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Woh Lamhe

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Woh Lamhe

Based upon the life of actress Parveen Babi, this film describes the life of a schizophrenic actress Sana Azim, and the love of her life - Aditya Garewal.

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Release : 2006
Rating : 6.5
Studio : Vishesh Films, 
Crew : Art Direction,  Director of Photography, 
Cast : Kangana Ranaut Shiney Ahuja Shaad Randhawa Masumeh Makhija Purab Kohli
Genre : Drama Romance

Cast List

Reviews

GazerRise
2018/08/30

Fantastic!

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StyleSk8r
2018/08/30

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Cooktopi
2018/08/30

The acting in this movie is really good.

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Allison Davies
2018/08/30

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Peter Young
2009/09/04

Just as the title offers, "Woh Lamhe" has many exciting moments to offer. I wouldn't say it's a great film but it should provide a very decent watch to its viewers. Supposedly based on Mahesh Bhatt's relationship with popular actress Parveen Babi, the film shows Babi in a rather negative light through Kangana Ranaut's schizophrenic young actress Sana Azim, and follows her relationship with a young filmmaker named Aditya who she falls in love with (that's supposed to be Mahesh Bhatt). A relationship starting off with a collaboration on a film is followed by a live-in relationship, where the young filmmaker is exposed to Sana's insanity. She is haunted by a woman who warns her that everyone wants to kill her. Quite expectedly, Aditya is presented as a kind-hearted and supportive man.I don't know if this portrayal of Parveen Babi's life is correct, but it is certainly unpleasant for those who have known and liked Babi throughout the years. It is not the first time Bhatt wrote a film with a character based on Parveen. His 1982 masterwork "Arth" had a similar character named Kavita played by Smita Patil. While Patel's Kavita was a half-backed role in the film, here we get to see this character as the film's protagonist. But unlike Arth, this film was made a year after Babi's death, so one can never know if the characterisation and the story are completely correct, though we all know that it's just based on this relationship and is not a lifelike depiction of it. Whatever there, the film is very alluring and visually pleasing, although it gets to be a bit disturbing at some points.The film belongs to Kangana Ranaut, who is astonishing as Sana. This is another role showcasing her talent in playing emotionally disturbed characters, and despite her very young age, she handles the rather complex character with great ease and looks beautiful and mature. Shiny Ahuja provides good support but at some scenes annoyingly overacts. The direction is quite good, and the film is enjoyable, interesting and has some fantastic tracks composed by Pritam. Every song has something nostalgically melancholic about it, which makes it memorable and ear-pleasing. Woh Lamhe is definitely worth watching, and not only once.

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Chrysanthepop
2008/07/15

The film is said to be based on Parveen Babi's life but I don't believe it does full justice to the late actress. I would prefer to look at this as a work of fiction, which I think it majorly is. The screenplay is pretty fast-paced but the story feels contrived. The music integrates well with the plot. The songs echo nostalgic melodies of the 90s and I particularly liked 'Sau Jawoon Mein'. Some scenes were a overdone and extremely manipulative. One such scene is where at a film ceremony, Kangana throws her undy at Shiny or the rape scene (which looked quite fake and forced). Performances are quite efficient. Kangana Ranaut does alright in acting but she's miscast. A more mature actress would have been better suited. Shiny Ahuja too is okay overall but his performance is inconsistent. In some scenes he's excellent but in others he does go overboard. Purab Kohli has screen presence and Masumeh Makhija is excellent. She owns all her scenes and is very effective. To sum it up, Woh Lamhe is a good enough one-time watch. But I would have liked to see a movie about the real Parveen Babi, her life, her career, her struggle and her survival.

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daniel schut
2007/11/16

I just saw this one and still processing it, but here's a few comments anyhow.I found Kangana's and the entire movie's portrayal of schizophrenia pretty well done. Someone above already said: if you've ever dealt with people closeby who have a serious mental illness, you will recognize a lot. Please do bear in mind, trying to portray the delusions of a schizophrenic is very difficult, because their delusions are, by their nature, tremendously unbelievable. Kangana succeeds because she is able to portray a schizophrenic AND a likable, sweet woman - and these are the two sides that Shiny Ahuja's character finds himself torn between.I thought his character was a bit less well developed. His delivery was a bit slow sometimes, and his emoting could have been better. All in all, not bad, but not splendid either.Someone upthread was reminded a lot of the movie "Gia". I do agree that it does bear some similarities to that movie - but this movie is no Gia-rip-off. It is based on the real-life story of Parveen Babi, a famous Bollywood-actress in the 70's (Zeenat Aman's main rival, so to say), who was also destroyed by her mental illness and the pressure of stardom. Saying it is a Gia-rip-off shows you just didn't do your research, and is an offense to these two excellent movies which only ebar a superficial resemblance to each other.The connection with Parveen Babi's life and Mahesh Bhatt's role in it, makes this movie even more interesting. One can sense the love that Bhatt poured into making this, a very true type of love. But at the same time, one cannot help but wonder: is this tribute also a way for Bhatt t o redeem himself, cleanse himself from any mistakes he feels he might have made with the real life tragedy of Parveen? This background makes the movie a must-watch for Bollywood fanatics. For others, it is a perfect movie to watch at home with your significant other.

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Sonny Azhakesan
2006/12/09

What a superbly enacted drama about the entangled relationships between the personalities of the Indian film world, where everyone is out to use each other to climb the proverbial unsteady ladder to success.This is the first Hindi film I have seen that has honestly and beautifully presented the difficult subject of paranoid schizophrenia in cinematic form. Kanagana Ranaut is outstanding as the female protagonist, Sana Azeem, who plays a top actress who has made a Faustian pact in order to achieve fame and success. Unfortunately for her, it's her Svengali -like manager and partner, played with thorough evil intent by an actor I do not recognise, who has made her the way she is. She is very unhappy and takes to drink with gusto. Every part of her body and mind is dictated by media sponsors, who decide all aspects of her life.Into this mix appear a struggling director and his partner, who sees their main chance in Sana – a ticket ride to success. Siney Ahuja, who plays Aditya, a pretentious director, is also outstanding. He is a superb foil to Sana, where the former starts out as disreputable, but charming character, but then slowly falls in love with the beautiful Sana when he sees her vulnerability.Sana's frequent bouts of hallucinatory attacks – where she sees a female alter ego, an absolutely evil bitch, who pursues her relentlessly – strains her relationship with all the men in her life. We see the back story of how she became what is today, where her condition is diagnosed as schizophrenia. No one but Aditya understands her predicament. As a boy he witnessed his own father, afflicted with mental illness, being subjected to electric shocks to cure his condition.When Sana herself was sent to a psychiatric ward to be given electric shocks, Aditya kidnaps her and takes to a safe refuge in the countryside, where he helps her to recuperate. It is not easy as her condition goes through a see-saw of emotions – one day, she's well, then the next day she's has recurring attacks of the imaginary female tormentor.The scenes where Sana enacts her schizoid episodes are superbly handled and absolutely terrifying. Having a member of my own family afflicted with schizophrenia, I know how realistic the scenes are. I am not surprised that Kangana found it difficult to portray, but portray she does. She veers from normality to madness with such consummate ease that it was difficult to tell where the borderline between sanity and madness began or ended. Her scenes were spooky and intense, and so was the imaginary character in her mind, played by unknown actress whose terrifying visage will remain in viewer's mind long after he/she has left the cinema theatre.Shiny's transformation from sleazy director to sensitive lover was remarkable and natural. He is an actor worth watching out for.I would recommend this movie to all who are interested in excellent performances, direction, and soundtrack. An outstanding and sensitive screenplay from Mahesh Bhatt – clearly he has delved deeply into his own life to write this tale. A film that is, in turns, entertaining, disturbing, moving and sensitively portrayed. A must-see for aficionados of cinema.

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