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The Worst Film Ever

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

As an award winning writer I really enjoyed the movie and found it very entertaining. It had a good plot, was scary and although some viewers had a bad rating for it I consider them not educated enough to see this as a good screen play well worth watching. Some of the actors though needed more polishing up and the monsters could have looked a little more realistic, but movie making takes a lot of money and a high risk of loosing it, so with what budget they had I rate this movie excellent for entertainment. As a collector of classic movies & cult movies I am considering owning this one and viewing it over and over again. I have written over forty books and several plays with many awards to my name so I figure I am a good judge of what is a good screen play and Deadly Species in my opinion is a good screen play and one I would like to own.

This low-budget monster movie tries to cash in on the old terror-in-the-woods creature feature formula, but tries way too hard for its own good. It's mostly annoying for taking itself too seriously. By the time you reach the climax, you're bored, even with a less-than-ninety-minute running time. Most of the bad parts are way worse than the rubber-suited monster harassing our protagonists; in fact, the creatures are amusing enough in a 50's sci-fi kind of way. The acting is soap-opera caliber, but the female lead is particularly homely and shrewish, which is a big mistake in a cheap thriller like this. The worse thing of all though, is an outdoor make-out session by a couple of disposable co-eds during which they feel up each other's blue jeans. While there is some throwaway, gratuitous nudity, it's not milked to the point of satisfaction and undercut by the constant and witless bantering between the cast. I'll reiterate, the women in this are all unappealing, a major mistake for this kind of flick. Unforgivable!

Deadly Species brings some less-than-acclaimed movies to mind. Congo, The Bog Creatures and Jurassic Park III all share some plot elements. Fortunately, Deadly Species succeeds in bringing home a polished, fulfilling horror flick, where the others-to varying degrees-failed.SPOILERS HEREINDS features Pete Penuel as Dr. Brinson Thomas, a noted archaeologist. His wife and fellow professor, Marta (Allison Adams) are turned down for a grant to fund an archaeological dig in the Everglades. Shortly thereafter, however, one of his university's leading donors, millionaire Wilson Friels (Brian Minyard) offers to fund a very similar expedition. The only catch is that he and his loyal assistant (who must go unnamed since IMDb for some reason lists only about half the cast!) are going with them.Of course, like in JP3, he has a secret motive for going. He had previously sent an expedition there, in search of the legendary Fountain of Youth and a Calusa ‘Gate to Hell' he has read about in ancient Spanish journals. (The Calusa was an ancient Native American tribe that Brinson Thomas has spent his career researching. Most think it has been extinct since mid-19th century; Dr. Thomas is convinced otherwise.) Like in Congo, Friels suspects something grizzly has happened to the first team. Just like in JP3, one wonders why he doesn't simply come clean with the good doctor up front. The Thomas' would probably still have gone-but would have picked a crew better prepared to defend itself against a hideous unknown assailant.I am surprised by the low rating for DS. Although it does bear surface similarity to these lowly regarded films, it is really quite well-crafted. Whereas The Bog Creatures winds up being (intentionally or not) a campy tribute to early 1950s B horror flicks, and whereas Congo and JP3 have some aspect that irritates the viewer to distraction (i.e., talking monkeys, wise and misunderstood raptors and screaming mothers), Deadly Species delivers what is promised.Director Daniel Springen shows a deft touch and Jon Greathouse's original scores are perfect to convey an eerie Gothic mood in the marshy underbrush. Unlike TBC, Springen does not completely give away his creature in the beginning. Only by inches at a time do we begin to see the hideous face of the thing stalking the researchers. This is no B horror flick. There is very little, if any cheese, here. Springen delivers a stylishly done horror film with all the desired elements.The movie's weakness would have to be the decision to insert a couple of generic college bimbos for unneeded topless shots and pouting. I could never keep the three girls straight during my one viewing. None of the students are much more than creature bait. Still, the adults in the virtually unknown cast more than rally to pick up the slack. Penuel and Adams are quite convincing as the husband-and-wife archaeology duo. (One wishes they would have left at least one of the bimbo students at home and redivided the air time proportionately.) Minyard and his muscle-bound helper are also very well-done. I had no trouble buying either of their characters. The flakey photographer, Laird Kleeger (Britt George) is intriguing, but underused. Somehow he and Adams seemed to have known each other in the past; yet this is never explained. Also a bit puzzling is a reference in the `official' synopsis that Dr. Thomas was in the process of morphing into a creature himself after he apparently cut his arm on the infected remains of one victim-although he and his wife both believed he was dying of poison from the creature (like the Komoda Dragon). Either could have been the case; if he WERE turning into a creature, it seems bizarre that the Fountain of Youth water would reverse the process.Despite a few questionable turns in the plot-including the bizarre ending, Deadly Species is entertaining and scary. It's no 3.3; call it a good, solid 7 that could have been an 8 with a little help.

I've read so much about 'B' movies not being really serious. And everytime I watch one, it gives lie to the statement. Congo, Anaconda are just two of the movies in my opinion that this film tried to draw from. Miserably though.