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Knuckle

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Knuckle

An epic 12-year journey into the brutal and secretive world of Irish Traveler bare-knuckle fighting. This film follows a history of violent feuding between rival clans.

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Release : 2011
Rating : 6.8
Studio : Fís Éireann/Screen Ireland,  Rise Films,  BBC Storyville, 
Crew : Cinematography,  Director, 
Cast :
Genre : Documentary

Cast List

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Reviews

Karry
2021/05/13

Best movie of this year hands down!

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Moustroll
2018/08/30

Good movie but grossly overrated

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MamaGravity
2018/08/30

good back-story, and good acting

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Aneesa Wardle
2018/08/30

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

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eddie_baggins
2014/01/22

Ian Palmer's fascinating look into the oft hidden world of traveling Irish gypsies and there subsequent bare knuckle boxing is a raw unflinching documentary that while not offering any concrete answers as to why these things happen it's still a must see account of some wholly original real life characters and lifestyles.Make no doubt about you will need to have subtitles on for Knuckle for it features a set of Irish men whose accent is so thick you would be hard pressed to understand a single sentence. The focus of Knuckle and these men is on James McDonagh a man who has never lost a fight and amongst his fellow kin is likened to some sort of Irish boxing God. James is a bewildering character but an ever watchable one, witness as he proclaims his fighting days are over only to again return to the arena to uphold is families name once more. Capturing James and his family over twelve years is director Palmer who deserves much credit for his work here.Palmer's direction is not professional in any stretch of the imagination but what it is true to the subject and his ability to have an unflinching eye on proceedings of these family feuds should be commended. With Palmer's hand behind camera the film never feels like it is taking a side in the story or pointing fingers at anyone whether they seem right or wrong, it's a bold directional decision yet allows the film to play out in non-intrusive way.Knuckle is a gritty violent film that some will find truly repulsive, Knuckle is also a must see for what happens in this story is real, the people are real and the emotions are real. If someone were to make a movie of this story it would seem unrealistic yet here we have an unquestionably honest look at a world that many would prefer not to acknowledge, put it this way if you thought Brad Pitt was the quintessential gypsy boxer you ain't seen nothing yet.4 swollen knuckles out of 5 For more movie reviews and opinions check out - www.jordanandeddie.wordpress.com

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SnakesOnAnAfricanPlain
2011/12/28

Like many great documentaries, Knuckle was born out of something else. It originally began as a wedding video. Ian Palmer found something so interesting about his guests, he ventured further and discovered the world of Irish travelling bare knuckle boxing. Most specifically he follows the feud between two clans of the same family, The McDonaghs and the Joyces. So after that wedding video, Palmer ended up documenting this feud and these fights for 12 years. This extraordinary amount of time puts the whole thing into perspective about the needlessness and absurdity of violence. Many say the feud goes back 50 years, and yet nobody gives a straight answer as to its origins. People hold grudges and plan rematches 9 years down the line. It becomes obvious that fighting has become an addiction and a way of life for these poor men. They have nothing else to do. When we see the acclaim they receive from their families, it's easy to see why they have been so taken in by aggression. In the first fight James McDonagh says it will be his last, but it's far from it. He seems genuine about his wanting to quit, but he always ends up in another fight. Even the director talks about how he continued filming just for the thrill, and had lost sight of his documentary. Every fight is brutal in that realistic sense, and Palmer clearly paints a vivid picture of this strange world. Aggressive men, but loving husbands and fathers. Fights that are fought for lack of reason, but are controlled and fair with a sense of honour. Knuckle is the kind of film that lures you in with basic blood lust, but gives you a whole lot more.

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dowisk
2011/11/25

A great film that i will watch again and again, the low rating is just not justified, this is pure adrenaline and compassion at the same time. A raw in depth documentary not to be missed, a look into the normally very private lives of the Irish travellers. This isn't just fight after fight it shows why and how the family's solve there feuds. some of the footage is a bit sketchy but takes nothing away from the film if any thing adds to the gritty compelling nature of this feature. Although i would say this isn't for the feint hearted and contains some very brutal real life bare knuckle fights, this is still a very good film that every one should see.

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j-wood
2011/08/10

Director Ian Palmer had a contact with Irish 'traveller' families and he became interested in their ways. In particular he sought out the semi-ritualized bare knuckle fights which solve (and re-kindle) their feuds. This feature-length documentary has been gestating for over a decade. Palmer's film partly appeals because of the secret nature of the age-old practice and the raw brutality of some of the moments caught on film. It grabs the same part of the psyche that responds when the ugly cage fighting is on (Cable) TV. Of course bare knuckle fighting isn't the invention of the 'tinkers' – it was common throughout England in the 19th century – it just looks weird now as an atavistic survival amongst these sprawling, huge, feud-locked families. Some of Palmer's subjects are great documentary material, especially his lead character who keeps fighting (and winning) but who has begun to felt heart-sick at the whole thing. You can also see the well springs of renewal in the adoring faces of the little boys who shadow box and dance around him as he comes home victorious. This is what it means to be a real man in this community. The old men are involved too, usually as referees (there are rules as we discover when young aspirant loses the plot and is disqualified for a bit of the old Mike Tyson face-biting). Away from the blood lust and excitement of the back lots and lanes, the members of the various feuding families – the Quinns and the Joyces – pontificate on what the point of it all is. "It's not just wars", says one man, "it means something." But the remark hangs in the air precisely because, as Palmer's haunting doco shows, this might no longer be true, if it ever was. There is individual heroism here but increasingly the sad idea takes hold that this dying form is just a huge cannibalistic waste of community energies.

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