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Just perfect...

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Joseph Bottoms plays American Jonathan Ratcliff, living & working in Athens. His world is turned upside down when he suddenly losses his sight, but thankfully for him an electronic sonar device has just been invented which allows blind users to "see" (via very dated looking computer graphics) & he agrees to become the first person to try it. Meanwhile an unknown, gloved killer is murdering beautiful young women with a scalpel & it's only a matter of time before their paths cross. I'd never heard of this movie before, picked it up cheap on DVD from a charity shop, but once the name Nico Mastorakis appeared as director/producer on the opening credits my interest suddenly perked up (he made the infamous, one time "video nasty" Island of Death). I found this is to be reasonable attempt at making a giallo style psycho thriller. There's some good camera work going on during some of the more suspenseful sequences. Plenty of female topless nudity, including Kirstie Alley doing apparently her only ever topless on camera scene, though that's hardly a recommendation! Pretty tame in the gore department, only two onscreen kills, both bloody but brief. As already mentioned the computer graphics look very dated - even for 1984 - but it only adds to it's charm.

Director Nico Mastorakis had a moderately posh budget for once and was able to give this little techno thriller a nice glossy look, plus he proved somewhat prophetic when a few of his ideas regarding the central gimmick - a radar-like device that allows a blind person to 'see' via reflected sound - actually appeared in medical devices within a few years. Mastorakis, as usual, shows a good photographic eye for interesting backdrops, found objects, cityscapes etc. often from oddly skewed angles.Moreover, the movie is an underground legend among video geeks who pursue gratuitous nudity by female TV stars. Marina Sirtis has a brief but memorable topless appearance as a hooker and Kirstie Alley features in her only nude sex scene. Infamous murder victim Lana Clarkson co- stars as the object of a stalker.Beyond such prurient considerations, however, there is not a whole lot here that we didn't see fairly often in any 80s thriller. There are fights, car chases and foot pursuits (with the admittedly novel twist that one participant is a technologically augmented blind person). This was familiar stuff then and has gained no new freshness with age.

Part psychological thriller, with just a bit of sci-fi, it really never does work. Joseph Bottoms was pretty boring as the lead. Kirstie Alley was pretty good, and this film DOES have her only known topless scene. (There is a long feature on the director on the DVD which contains some additional footage of this scene.) The late Lana Clarkson was good enough here, and Marina Sirtis looked fantastic as the hooker. Keir Dullea was simply wasted on this material. The biggest plot hole had to do with the special effects (which really weren't all that special). The grid outlines that Jonathan Ratcliffe (Bottoms) were able perceive simply weren't nearly good enough for him to get around as well as he did. And I mean walking about, we don't even have to go as far as the driving scene. Also, he really wasn't very convincing as a blind man. Poor screenplay plus poor acting equals poor movie. The only reason to check this one out is if you are interested in Alley. Grade: D-

This is an excellent film. The thing that struck me first was that this was a serial killer flick in which the police hardly figure at all, you see them once or twice from a distance. You have two stories running in parallel until finally, and inevitably, they cross.The second thing that really got me thinking is that our agent of justice probably got the wrong man. The evidence we have is far too circumstantial and would have been thrown out by any right minded jury, if the judge had not already dismissed the case.Was the real killer driving the cab from which Kirstie Alley's character fled?The character of Jonathan Ratcliff is interesting because, whatever his virtues might be, he is also a stalker. And we discover that when he is blinded there is no physical reason for his disability. On some subconscious level he has chosen not to see, and when he is given a device which enables him to see, after a fashion, it is in black and white and works on the same principle as sonar, that is it reflects back the signals he sends. He no longer sees the whole picture, and neither do we.The concept of blind Justice is on one level a reassuring one since everyone is equal irrespective of race, creed, power etc.. However, on the other hand, Justice is blind! This could mean that it cannot differentiate between the innocent and the guilty.In the film the character of Jonathan Ratcliff is living out a fantasy, when at the end he is asked by the woman he has just 'rescued' what his name is he replies, 'A friend': like a guardian angel or a comic book superhero. He is a voyeur who has been forced to take a role, to follow a destiny and he shapes that destiny himself.The film itself is well put together and there are some wonderful Hitchcockian touches, especially in the way it exploits the blindness of the central character and the limitations and possibilities of the electronic device that substitute for his eyes.I rate this film 8 out of 10, very thought provoking.