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Modern Love
JOHN, his wife EMILY, and their small son EDWARD leave the city for what they believe will be a brief foray to the countryside to claim John's inheritance - a small shack. They find themselves in a strange back-woods rural setting. Nothing is what it seems, and JOHN's behavior becomes increasingly bizarre as he crosses paths with the unusual inhabitants of the area, some of whom he knows from a distant past. As his connections to the area are gradually revealed, we are shown a puzzle and a tapestry of our hero and his life before he moved away. To his wife's horror we witness a man who belongs to a long lineage of disaster and mishap and rural weirdness. As the realization sets in of what has happened, the specter of the next-in-line, his son EDWARD, becomes spookily evident.
Release : | 2006 |
Rating : | 4.4 |
Studio : | |
Crew : | Director, |
Cast : | Victoria Hill |
Genre : | Horror Mystery |
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Reviews
Fresh and Exciting
Don't Believe the Hype
Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
By the time the dramatic fireworks start popping off, each one feels earned.
Honestly, I think Tom got off easy.After watching this film I was left with an array of feelings. Why didn't I wax the car? Did I change the cat's litter box? How can anyone give this film a score higher than 3?It's so strange to read the earlier reviews after watching this film. Those reviews sound the same, seems like they are written by the same person. Honestly, need a bottle of vodka to understand this film. The cinematography is indeed beautiful, but the story is .....you know what I mean.
I saw this at the BendFilm Festival Friday amid an unsettled crowd of people, not helped by a poor decision by the planners of the event, who chose a totally inappropriate short film to precede the movie. And it really threw the audience when Modern Love came up after a light, whimsical short (name I forget). People!!! It was really silly to mix this short with Modern Love - which is a serious drama movie. A film film. So the audience gets the teaser which is a comedy and then...Modern Love. Hmmmm. Modern Love, despite my reservations (strange ending, a little too tangential)needed a short film that was commensurate with it's oddball strangeness, so my advice to the programmers for next year is to take more care planning the show.The folks watching Modern Love really just didn't know what had hit them, - they were led up the path and this is not their fault.Modern Love has some superb performances which play well against the tangential meanderings of the film - a film that its maker seems to have 'wondered out loud' rather than executed in the normal way a film is scripted and shot.Too bad the audience was misinformed. Wrong session placement, wrong short film, wrong approach by the well intentioned programmers, who, despite good efforts, need to see a lot more films and travel to some other festivals.
This film really used its locations well with some amazing shots, dark and disturbing the film moves very slowly, but constantly keeps you watching. Modern Love worked well in the Gold Coast Film Fantastic program this year offering audiences a glimpse at an Australian Cinema that is usually neglected. Most importantly it is refreshing to see Australian cinema not taking on the cliché Aussie characters and story lines we have seen done to death over the years. This film would compliment any festival and will open debate after its screenings. The performances and characters are well developed, and the cinematography is fantastic. An interesting exploration into family relationships, and environments.
I caught this movie at the Glenwood Cinemas at the weekend as part of the Kansas International Film Festival, which, as usual has provided a thoughtful and eclectic sample of world cinema. I have been keen on Australian Film for a number of years, so was pleased to learn that this film was included, and I was certainly not disappointed. Superbly shot, firmly directed, it's an eerie tale of one man and his journey to the heart of darkness, as it were. It reminded me a tad of Lynch's Wild at Heart, it has that strange madness in it, but I was glued to the movie for other reasons - namely that it presents a portrait of Australia which is..well, very believable.I have vacationed to the Land Down Under a number of times, once in the 1980's and again about 7 years ago with my wife. I don't wish to go to great lengths explaining my vacations, but the director Frayne appears to have a grasp on much that I find so odd and eccentric about Australia, a country that is responsible for the extremities of, say, Nick Cave on one hand, and Steve Irwin (the 'Crocodile Hunter') on the other.One incy wincy whinge - - I would have preferred even more of the 'unknown' Australia. Much more in fact. But I also realise that there's only 1 and a half hours to do it all in... 'Sigh.'Overall though, this movie is very, very accomplished.