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Simply Perfect

Powerful

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Blistering performances.

I do not wish to contradict or to differ with any pundits on the cinematography of this movie and most certainly I have no wish to disagree with the views of fellow brothers of the blade.... yet there is an aesthetic side to this movie.Rowing, especially highly competitive rowing steeped in tradition, is a concept that can be understood only by those who have actually tasted the bitter gourd of defeat in a race and savoured its hard won victories. That is the essential of this movie.Indeed the mistakes are fallacious, and sometimes appalling pathetic, especially for those who know their blade work. However despite the blatant technical errors so obvious to a trained eye, as a story that inspires, this fills a much needed void.As a coxswain, its slightly different to the ones portrayed in the movie. Contrary to popular belief, in some parts of the world where there are traditional races like the Ox-Bridge where old rivals train eleven months of the year for just a single course down, we're not just dead weights in the boat. We actually have to do all the fitness that guys a foot taller and twice our weight have to do, only on one meal a day for weight reasons. Basically everything, ergo, weights, runs etc... except the water training. I found that the camaraderie that I shared with my crews, a thing all coxes will agree with me, was sadly missing in this movie. The 'coxing' in the final race was rather timid to say the least. Although I do confess, in the absence of something better this was a good phyche-up movie to watch before the races.What I did like about the movie is what it showed. The politics and the desperation to win is universal in every crew. The characters, heroes, villains and bystander can be related to by any oarsman. The best and most profound scene in the whole film, is not on the water, but at the meeting of the boat halls and the priest's take on what rowing for an institution is. That summarises the ethos for many of us. "We are servants to put in, not masters to take out. We owe that to all those before us and those who will come after us." In a Boat Races, to be second is to be last. It is a nightmare from the fall of the flag to the final line. This film shows what an oarsman goes through. Not as brutal as the reality but it is a glimpse never the less. Lines that seem cool yet speak volumes for those who have 'been there' are: "We need good men....not just good oarsmen..." "No one put a reserve sign on your seat...." "You can hear the boat sing...." "....make them feel like they came third...." "It's what we do to win the boat race...." What it shows, what no other film can show is the harmony of a team, and the determination and self sacrifice to win.For an oarsman who has faced the pain and the exhilaration of victory, this film will break a smile, not a cheer. Yet for the world that has not faced it, its a peek at an oarsman's world.Remis Insurgite!!!Tazio Ratnayeke

Not only is it a poorly told story, with terrible directing and acting as others have pointed out, but the rowing in this movie is actually quite bad. There are a few helicopter/crane shots of actual Cambridge and Oxford crews rowing, but it's obvious that these were taken outside the context of the movie. While the actors seem to have had some coaching and practice before shooting started, it couldn't be more than a few weeks. Their technique is horrendous, even in the Boat Race sequence. For people that speak the language, expect missed catches, washing out, bodies flying everywhere, coxswains yelling "stroke! stroke!" . . . you name it, they mess it up, and all the while the boats are perfectly on keel. Anyone who would be in The Boat Race would look much better than these fools. This movie has been a running joke in boathouses and on rowing message boards for years. If you know anything about what a rowing stroke should look like, how a coxswain calls a race, the etiquette of conversation during a seat race, or the difference between 20 and 35 strokes a minute, you will not be able to keep from laughing at this movie.

Rowing is a lot harder and satisfactory than running, and not only because of the physics, but also because of the team building style that can pre-eminently make or break a winning team. 'True Blue' is not a 'Chariots of fire' with it's David Watkin (Catch-22) cinematography and Vangelis (Blade Runner) score, but as I like rowing a lot better than running, this was a good film for me, especially because I started rowing in 1996. The film is not only appealing for the English or Americans, but also for the Dutch. The reason for that might be the Dutch victory in the 1996 Olympic Boat Race (and remember: no points for second place). These 'Holland Acht' guys must have seen this film the day before.Another good point of this movie is the absence of religious interference with the urge to perform, and the presence of struggle for influence between coaches and rowers. Apart from the infighting that's what is concerning rowers most. 'War is not about who's right, but about who's left (in the boat)'. 'True blue' is definitely more than a simple tv-movie for rowers. Credit to cinematographer Brian Tufano (Shallow Grave, Trainspotting, Quadrophenia, Lords of discipline).Accordingly, I have to rate both movies 8/10

Based on the true story of an American at Oxford swearing to overcome defeat in the 1986 Boat Race (Oxford's first defeat to Cambridge in 11 years) by returning the following year with some international colleagues and the resultant "mutiny" when they refuse to follow the coach's training schedules.The film is a fictionalised account and comes down firmly (as did the book on which it is based) on the side of chief coach Dan Topolski and OUBC President Donald MacDonald. It's not a half bad attempt at telling a story with a good bash at both trying to underline the importance in the old universities of the boat race and the physical demands the race makes.The rowing is reasonably portrayed too, using real oarsmen as their opposition and with the actors having been taught to row by Topolski, but sometimes the continuity is lost and there are mistakes aplenty if you really try to go looking for them!It's not a film that challenges, but it does entertain - although how much it entertains a dry-bob is the big question!