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Rubber's Lover
After the explosive demise of their last subject, scientists must look for a replacement on whom to continue their bizarre experiments with brain-altering drugs.
Release : | 1996 |
Rating : | 6.3 |
Studio : | Honekoubou, Koga Kogyo, |
Crew : | Art Direction, Assistant Art Director, |
Cast : | Nao Yohta Kawase |
Genre : | Horror Science Fiction |
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Best movie ever!
A movie that not only functions as a solid scarefest but a razor-sharp satire.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
If Rubber's Lover was meant to be understood and fully appreciated, It fell short. I was intrigued by the camera angles, technological props, and trying to find the storyline. This cyberpunk, art house, music video type spectacle, tired me out and seemed a lot longer than the posted 91 minutes. After considerable attempts to understand this movie, I surrendered. If I was at the theater, I would have left early. This movie brings up memories of David Lynch's Eraserhead and Croenenberg's Scanners. If this was a film school assignment in which the assignment was to make the weirdest movie you can think up, this was probably the winner. Not my thing, maybe yours.
From the man who made Pinocchio 984 comes another cyberpunk story filmed in black and white industrial. This is the story of the DDD which is a device which researchers hope will turn into some sort of super weapon. The test subjects are strapped to a chair and the DDD is turned on inducing a weird trance and trip. It also induces insanity and death. Chalk this up as another Japanese assault on our senses with the use of disjointed soundtracks and jarring fetishistic images. Not as lacking in story as Pinocchio, this film does have a plot, but its more an excuse to hang button pushing images together. As a collection of images or as a button pusher its gangbusters. As anything that resembles a real movie its lacking. A fine example of form over content...if you like that sort of a thing
This is another one in a long line of typical Japanese black-and-white film-student-project-gone-wrong pretentious wannabe-deep-but-it's-not pseudo-surrealistic piece of crap masquerading as "disturbing horror." A never-ending bout of morons screaming for no reason and just "freaking out" is what you are in for with this film.Of course, any movie like this will attract countless reviews speaking of how "briliant" the director is, how "disturbing" the film's "message" was (bwhahaha!) and a long string of steamy nuggets of self-delusional insight, but what it comes down to is this: low budget black and white boring inanity with lots of stupid screaming that will bore you to the verge of tears.If you're looking for an actual movie with plot that will entertain you, this is not it.
This does for corporate research science what 'Texas Chainsaw Massacre' does for inbred hillbillies. It is a film about psychic warfare that makes David Cronenberg's 'Scanners' seem ineffectual. Tho I don't like Rubber's Lover as much as Fukui's other feature, '964 Pinocchio,' it is certainly remarkable. What makes this film chilling to the bone is not the strange technology depicted or the spooky black & white cinematography or the creepy narrative ambiguities, tho this all adds. It is the screaming, hysterical, overblown performances by the actors which really gives the impression of terrible violence. Tho there is a decent amount of physical splatter in this film, the real gore is psychological. Try this film. you'll feel like a rhesus monkey in a head trauma experiment, and you'll like it!