Watch Absolution For Free

Redundant and unnecessary.

Awesome Movie

The film may be flawed, but its message is not.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Father Goddard (Richard Burton) teaches Latin at St. Anthony's boys school. Benjei Stanfield (Dominic Guard) is among his favorite students. However, he has failed to connect with Arthur Dyson in a positive way. Dyson wears a leg brace. He is picked on because he is bothersome. He looks to Father Goddard and Benjei for close friendship, but gets rejected.Meanwhile Blakely, a hippie biker (Billy Connolly) camps out in the woods nearby and has befriend Benjei who sneaks out at night to see him. Blakely's basic life philosophy contradicts the church and he places the idea in Benjei's head of feeding Father Goddard a false confession of a serious nature, one that would cause him to go crazy because he has to keep the secret: "A priest may not break the seal of confession" for any reason. Oh let the head games begin.This is an older film I had not seen before. I loved the twist. Part of a 70's fifty film DVD pact.Guide: No swearing, sex, or nudity.

I came upon this movie after it had already begun. I couldn't find the programme listing - so was completely 'at sea' as to the genre and mode for a time. Now, having read others' comments I can offer a different slant. My 'start' was around the time when two priests were talking, and referring to (Dyson?) needing extra care as he was vulnerable - and shortly after Benji pressuring Fr Goddard to hear his confession in the priest's study (usually a no-no) regarding his meetings with the seriously weird Billy Connolly character and his voluptuous lady. For a time I felt there was a Hitchcock-like parody running - the sound-track music seeming to be bordering on comic-horror. Viewing with today's (2009) sensibilities had me wondering if we were going to be traveling to the dire domain of sexual abuse so much a feature of recent RC 'outings' in real life, and for me for a time then added to serious tension. Of course there was no such sub-plot; Goddard was a 'true-blue' pre-Vatican II priest - a desperate "keep me constant Lord - keep me constant!" his prayer in times of dire temptation to stgrike back at his tormentor/s.I had never heard of this film - but was lured to stick with it because of Richard Burton - granite-like and deeply troubled from the first take. The plot twists were rather tortuous, and I didn't pick up the impersonation going on in the confessional, so was greatly caught up in the last plot movements.I agree with commentators that some of the filming tricks struck exactly the right note. The sequences in the woods were seriously spooky with their blurred shadowy nuances of being followed.The colouration plan was obviously meant to be monochromatic with only 'splash' instances of colour? i.e. inside the school and the character's hair and skin tones are quite black/white - with the priestly stole singularly purple, and outside of course, green was truly green.I rate this movie much more highly than most. At the very least it is of distinctive genre, keeps you viewing (past the small hours) and displays the legendary Burton still able to strut his thespian stuff with the best of them.

(There are Spoilers) Very disturbing film about a Catholic boarding school that may very well offend some viewers in its depiction of the schools Latin teacher Father Goddard, Richard Burton. It's not what Father Goddard does but how he's manipulated and later drove to the brink of madness and suicide that's so disturbing. All this while Father Goddard is trying to help one of his students Benji Stanfield, Dominic Guard, who had gone astray from the schools teachings to the point of murder.Being looked upon as his best pupil Father Goddard has Benji set up, to all the students in his Latin class, as an example of what a good and intelligent young man should be. This has the nerdy and crippled Arthur Dyson, David Bradley, always try to hang out with Benji in order that some of his popularity with both the administrators and students in the school would rub off on himself. Benji tolerates the odd-ball Dyson up to a point but gets a bit turned off by his always, through no fault of his own, screwing things up for him in his fumbling and butterfingered ways.It's when Benji doing his morning run, which the lame legged Dyson couldn't participate in, runs into this easy rider type hippie Blakey, Billy Connolly, that he starts to change for the worst. Blakey putting ideas into Benji's head about drugs and sex, together with his hippie girlfriend Louella(Sharon Duce), that has Father Goodard put his foot down and forbid Benji never to see Blakey again. Benji trying to mend fences with Father Goodard asks him to receives his confession which the Father reluctantly does and gets all the steamy and unholy details of his relationships with both Blakey and Louella.Father Goddard not being able to really do anything since the things that Benji confessed to him are between him and Benji, and God, tries in a round about sort of way to get the young man back on the right track. Benji who was getting fed up with the restrictions of his Catholic faith, in how it keeps him from doing the things that he really wants to do, starts to play games with the concerned Father Goddard. Benji goes out and committing a number of horrendous acts that included the murder of his good friend Blakey, who was about to leave him. Confessing those acts, or crimes, to Father Goddard Benji knows full well that he couldn't tell the police or even have him expelled from the school.Playing Father Goddard for a fool Benji starts to enjoy his driving the very serious and strict man almost insane. Running to where Benji told him that he buried the murdered Blakely Father Goddard only finds out that the whole story about murdering him was a joke. Later Benji again confesses that this time around he really did in fact murder Balkey and when the now almost hysterical Father Goddard goes to the place where Benji told him that Blakey was buried he indeed finds the man dead and buried! The movie then takes a sudden U-turn when it comes out, with yet another confession on Benji's part, that the lame and dejected Dyson was also a victim of Benji's insanity. These revelations drives Father Goddard over the top which is exactly what Benji was planning to do to him right from the start. Bringing Father Goddard to the brink of condemning himself, in the Catholic tradition, to eternal damnation or, in the eyes of the law, a life behind bars in either a prison or mental institution.The movie has a very out of left field surprise ending where we see what was really behind all this manipulating of poor Father Goddards mind. This act of revenge and jealousy that went as far as driving the man to not only lose his faith and sanity but his life as well. Father Goddard demise came about by him innocently going along with those who were using him and his good will, in helping them, for their own sick selfish and ungodly purposes.

In the last decade of his life Richard Burton was doing just about anything put in front of him for money. He felt, probably rightly so, that he had nothing to prove as an actor. So why not build up a nest egg, especially with all the heavy duty alimony he was laying out. It's the only reason I could think of he did Absolution.Burton plays a priest at a British Catholic school where he's got some really sadistic kids on his hands. After a class in which he carefully explains the religious implications of the confessional and the restrictions it places upon a priest hearing confession, Father Burton hears some confessions that positively drive him to the brink and he singles out one youth as responsible for it all. Drives Father Dick quite bonkers.It's pretty bad, it's the sort of stuff that the producers of American slasher films would do with a little more gore. It didn't enhance Burton's reputation and I wouldn't waste my time.