1992. It does have an independent, pumped up energy about it, I loved. I know I could never get sick of seeing it, even though it's Z grade schlock of pathetic stature. It's just's so bad, it's good. What can I say?

By any stretch of the imagination 'Bloodlust' is terrible pile of perverted garbage, but in the end I had trouble taking my eyes off this highly entertaining low-cost trash. When I came across it I never even heard of this Australian horror feature. 'Banned in Britain' screams out on the front of the video case and whole bunch of rave comments just suck you in! Think of early Peter Jackson ('Bad Taste') but even more inept and downright crazy. It's cheap… really cheap off-kilter exploitation involving buckets of ultra-violence, soft-core sex and maniac dialogues. The execution is chaotic and dumb (just watch for the over-the-top performances where no one is safe from the onslaught!), but that's its charm. The enthusiasm shows behind the camera, than just in front of it. The style kinda reminds me of a local (Australian viewers would know) TV series which also spawned a movie or two; 'Pizza'. It does feel like a home-made video, which it's obviously shot-on-video and it amateurishly shows. The FX work is crude and outrageous, and this seems to work and add to the fun while we get a blaring heavy metal soundtrack accompanying with hammering beats and rhythms. Or maybe it's just noise for some?The story follows three modern-day vampires (not your traditional bloodsuckers too) who decide enliven their boring lifestyles (killing, sex and drug taking) to rob the mob and then find themselves being chased by mob hit-man, raving religious fanatics and two redneck cops.That's pretty much it. The tone of it is a dark, twisted and seedy black comedy that has an audacious streak. Every couple of words is something foul, the pace is non-stop and the performances range from stiff (the three vamps) to bonkers stage-like show acting (religious fanatics take the cake).For a laugh (unintentional or not) this is a good one to watch with pals. This schlock has cult written all over it.

Bloodlust is a spectacular achievement. Richard Wolstencraft and Jon Hewitt's opus is a very fine film of its own accord, however its importance ultimately lies in the fact that it is an example of that rarest of breeds - an Australian film with balls. Bloodlust spits all over the dreary crap that regularly gets churned out with the assistance of funding bodies. At the time of its release, this film was a much needed shot of adrenalin in the arm of the limp and pathetic Australian independent film-making scene.I don't care if each character has a different, equally unconvincing, accent or that the calibre of acting displayed in the film makes the average porn star look like Laurence Olivier. The film was obviously made on the sniff of wet rag with a cast of amateurs. Get over it. Bloodlust is all about ideas, in particular exploring the cinematic boundaries of sex and violence. In that regard, Bloodlust is the least patronising film I have ever seen. It gives the viewer large doses of sex and gore, often both at once, without all the garbage in between. For me, Bloodlust is like getting a huge serving of dessert without having to eat your mangy vegetables beforehand.The film revolves around three blood drinking killers - Tad, Frank and Lear. Our three heroes spend most of their time having sex and murdering people, although not necessarily in that order. When the local stake wielding religious fanatics almost succeed in killing Tad, the lovely threesome decide to rob a casino and retire. This sets off a chain of events that result in Tad and his ladies being chased by police, mobsters and the religious slayers. Bloodlust does not waste a second of its running time being boring. If someone is not being mutilated or having sex, then one of the characters is spewing out a tasteless joke. In fact, Bloodlust is a very funny movie. The screenplay is wonderfully literate and the humour, while not exactly subtle, is dark and pointed.The technical aspects of the film are just as inspiring as the subject matter. The direction is innovative and the film is lovingly constructed. The film's pacing is relentless and the final showdown counts as one of the finest moments in independent horror movie history. The special effects are extraordinary for such a low budget film. Olaf Ittenbach would be proud of the stakings, shootings, be-headings, bitings and general dismemberment. With the exception of one dodgy decapitation, the gore effects are hugely impressive for both their over the top detail and sheer frequency. The sex scenes are kinky and fetishists will love the liberal use of whips and constraints. There is even the occasional sex act with a corpse, which never fails to liven up a film in my humble opinion.The voters who have trashed this film have either entirely missed the point or simply do not belong to the intended audience. Bloodlust is made for connoisseurs of underground horror. If you like Ittenbach, Buttgereit or even dirty, old Andreas Bethmann then this should be right up your alley. Richard Wolstencraft is truly Australia's finest cinematic export. Bloodlust comes very highly recommended.

Let me start by saying this: if you go into this movie expecting the next Interview With the Vampire or Lost Boys, you're in for a HUGE disappointment. If, on the other hand, you are a fan of cheesy, low budget schlock films, this is the film for you. It is a little reminiscent of Peter Jackson's early efforts (Bad Taste & Brain Dead), and is of about the quality you would expect from a first year film student. I had the good fortune to see this movie at a rare screening during an alternative film festival in Melbourne. The cast is a who's who of Melbourne (Australia) pseudo-celebrities (particularly from local radio station RRR). As has been noted, the special effects (gore effects) are very cheap and nasty, but in a way that actually adds to them. The characters are comic-book like, totally unbelievable but pretty funny. The movie also features a pumping industrial soundtrack, with bands like Revolting Cocks, Lead Into Gold and 1000 Homo DJs. Coincidentally, all three of these bands are projects of industrial guru Al Jourgensen (Ministry). There is no denying the acting is terrible, but as far as I know, none of these people are professional actors. There are some very violent confrontations, some good toilet humour, and grossout scenes aplenty. If you can ignore the poor acting and low budget, and enjoy a good, violent schlock comedy, then you will like Bloodlust.