Watch Story of a Cloistered Nun For Free

Why so much hype?

I don't have all the words right now but this film is a work of art.

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Exactly the movie you think it is, but not the movie you want it to be.

Here's an Italian-Spanish-West German nunsploitation film based on the supposedly true story of Sister Agnes Carmela which follows her trials and tribulations after becoming a nun and the vice-ridden convent at which she stays. Truth be told, I'm not a big fan of the nunsploitation genre but STORY OF A CLOISTERED NUN is never boring as some of the films can be. Carmela certainly has an eventful stay at the nunnery, and her many obstacles and pains include being locked away in solitary confinement for thirty days; being whipped after leaving her room at night; unwanted advances from a lesbian sister; the murder of her lover; and her final pregnancy which leads to the convent being closed down and a new, unexpected life for the sister.While the usual genre trappings of sex and nudity are present, the film goes beyond that to offer a truly beautiful experience. The crisp photography is highly artistic and rewarding, the period music evocative and classy. The actresses are all selected for their good looks as well as their acting abilities. All of these factors make STORY OF A CLOISTERED NUN a film which is very easy on the eye. Eleonora Giorgi plays Carmela, the beautiful yet fragile woman who acts as the film's eyes and ears - after all, this is her story. Giallo veteran Suzy Kendall takes the role of the mother superior to make it memorably her own, while the film also carefully fleshes out the characters of the other nuns in the convent - the misguided lesbian friend, the spy, the "mad" nun who ends up killing herself, the childish newcomers. The themes in the story are adult and widely cover life, death, religious values, love, sex, and the human character to make for a rich experience. STORY OF A CLOISTERED NUN is a film which transcends genre boundaries to make for a watchable - and interesting - tale.

Quite a surprise, this one, not at all your usual, sex and violence, nunsploitation but a much more measured and ravishingly beautiful film. Much effort has been made to give this a most believable slant and indeed claims to have been based on true accounts. It certainly has the feel of something much more than mere exploitation and it has to be said that whilst the usual ingredients make appearances they are more realistic than is usual and in some ways the more erotic for that. I see from my records that I did see this film years ago on video and was not very impressed, so whether I was disappointed, at the time, by the lack of usual goings on or unable to fully appreciate the movie without the crisp and colourful image now presented, I know not. In any event a most impressive outing.

Possibly the best of the Italian "Nunsploitationers" – even if, apart from ample nudity (the violence here is quite mild), the film's character-driven nature is liable to disappoint hardened genre fans…not to mention a denouement which could be deemed anti-climactic! It was made by the same people behind THE NUN AND THE DEVIL (1973; see above) yet, being inspired by real events and therefore more 'serious' in tone than its predecessor, director Paolella was not afraid to attach his name to it. While the plot per se is rather thin and offers no real surprises (especially after having watched 9 of these in a brief span of time!), the end result is immeasurably elevated by spot-on central casting: Catherine Spaak (as a rebellious bisexual nun), Suzy Kendall (as the quietly perturbed Mother Superior) and Eleonora Giorgi (arguably the loveliest actress to feature in this type of film and whom the makers miss no opportunity to parade sans clothing); by the way, Martine Brochard from the previous film returns in the role of a crazy nun. The males figure less prominently this time around – even Umberto Orsini is no more than a narcissist relishing his prohibited liaison with a cloistered nun (Spaak). Following on from THE NUN AND THE DEVIL, Piero Piccioni contributes another lush yet moody score to complement the film's striking visuals (courtesy of cinematographer Armando Nannuzzi, a Pasolini regular, and the stark production design). Interestingly, the credits are accompanied by stills depicting vintage artwork but also scenes from the previous film itself!; a small gripe I have with this particular presentation of STORY OF A CLOISTERED NUN is that the admittedly tiny English subtitles are non-removable (which, being fluent in Italian, I did not require).

This is one of the earlier Italian "nunsploitation" films and as such may disappoint those expecting a Joe D'Amato style sex romp like "Images in a Convent" or the bloody satanic pandemonium of the later Jess Franco/Hispanic variety. It is also not nearly as gruelingly realistic and incendiary as "Flavia, the Heretic", probably the best of these films. It most resembles the two films before it--"The Nuns of St. Archangel" and "The Sinful Nuns of St. Valentines". These films don't quite make up a trilogy since they are all more or less the same. A young woman is confined to a convent after she refuses a marriage arranged by her strict father. There she finds herself caught between the kindly but strict Mother Superior and a libertine bisexual nun from an influential family who is able to obtain favors like drunken, naked parties and rendezvous with men on the outside. After the young nun becomes pregnant by her boyfriend a scandal erupts and all the nuns have to unite against a common enemy--the corrupt and brutal patriarchal authority.Although the story is pretty mind-numbing, this movie really works because of the acting. Suzie Kendall really manages to flesh out what is usually a pretty two dimensional Mother Superior role. Catherine Spaak is equally good as the wicked, libertine nun. Eleanora Giorgi plays the young novice, the role occupied by Ornella Muti and Jenny Tamburi in earlier movies, and she is more than adequate. And if you don't blink you might also see an early unclothed appearance by Paola Senatore who was later in "Images in a Convent" (and apparently hardcore Italian porn). There is some nudity, mostly by the beautiful Giorgi and the extras (Kendall, characteristically, and Spaak, quite uncharacteristically, both keep their habits on), but there is a general lack of the depravity fans have come to expect from this genre. There is one scene where Giorgi (half-naked, of course) is tied up and whipped, and a scene where Spaak is made to crawl across the floor licking it with her tongue--a striking if perhaps not really very erotic image.This is kind of tame but definitely worth watching, especially for nunsploitation fans and other demented perverts.