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Legacy of Blood
Horror movie about three wicked sisters and their equally unsavory husbands who all arrive at a remote inn where they mean to attend the reading of their uncle's will. One by one, the heirs are dispatched by an unknown killer.
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Excellent but underrated film
In truth, there is barely enough story here to make a film.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
This horror movie is just awful. It is not scary. It has an awful acting. It also has an awful story line. It just awful. It has an awful ending. It crape. If you what see a good horror movie see Dracula (March 1931) or Frankenstein (1931) or The Wolf man. But this is awful. Do not see it. It is a really bad movie. It is waste of time and a waste of money.
Milligan had made some wonderful "z-grade" horror films about ten years before this dud. Torture Dungeon, Ghastly Ones, Guru the Mad Monk, Bloodthirsty Butchers; these were the golden years for Milligan's thrillers. By the time he had made this film, he was only a stone's throw away from his excruciating Poltergeist knock-off, Carnage. In fact, Legacy of Blood itself seems to be cribbed from an identically titled Carl Monson film released earlier in the decade. I've never seen that one, but if there is no connection, then what we have here is yet another mysterious coincidence as had happened with the two Naked Witch films in the 60s. If you do view this film, make sure you see the others I mentioned first, especially The Ghastly Ones and Bloodthirsty Butchers.
Legacy of Blood is pretty much your typical Andy Milligan film; poorly produced, badly acted and very boring. This film is something of a remake of Milligan's earlier film; the very boring, poorly acted and produced 'Video Nasty' Blood Rites, and does nothing to improve on its predecessor. The film has pretty much nothing in the way of credibility, and while rubbish like this can sometimes be enjoyable; that isn't an adjective I would use to describe this film. It actually took me three sittings to make it all the way through, as the first two times I switched it off before reaching the ten minute mark. The plot follows three women who travel to a secluded mansion with their husbands for a reading of a will left by the father they barely knew. They then start getting picked off by an anonymous killer. The film features a handful of nasty death scenes, but strangely for Milligan; they're all rather tame and we don't get to see much. Hitchcock said less is more, but in this case it really isn't as it just makes Legacy of Blood even more of a non-event. Overall, there's nothing to recommend this (or Blood Rites) for, and by missing it, you're missing nothing.
Andy Milligan has something of a twisted reputation among bad film buffs as producing inept low-budget gore. This flick is a slightly more competent remake of an earlier film Milligan conceived called THE GHASTLY ONES. The plots both films share is this: a trio of sisters, along with their husbands, travel to the family mansion for the reading of the late father's will. The sisters stand to inherit a substantial fortune, but someone plans to kill them before they can stay the prescribed weekend in the house, and various gory murders ensue. Milligan tried both with period settings, 1905 for the first and circa 1920 for the latter, and the remake fares better in terms of accurate period detail. Also, Milligan takes more care to develop the characters and their relationships with each other. Also, the two sisters who care for the mansion and their retarded brother are given more development, most noticably in the brother, originally a rabbit-eating geek in the first, is portrayed as a sad waste of human potential in the second. The sight of this simpleton crouching in his squalid basement room, punching a teddy bear over and over while babbling, "Stupid, stupid" is more chilling than any disemboweling. While not a great film, it stands head and shoulders above it's predecessor. And nobody hacks up a single mannequin this time around.