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i must have seen a different film!!

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Set in modern Delhi(Delhi university to be precise), the movie juxtapositions many oddities together. To begin with, the character Sanjay Mishra(Shreyas Talpade), is your quintessential hinterland hero, emotional, with his earthy middle class values, providing a background for his (very ruthless) ambitions. Quite a contrast to this is the aimless Apurv, spectacularly portrayed by Imad Shah...He's cold, aimless, aloof and his mind operates in a space which is distinctly gray, but at the same time colorful. He exemplifies the new liberal man, who's defining character is his ability to negotiate in that ethical never land...Although I should add that though Apurv comes across as cold, he never appears calculating or Machiavellian....Sanjay's girlfriend Prerna is what I would call a perfect example of misplaced western-ism in the garb of modernity, the kind you encounter most in the metros...Ishita Sharma, who plays Kintu, symbolizing the next-gen teens...at the verge of sexual liberation, but still consider it important to cloak their expletives in a hogwash of codes(if you remember Juno, and the scene where her friend goes 'Phuket Thailand'...)....Overall the film portrays precisely the kind of societal changes going on in India...An urban elite who are too cocksure about their 'modern' values, a small town guy who holds on to his imagined traditional values, ambitious but often confused by big city people and their elitist habits...And in the end of it all, the intellectually ambiguous Apurv reducing everything to 'Sanjay is dead, and I survived'...So at the end it all boils down to cold facts, and nothing else....

Dil Dosti Etc means Love Friendship and Everything else. This is a new type of film that has come out here – with no stars acting, no big publicity just pure reality and some great music (see the music when Imad is with Vaishali). The film is about a college kid Apurv played brilliantly by Nasirudin Shahs son, Imad Shah who to get away from his boredom takes up challenge from his friend that he will sleep with three girls in day. The great things is sex is only part there is so much more…about the challenges of growing up, city life and what value friendship and love has today. The film shows how much aggressive boys and girls are now in getting what they want – the film poster rightly says when you are young you think the possibilities are endless for you (how true!).When I first saw the film, I came out with mixed feeling. When I heard hosteler boys dialogues on "holes" girls have, I wanted to slap the duologue writer. I went back confused by this film. I know people who had gone with me enjoyed it greatly. Guffaws and grunts if you know what I mean!!! Second day the film had not left me and I kept thinking why? And I could tell what I hated was not the dialogues but I have heard myself and that memory kept coming, The film was just trying to be true. This is not a regular film in any way… the best thing is a wholesome feeling you are left with that of youth life in India/ or Delhi at least. Dil Dosti Etc may be a uneven in acting by some characters (not Imad), and some scenes but the response I get I think there is a making of cult film here. Now, I wait to see what next idea the director of the film, Manish Tiwary is going to come up with. I give it 9 out of 10. (you can visit passionforcinema.com for more articles by the director on his film)

A young college fresher, Apu – bored with his life in college in Delhi – takes on his best friend's challenge - can he have sex with 3 women in a day? The women that Apu finds himself attracted to range from a prostitute, to a virgin, to a rich model. As our protagonist searches for women he can love, what is explored are the very nature of friendship, male bonding, voyeurism, sexual perversion and love.The film is set around students in Delhi University. Through two university hostelers, Apurv, a rich cosmopolitan guy and, Sanjay, an old-fashioned Bihari guy, the film juxtaposes the 'new' and the 'old' in Indian society. Sanjay represents the romantic and the idealist who has steadfastly pursued goals using conservative means. On the other hand, Apurv's life is directionless. He is a modern day skeptic who between the two ways to know love – emotional and carnal - chooses the latter. The three female leads, that of a prostitute, a school girl and a rich model are intricately used not only as love interests of our heroes but also to have the viewers chart a range of emotions. This film uses a rich ensemble of characters, stories and themes to aptly reflect the mood of urban India.Apurv has just started his college life in Delhi. To avoid the harsh hostel ragging, he spends a few nights in the city's red-light area. Here, he is introduced to Vaisali, an attractive but sharp-tongued prostitute. Apurv joins the hostel residents in a grand yet eerie celebration of the final day of ragging. He is introduced to the hostel's band-of-boys: Sanjay, a popular presidential candidate in the upcoming college elections, Sonu, an energetic loafer and a Sanjay loyalist, Deepak a visually-impaired hosteler with homosexual leanings, and Mark, an indophile American.Apurv, more relaxed now, begins to discover life in the hostel, college and neighbourhood. However, lectures in the college have little exciting to offer. He remains bored and pensive, and looks for a challenge that could make his life more exciting and meaningful. In the neighbourhood Apurv meets a school-going girl, Kintu whom he wants to befriend while she coquettishly remains noncommittal. He also continues his visits to Vaisali at the kotha. Apurv's major preoccupation is trying to find women he can love.In the background, rages the politics of college election complete with student gang wars and Sanjay's maneuvers for the presidential slot. Here enters Prerna Heerjawahar: a hot and rich girl with beauty crown aspirations. Sanjay's charismatic performance in a loud street fight ensures Prerna's fascination for Sanjay. Soon the ambitious duo becomes the odd pair on the campus.Meanwhile, Apurv has made a limited headway with Kintu – she will allow him to come along for a movie, share a cigarette and an odd kiss. Kintu's ex-boyfriend, Rajesh finds this unpalatable and beats Apurv up. Sanjay's gang avenges this. The same evening, Rajesh is dragged out of his house and brutally pulverized. Apurv can now deal with the 16-year old Kintu at peace. However, Kintu's mother with middle-class values intact ensures that the progress remains slow. Apurv's other interest, Vaisali has proved to be more than a handful. She remains brazen and offensive. Apurv decides to try seducing her into submission – taking it as a sign for a prostitute falling in love.At a party (-turned-orgy) at Prerna's farmhouse, Apurv hits it off with a new girl. The smooth seduction makes Sanjay admire the easy charm Apurv has with girls. The next day, sitting in an old monument, Sanjay challenges him, if he can have sex with 2 women on a single day. The quiet of the place and his own confidence prompts Apurv to say, "Yes, I can". Sanjay throws another bait, "Can you do 3 women in a day?" Apurv answers in negative, but now he has finally got a challenge he wants to live up to. The task carries both a visceral and a symbolic meaning for him. Apurv spends the rest of the film pursuing this goal. For Sanjay, the race for the college elections too has heated up. He is the top seeded candidate but has got two popular and powerful rivals to beat. The film now moves towards a volatile climax. For all the indulgence and decadence that Apurv thinks he can afford, someone now needs to pay a price.Love Story explores the very nature of friendship, male bonding, voyeurism, sexual perversion and love. This original screenplay full with realism and black humour shows the coming of age of not only a young man but also the social codes & mores of Delhi.

This movie is good, could have been better given a binding and well paced script.This movie basically tries to show the different shades of a present day Indian youth.The movie grows in a Delhi college.It starts with ragging and moves around the election politics prevalant in colleges.Most of the time movie is close to reality.I didn't know that Imam shah is Naseeruddin shah's son but few minutes into the movie any one could tell why this lad who barely seems to have crossed his teens has portrayed such a complex character with so much comfort. The new girls are really cute and have played their part boldly.These are the faces of changing India, it depends on you how you take it!!! Smrirti Mishra and Shreyas Talpade have again proved their mettle as ACTORS.Shreyas did a really gud job as it is not at all an easy task for a maharashtrian to play a part of a bihari student politician.You have to be a bihari to say 'maar denge' as 'maare dengeeey'During the movie you will certainly try to find the message director wants to convey here and you get the answer right in the end which makes you feel happy about the ending as many movies leave the onus on you.The three equations as Imam puts summarize it all Sanjay( Shreyas who fell in love) is dead, I( Imam Shah who makes love with 3 girls in 1 day) survived & I am still looking for love.So apart from all the funda that you can derive from this movie the bottom line is don't fall in love!!!