Watch House of Usher For Free

If you don't like this, we can't be friends.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

One of the most extraordinary films you will see this year. Take that as you want.

It’s sentimental, ridiculously long and only occasionally funny

Oh. My. GOD!! We didn't expect much and we got even less. No true spoilers here because we only got through about half an hour of this pointless mess. The actors appeared to be reading from a teleprompter - complete with pauses in the middle of sentences as if they had to wait for the next set of lines to appear. There was absolutely no emotion in anything anyone said. I don't necessarily blame the actors, though. They had awful material to work with. The "softcore porn" scenes were even so incredibly bad it was painful - and they seemed to go on forever. Here's the spoiler part, if you can call it that. Even the hands of the "ghost" in the tub were badly done. Over the top bad.The sister had a little more animation in her, but it was so overdone it was also painful.Timing was awkward. Scenes that contributed nothing were scattered all over. The music was uneven, didn't fit, and was annoying.That's half an hour we'll never get back. Sadness. Tears.

First off I have to say: Holy crap Actual gay themes and characters and not just hinting at homo-eroticismNow on to the Bad which constitutes the rest of this review after all it is another David DeCoteau cinematic bowel movement.Because I can't be bothered typing up a plot synopsis here a cut and paste from IMDb: Victor Reynolds arrives at the notorious House of Usher, whereupon he is greeted by old acquaintances Roderick and Madeline Usher and their servant, Markus. As Victor uncovers more about the history of the house and the disappearances of those that entered it previously, he begins to realize that he is in mortal danger. Written by tixylix Most unintimidating killer I've seen I actually snorted as soon as the first reveal happened and again as in the Brotherhood the baddies always wear sunglasses @ night... the Neo look went out with the Matrix, DUDE..! Claims to be Poe's house of usher though I never read Fall of the House of Usher though I can guarantee that the killer in Poe's vision did not wear a trench coat and shades Matrix-Style!The actors Playing the main characters of Usher (Ush) and Reynolds seem to rather want to film sex scenes rather then further the story by actually acting a reciting lines with anything remotely resembling not making it obvious that they would rather just read a few lines off a cue card. WHY OH WHY CAN'T DECOTEAU SPEND A FEW BUCKS ON ACTORS WITH TALENT???????Do we acutely get what the other DeCoteau films hint then tease at... some serious guy on guy action..? YES!!! In a soft-core way! Some over the undies action no full frontal... god even the nude statues have leaves over the naughty bits… and a bit of coitus interuptus over "issues"And yet another DeCoteau film with psychic character DeCoteau seems to be a director of the church of lazy writing convention #1 (see my past DeCoteau reviews to get that) this time the character Reynolds can see into the past with 100% accuracy and can see dead people (solid ghosts?) I'd ask who writes this 'Stuff' but does anyone actually care!?The make-up effects consist of some cheep Halloween horror blood that literally looks like it was applied with a finger and those cheesy dissolving blood capsules that you can get a the local dollar store. The sound track is loud and over bearing I suppose it's trying to emulate the Gothic horror of the Vincent Price Fall of The House of Usher film but falls miles short. Then there are the plot holes and missteps of this film: At least research the damn disease that a character has. "Catalepsy" is nothing like what Madeline has. Catalepsy is a nervous condition characterized by muscular rigidity and fixity of posture regardless of external stimuli, as well as decreased sensitivity to pain. Symtoms are: rigid body, rigid limbs, limbs staying in same position when moved (waxy flexibility), no response, loss of muscle control, and slowing down of bodily functions, such as breathing. Notice falling unconscious is not one of them, even though she does suffer from it in the original Poe Story.DeCoteau is to queer and based on famous fiction horror as Lomell is to based on true events horror house of usher bears as much resemblance to Poe's work as Lomell's so called based of a true story horror films like BTK Killer, Son of Sam and Zodiac Killer to name a few.And we come to the end of the Film:Look it's the same ending as The Wizard of Oz …"you where there you were there" Reynolds wakes up and he's in the loony bin the whole movie a figment of his mind using apparently the Poe books he read that are sitting on his window sill and the people and places as the characters and setting of is delusion.

Wow, I haven't seen a film that sucks THAT bad in a long time. I only watched it because I read a user comment with 10 stars, and thought to myself "well it can't be THAT bad, if someone is willing to give it 10 stars, right?" I was SO wrong.This film wasted 80 Minutes of my lifetime, and I will never get them back again. It's absolutely pointless... nothing happens in this film! It's a gay-themed film, which I really don't mind, but that's like the only interesting part there.It's all about a House that is "alive" and "bloodthirsty". From the first minute of the film, till almost the end you will hear this sentence again and again... without any real consequences.The dialogues are horribly pseudo-deep, the acting is awful, the story is pointless, and the music gives you a headache. The only thing I would MAYBE call "acceptable" is the end of the film. It has something like a surprise... but this surprise sucks big times too.All in all: save your money and time and rather go see a REAL horror/thriller-film. This one just sucks.

I'm always fond of writing comments on movies that are either underrated or unnoticed and yet possess some degree of depth or sensibility. When I started watching this movie, I prepared myself for something really profound. But then I saw man-to-man kissing. Not that I have something against that or on movies that contain similar scenes, it's just that I did not intend to watch that kind of movie that afternoon.For the benefit of the doubt, I continued watching and gave it a try anyway. Soon I started appreciating it – first on the choice of words in the dialogue, quite sensible; and then on the overall script that practically ushers the audience gradually into something bigger, becoming more dreadful by the minute – reason enough for fans of horror and suspense-thriller movies to get hooked up after all; and then the directing that made the actors essentially effective, the narrating, and practically every scene in the movie quite creepy. I could not overlook how the director successfully managed to utilize the main actor's tears in complete silence at the end of the movie to convey lots of messages – could be for a love that ended tragically or because he failed and abandoned someone he loved for quite some time or for the failure of Usher to get him out of such misery. And then there is this quite interesting twist in the end that changed the perspective of the movie. While all along, it was Usher who seemed to be needing a redemption, in the end though, it is the other way around after all.Yes, the movie contained some partial male nudity and gay relationship but all these seemed to fall into the backdrop as one focuses his attention on the overall message being conveyed by the movie – the fall of the house of Usher is the product of the failure to save a loved one, whether it is in the point of view of Usher, Usher's sister, or even Victor…*