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Five Dedicated to Ozu

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Five Dedicated to Ozu

Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks.

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Release : 2003
Rating : 6.5
Studio : MK2 Films,  NHK,  Behnegar, 
Crew : Director of Photography,  Director, 
Cast :
Genre : Documentary

Cast List

Reviews

BootDigest
2018/08/30

Such a frustrating disappointment

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Moustroll
2018/08/30

Good movie but grossly overrated

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BelSports
2018/08/30

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Arianna Moses
2018/08/30

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Ash512
2010/04/07

Five is by far Kiarostami's most perfected film. His art has reached a level of maturity that very few directors can ever dream of reaching. This is what minimalism really is : saying nothing yet expressing everything.In a nutshell, Five is an experience for the sight. There is a strong narrative in every shots. Suspense is created from these Deleuzian pure optical/aural situations, you watch every wave hit the shore and suddenly your mind awakes. All of the elements of narrative films is right there, albeit being in their most absolute minimal form : suspense, tension, relief.Five, unlike Hollywood films, works only if the viewer submits himself entirely to the experience. It takes cinema back to its very beginning : unipunctual "views", like Lumière films. One might argued that it's a film about cinema in many ways. Five is actually a very entertaining film, as long as you walk in open minded and keep your brain active. Food for thoughts.

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HoraLucia
2007/04/13

I found it charming! Nobody else but Kiarostami can do so little and, yet, get so much. You might think I'm weird, but I was so charmed that I couldn't speak during the movie. While during other movies I comment a lot. The short movie made by him for Lumiere et Companie, the one with the eggs, that one is unbeatable in my heart, but this is wonderful, too. I liked it better than Ten. Kiarostami is, maybe, the best director in my opinion, because he can see things! He doesn't need to use a lot of stuff "brought from home" to illustrate his images, he simply grabs a camera. Not many can do that.. Maybe I don't know to much about movies but I don't care about complicate stuff, all someone has to do is touch my soul. Kiarostami does.

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pinkpab
2005/04/01

Well, I generally like Iranian movies, and after having seen "10" by Kiarostami the night before, I was expecting a great movie. I was very disappointed. This is by far, the worst Iranian film, and one of the most boring Asian movies I have ever seen. If you have never seen a Kiarostami movie before, watch "Ten" instead. If you want some good Iranian movies, you may also try "Sib", aka "The Apple". This movie is divided in 5 parts, and only the fourth, featuring some funny ducks, is worth watching. If this is the first Iranian movie you see, you probably won't want to see any more. I don't blame you, but you will miss some great movies.

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sprengerguido
2004/12/12

SPOILER ALERT! Nah, just kiddin'... There's no plot here anyway. Well, I seriously think the world would be better if there were more films that show nothing but landscape. Of course you need some formal twist or concept to turn it into art. And Kiarostami does this: Even in this film, with its five long takes and no dialogue, he manages to address some of his central concerns: What is "real" and what is "directed"? Where does the director come in? So each shot makes artistic decisions - like to fix the camera on a small piece of wood that broke off of the larger piece of driftwood, until the letter moves outside the frame. Or the seaside avenue: As soon as the four old men gather, no other passersby appear, although there have been many before - was that arranged by the director? The take with the dogs fades out into white very very slowly... Then: Ducks. Many ducks! Walking to and fro. This is comedy! Ducks are funny beasts, anyway. And their footsteps are dubbed: As Tati once remarked, legwork is the clue to good comedy. Then, Kiarostami cheats in the last shot: This is edited. True, the moon on the water is wonderful, and Kiarostami is right in showing it for half an hour. But there is also a rainstorm, and in the end, after a cock's call, it becomes light in undue haste - everybody who ever spent a night outdoors knows it's not that neat. But well... It's still wonderful. Only the Betacam quality of the images is a bit off-putting; HD would have been more effective.

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