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Great Film overall

Excellent, Without a doubt!!

It is both painfully honest and laugh-out-loud funny at the same time.

Probably the worst Irish film ever made. "Father Ted" creator, Arthur Matthews penned this awful script and in the DVD extras he confesses to being "plot dyslexic". One is left wondering why a writer who is "plot dyslexic" gets to have his witless ramblings turned into a movie. Seriously, there are thousands of very clever plot writers out there who can't get a break. Anyway, there is no plot, no character development and no meaning to this mess of a movie. Yet, it brings together some fine actors. Gerald Mc Sorely and Owen Rowe are two of Ireland's best actors and its just as well that their careers are established because getting associated with this nonsense could really ruin an actor's career. There is not one proper laugh in what is supposed to be a comedy film. Attempts at Beckett type, minimalism fall embarrassingly flat. There are one or two Laurel and Hardy type visual moments which just look like bad impersonations. The pace of the whole movie is unbearably slow, so slow in fact, that at times it seems as if the director was making it up as he went along. I could go on and on but it really gives me no pleasure to be so critical.

Imagine the Irish boom years never happened. Everything is run down. No-one has any actual money, everyone relying on other peoples I.O.U.s. Politicians are grubby and self serving. "Entrepreneurs" and "Developers" are loud mouthed chancers. Some of the best Irish comedians came out of the grimness of the pre-Celtic Tiger era, and now the bad times are back, Arthur Matthews obviously feels back on familiar territory.Less a conventional film, more an extended shaggy dog story. Echoes of Father Ted? They are there beneath the surface, though disconcertingly Ardal O'Hanlon has morphed from Dougal to Ted. The archetypal comedic paring, stuck together like Vladimir and Estragon, Myles is a self-aware loser, struck by the despair of his situation, unable to part himself from Austin, an innocent fool, never able to see quite how bad things have got.Owen Roe is the star attraction though, with his famine theme park, and worship of Michael O'Leary. The DVD extras where he is interviewed about the park are almost better than the film. Ted Fans will spot Father Todd Unctious and Father Cyril MacDuff in nice character rolls.Would the film have been better with more development and a bigger budget? No doubt, but that sort of thing really doesn't matter to connoisseurs of the offbeat. Those who like Father Ted for its slapstick outrageousness (more Linehan's style) will perhaps be disappointed, those who value it for its sense of place, quirkiness, and getting under the skin of deeply flawed characters are more likely to warm to this film.

Coming to this film by way of having read that Neil Hannon put some music to it, and being familiar with the Father Ted series, I had expected to see a funny light movie. I was therefore not entirely sure what to make of it at first, it being kind of slow and sombre. If it hadn't been for me wanting to hear the music I might not have finished it, as it was somewhat lacking in clear plot lines and momentum. However, I'm glad I did, because all in all it is a very enjoyable movie, with a humble sense of humour, attention to people, landscape, light and weather (think Bela Tarr, but less depressing). It may have been that seeing this movie in 3 or 4 parts and not in one continuous sitting, has given it more time to sink in and be absorbed (see 15 minutes, pause for making coffee, see some more, sleep over it, and finish on a quiet Sunday, then think about it some more). It will then possibly leave you with a melancholy longing for desolate quarries in the company of one or two acquaintances after having done nothing important but experiencing a kind of satisfactory feeling. Looking forward to a DVD with slow commentary and a making of.

i was one of six people who attended the screening, i was one of three that stayed to the end. i thought i was in the clear when the credits started rolling, but then there was more footage during them. i felt like screaming "end you bastard!"all fault can be landed at the director's feet. the cast do a fine job, the script hits the right notes, the sets are fine, but the whole thing is so, so, so bloody boring.then i realised that this was one of the most high-profile Irish films that year. then i felt so royally betrayed.just because your film has all the hallmarks of the Coen Bros, doesn't make you as good, or even comparable to the Coen Bros. Referencing Withnail & I doesn't make people find your movie as good as Withnail & I.