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Sadly Over-hyped

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Voices from Beyond (1991)** (out of 4)Made-for-TV flick ended up being the next to last film for the Italian goremaster. In the film a father suddenly dies and his young daughter arrives and starts hearing his voice. The father wants his daughter to discover the truth behind his death but it won't be easy as he made quite a few enemies in his life. One could debate the merit of Fulci's later day works but then again we could debate much of his gore period as well. If you don't mind the cheapness of his later films then you might want to check this one out as it somewhat comes off as a greatest hits from the director. The story itself is pretty stupid and it's doubtful anyone watching is really going to care who the killer actually is. I can't sit here and say that I figured out who did it but then again I really wasn't trying to figure it out. Also, as expected, the performances aren't the strongest and none of them are helped but the cheap dubbing that sounds rather silly. With that said, how many people actually come to Fulci for a story and good acting? What we come to a Fulci film for is gore and this one here offers quite a bit of it so don't let the fact that this was made-for-TV stand in your way. The gore levels are pretty high from start to finish as we get a fake looking stabbing, an autopsy scene with guts being pulled out and several other gory deaths. We also get another nice touch of visiting inside the father's grave every few days just to see what shape his body is in. It's also worth noting that there's a sequence where zombies attack one of the possible suspects so it was somewhat nice seeing the director doing one more scene inside that famous genre that he helped shape. The film also throws in a fair amount of sex and nudity so the sleaze factor is pretty high on all levels. Again, this isn't a masterpiece or one of Fulci's strongest works but it does contain enough of what we've come to expect from him.

This is one of the last films Fulci directed and you can tell. As this is a decent film it is not a horror movie. It's more of a mystery with very little of what made Fulci a great horror/gore director. It really does stray from the norm for Fulci as this story is more on the story and characters than it is on gore.Basically, a very wealthy man dies an unnatural death (spewing up blood). His family are all a bunch of money grubbers except his daughter (who is the star of the movie). She has a dream one night that her father comes to her and tells her that he was murdered and that she needs to find the person that killed him before it's too late.Now, the story is kind of interesting but things just don't click together. You can tell with many of the scenes that Fulci was trying to incorporate his psychedelic horror style but the story wasn't right for that style. There were though many scenes that were good and very eye catching. The music in the movie was very hypnotic and enjoyable. The big problem with this movie is the gore. There is very little gore. The gore that is in the movie doesn't even go on par with his work in the late 70's and early 80's. Though, there was one funny scene at the beginning of the movie involving a crying child and his crazed father threatening to stab him with a knife.Over all, for Fulci fans I have to rate this a 3/10. For a regular movie, I have to rate this a 5/10. It's not bad but it's not good.

More of a mystery movie with some gratuitous horror elements thrown in; mediocre overall.It starts with a woman having a nightmare in which her sex partner gets out of bed, goes into the room of her crying child, and kills it. She wakes up. Then, that man is dying in a hospital, spitting up blood. His estranged daughter arrives, and he manages to contact her through her dreams (I think), and he wants her to find out who killed him before his body entirely decomposes in its grave.There's not too much mystery about who did it, or even how; most viewers will have figured that out long before it is revealed. I'm not sure the way he was killed would really have worked.Anyway, the horror elements get in through: a gory autopsy, the recurring dream of the man killing the boy, a nightmare in which a plate of eggs turn into eyes which are then cut, and several shots of the decomposing man both in nightmares and actually in his grave.I was a little surprised to see a dedication in the end by Fulci to Clive Barker! Interesting.

Seeing a photo of a man being attacked by zombies gave me hope that Lucio "Zombi" Fulci might be up to his old tricks. Unfortunately, other than the close ups of a rotting corpse, there's little to recommend in this story of the murder of a wealthy man and his daughter's quest to figure out who killed him. None of the characters are appealing and by the time you find out how they did it (that twist, at least, was cool), you stop caring. The only good thing I can say is that it made more sense than Nightmare Concert!