Watch Out of Bounds For Free

As Good As It Gets

Absolutely Fantastic

This is a must-see and one of the best documentaries - and films - of this year.

While it doesn't offer any answers, it both thrills and makes you think.

This was well acted especially by the two female leads. However, the twists were overdone...especially Celia Imrie as a Psycho. She being a doctor how come she did not know Mr Van Huet was properly dead!?Other characters, Sophie ward's first husband and his second wife didn't instill belief, when all others did. Also, Mr Van Huet also became a sudden Psycho, killing Michael Elphick(not wholly sure why, was Mr Elphick in on his "death") and, so the viewer, may believe at the end going to kill Sophie Myles.If it had not gone slightly over the top and crappy other characters, it could have been a really eerie/mystery film in the old Gothic style.It's a shame to the male world that Sophie Ward is a lesbian. But Overall enjoyable.

The headmistress of an all-girl boarding school discovers her art-teacher husband is having an affair with a pupil. The husband disappears leaving his wife and the girl alone in the rambling old-school buildings during a school break.On paper this sounds like a good premise for a creepy thriller. In reality what we get is a series of unlikely killings, red-herrings a-plenty and an uneven tone that never pulls the viewer in to the story.The biggest problem is the timid, anaemic direction for which writer Merlin Ward himself must take the blame. This is clearly a case of failing to identify the target audience. Is this an afternoon TV movie or a late-night thriller? In trying to hedge his bets Ward misses both targets. Clearly frightened of "Lolita" comparisons, he has Sophia Myles portray the schoolgirl at the heart of the story as the blandest of blondes. In similar vain, he makes only the merest of hints as to why headmistress Veronica Van Huet (an otherwise excellent performance by Sophie Ward) would not have had the girl expelled immediately.The ending piles on the unlikely events thick and fast but fails to provide a satisfying explanation for them. In truth it's probably not as bad as I've made it sound, but it is unsatisfying to see a missed opportunity to make a better movie. If only the Coen Brothers had been in charge this could have been a first-rate black comedy.

What a complete waste of time, redeemed only by occasional shots of the heroine's nipples. Other people say this is a sexy, English thriller. I'd say it's a formulaic hash of melodrama. A single positive note: some of the actors do deliver compelling and convincing performances, but what a terrible waste with this material.To save you also watching to the end to find out what's going to happen, I'd like to try and explain the last half of the film. Really, I'd like to. But, my God, I can't. I've no idea why the victims end up dead, why the villains decide to kill them, or why the other proponents look on with horror. It doesn't make any real sense, except to justify pointless, end suspending twist, after pointless twist.So before I waste more time on this film, bed.

This shocker of movie comes highly recommended in several recent reviews, and foolishly I've been dragging my heels on giving it an eyeballing - but now I've cracked, and what a treat to behold! Writer Director Merlin Ward's movie debut OUT OF BOUNDS, is a genuine beacon of classy Brit storytelling, shining brilliantly against the usual slew of boring Brit fare, punch drunk on easy come easy spend lottery funds. Ward is a true left brain, right brain entrepreneur, having courageously funded his own movie and surrounded himself with the best in the business to realise this incredible result. Here's a story that delivers classic tension right from the opening titles - and which had me sweating on the edge of my seat till the final terrific twist in the tail - which I genuinely didn't see coming! The fine performances Ward extracts from his cast is a sharp measure of raw professionalism, and his stars Sophie Ward (no relation), Sophia Myles and understudy national treasure Celia Imrie, should be proud to add this outing to their career portfolios. Stealthily underlying the action, composer Mark Ryder's deadly score is an unnerving cardiac backcloth, worthy of Hitchcock's chilliest - and a very natural marriage to Ward's taught and frugal direction.In the set up, boarding school student Louise (Myles) pleads with her sexy headmistress Veronica (Ward) to let her stay on at school during half term, ostensibly for extra studies. But oh dear, the seemingly innocent little girl happens to be a regular item with Veronica's hunky American hubby and fellow teacher, Matt (George Asprey). So what happens when Veronica finds out? and does Ward's dark and driving script visually live up to the graphic shock horrors that inevitably follow? For my own part, I needed a couple of Lorazepam after what you might call one of Celia Imrie's more interesting scenes!For those lucky enough to see it, Sam Raimi's wonderful US movie A SIMPLE PLAN, creatively eclipsed the more media bullish but greatly inferior FARGO. In the same way, Merlin Ward's OUT OF BOUNDS does just this to all those tired British wannabe thrillers with nothing on board but a fat promotional budget. Clearly, OUT OF BOUNDS is a great Hollywood movie in all but country of origin, and if lacking in multi-million pound promotion, still has a massive audience in waiting, by way of good old fashioned word of mouth. Press Play and enjoy!Roger Hopkins