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Waste of time

Touches You

Good movie but grossly overrated

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

It is difficult to describe the visual beauty of Rusty Lemorande's version of the Henry James novel, 'Turn of the Screw'. Here is a film for people who can appreciate the aesthetic beauty of Gothic cinema. The lovely Patsy Kensit is Jenny, a sexually repressed young woman, who travels to Blye House to care for two very strange, sinister young children. The setting is gorgeous, with almost fetishistic attention being paid to every tiny detail. The clothes, the furnishings, the cars, even the beautiful antique toys are constantly on display here, in a dizzying display of hypnotic beauty. Jenny is tormented by the spirits of the dead, the children's former Nanny, and her mysterious lover. It seems like the children, especially the boy, Miles, have been somehow corrupted by these two. And this version of the story makes it obvious that the 'corruption' is of a sexual nature. Whenever children are sexualized, it adds a truly disturbing level to the goings on. Here we have an utterly bizarre, Gothic/erotic film that has been underrated by critics. Perhaps the subject matter makes some uncomfortable, but true horror should make one feel a bit uneasy. Filled with heavy handed sexual imagery, this is the only film version I know of where the child actors they used were the correct age. And the kids who played little Flora and Miles are superbly pale and haunted looking. Patsy Kensit is fine as the deeply religious Nanny battling her own inner demons as well as the demons of Blye House. Her delicate beauty makes her more of a sympathetic character. Even the music works for this one, haunting music box melodies to compliment the surreal and sometimes breathtaking imagery. The film possesses an undeniable elegance, moving along at a leisurely pace, drawing the viewer in with hypnotic visuals and a classic ghost story. While watching 'Turn of the Screw' I was repeatedly reminded of Mario Bava's masterpiece, "Lisa and the Devil". There is also a bit of "Suspiria" here, but it's similarities to "Lisa" are extreme. The setting; the beautiful house filled with erotic perversion and doomed, illicit romance, the camera angles, the gorgeous attention to detail. I highly recommend 'Turn of the Screw' to fans of Argento and Bava, and other prolific Italian horror directors of the 1970's. I hope someday that this bizarre masterpiece will find it's audience, and get the recognition it deserves.

The Turn of the Screw is set in 60's London where a young woman named Jenny Gooding (Patsy Kensit) has an interview with Mr. Cooper (Julian Sands) about becoming a Governess for two young children in a big house. Mr. Cooper is their legal guardian as both their parents were killed & he needs someone to look after them, Jenny accepts the position. Once there Jenny discovers a huge stately house isolated in the middle of the English countryside where she meets Mrs. Grose (Stephane Audran) the housekeeper & Flora (Claire Szekeres) the young girl she is meant to be looking after. Jenny receives a letter in the post informing her that the second child Miles (Joseph England) has been expelled from his school & coming back. Things go well at first but Miles & Flora are a couple of creepy kids, especially Miles. Jenny also learns that the previous Governess mysteriously died, Jenny's stay starts to become a nightmare as she suffers bad dreams, visions of supposedly dead people & there is definitely something very wrong with Flora & Miles...This British French co-production was written & directed by Rusty Lemorande & is a film that I found far too pedestrian & dull for my liking. The script by Lemorande takes itself 100% seriously, is somewhat sedately paced & was based on the short story by Henry James & I think that the word 'short' is crucial here as this filmed adaptation feels very drawn out & in my opinion has very little substance. I have never read the novel so I cannot compare the two but the fact that the film is narrated feels like it was added to increase the duration & as a whole very little actually happens. Jenny is the only central character with the two children & housekeeper the only other character's with any sort of significant screen time. The film didn't flow properly & the narrative didn't work for me, why does Jenny become so afraid of Miles? Did I miss something, she almost convinces herself without him actually doing anything that I can remember apart from being a bit naughty. Jenny ends up having a breakdown which just didn't seem plausible or convincing in context at all. The ending puzzled me as well, why did the kid die? What were those ghost's at the window doing? What happened to them? Was it Jenny's imagination? The things a mess & ends up being very frustrating as I felt there was a good film trying to break out, if only a bit more time had been spent on the pacing as it's very slow & the story which is loose to say the least. As a whole it's not very engaging or interesting & I found it became quite dull well before the end credits started to roll.Director Lemorande does a terrific job & The Turn of the Screw has a wonderful visual style to it, the locations, the interesting props & set dressing, the creepy toys, the colour schemes, there's some really cool angles & camera shots & I think a lot of time & effort was put into the look of the film. If only as much time had been spent on the script as on the visuals, a shame. Forget about any gore as there isn't any, there is also a distinct lack of scares.Technically the film is great & I have no complaints here, it was shot in Surrey, England. I have to say Patsy Kensit is hot in this, she's very cute. Julian Sands fans will be very disappointed to learn despite his top billing in the credits he has nothing more than a cameo that amounts to about three minutes of screen time.The Turn of the Screw (isn't that a great title for a film?) is a bit of a bore, there's nothing particularly exciting or memorable about it & it doesn't seem to know what sort of film it wants to be. I can't say I'd recommend it unless you like slow, dull pointless films.

Some people who have read James' novella might be off-put by the changes made here: the change of setting, the change of narrator. However, I find that this adaptation is the most faithful to the source of any I have seen. It conveys the mood, the nature of the spectres, and the bewilderment of the novella extremely well. If you want a grey, word-perfect recitation of the story, you can find it elsewhere, but this captures the nature of the torment better than any other.I do not recommend it for everyone, however, since you have to leave your expectations at the door.

If you know Henry James' novel and if you know Jack Clayton's first-rate adaptation of this subtle psychological subject, beware this poor adaptation from Rusty Lemorande. No tension at all and Patsy Kensit really is no Deborah Kerr.