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Overrated

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

The best films of this genre always show a path and provide a takeaway for being a better person.

Rojo Sangre (2004) is a magnificently morbid film as such, and a wonderful tribute to its star, one of the true icons of European Horror/ Exploitation cinema, the glorious Paul Naschy (aka. Jacinto Molina). Personally, I've been a fan of the Spanish Horror deity for years now, and I really don't know what made me wait so long to watch this, more recent Naschy-film. "Rojo Sangre" was written by Naschy himself and directed by Naschy's son Christian Molina, which makes it obvious why this film is such a great tribute to Naschy's career, and, at the same time, such a great film of its own right.Like hardly another film, "Rojo Sangre" allows an aged Naschy to show what a great actor he actually is. Naschy plays Pablo Thevenet, a fallen, formerly successful stage- and screen-actor whose career was destroyed after a personal tragedy, and who now has to struggle through life and apply for jobs in advertising, which he finds humiliating. He then gets an offer he cannot refuse: a bunch of very sinister people are to pay him a large sum of money for impersonating serial killers such as Giles de Rais and Jack the Ripper in front of an exclusive nightclub. Though he hates the idea of being a living statue, Thevenet accepts. His new job, however, also raises murderous desires in Thevenet, particularly against those he makes responsible for his downfall, but also those who deny him the respect he deserves...The role of Pablo Thevenet is perfect for Paul Naschy. The character is (partly) a loving tribute to Naschy's roles from the past, and, at the same time, an incredibly interesting character as such. There is no doubt that this role (and film) was written specifically for Naschy and there is no greater tribute imaginable. Actually, this is probably the best performance by Naschy I've seen, and the proof that he isn't only a cult-icon and Exploitation-multi-talent, but actually a great actor beyond that. As in many of his old roles, Naschy plays a character that is likable, even though demented, and, this film's elaborate script and higher production values allow him to make it a very deep, intriguing character. The film's delightfully morbid storyline is wonderfully photographed in nice Gothic settings, the characters are entirely demented. Bloody, demented, witty, and absolutely wonderful, "Rojo Sangre" is a film that every lover of European Horror and Exploitation cinema should enjoy, and an absolute must-see for my fellow Paul Naschy fans. Not to be missed!

Paul Naschy is certainly a big contender for Spain's biggest ever horror star; with a great deal of cult films under his belt, most notably his "Homo Lobo" series. However, since the seventies his fame has dwindled somewhat; but on the evidence of this film, his acting and writing talent certainly hasn't! Rojo Sangre is a strange and wayward film that won't appeal to all tastes; but it's certainly an interesting cult film and the fact that it's a semi-autobiographical film for Paul Naschy makes it all the more interesting. The plot focuses on Pablo Thevenet; a down and out actor with nothing but bad luck. His daughter was murdered and his wife left him, and despite once being a big star; he now can't find any sort of acting work. He gets something of a break when he's offered a job as a 'living statue' at a Stag club, and although he finds the role demeaning; he takes it because the money is good and no other offers are coming his way. His hatred for the modern movie business is overwhelming, however, and it's not long before he begins a murderous tirade against all those that have stopped him from getting work.The thing I liked most about this film is the way that the plot moves. It's never obvious where the film is going and Naschy's script always allows some surprises. The direction is taken up by Christian Molina, and I'm sure the last name will be familiar to Naschy fans as it's his son! Molina's direction is always assured and he manages several stylish moments. The film is perhaps a little too flashy, but everything in the direction bodes well with the way that the story is presented. The film is bolstered courtesy of an excellent performance by Paul Naschy; perhaps even the best of his career. The fact that the role reflects upon his own career aside, you can't fail but be impressed with Naschy here; he absolutely becomes the central character and you can never doubt him for a second. One of the many subplots of the film features the central character slashing up various people while dressed as historical characters and this provides the film with some of its best moments. The gore is actually quite restrained but it's still nice to see. There's not really a defining point to the film and the ending contains more questions than answers but it does at least bring some closure to the plot. Overall, Rojo Sangre is an excellent swan song for Naschy's career and I'm sure that fans of the great Spanish actor's career will appreciate it.

I rented the Seven Samurai and Rojo Sangre was in the box. Not wanting to drive all the way back to the video store, I watched it. Rojo Sangre is absolutely terrible. The plot is pulled along on a fishhook, with no reason for one event to follow the next.Key plot points are introduced with lines like: "here is the address of where to buy the finest cutlery". Jumping all over the place. Rojo Sangre tries to do too much with too little. What begins as an investigation into one man's rejection and subsequent madness turns into a quasi-spiritual hacker slasher which fails at both. Rojo Sangre draws the worst parts of Devil's Advocate, Eye's Wide Shut, and I Know What You Did Last Summer into a contrived flop. Rojo Sangre attempts to make up for this failure by including needless cruelty, and an affair that goes nowhere. The opening scene has the main character describing putting a live mouse in his ass. And yet no mention is made later of any sexual issues. The movie is laden with cheap tricks of this sort. And and the photoshop transitions ruin even the thin mood this film was able to muster. Not worth a bother.

Paul Naschy for years was among the top John Belushi look alikes in the world. He of course was also a big horror star in Spain and re-edited versions of his best known werewolf films played on chiller theater TV packages as I, and many other horror fans grew up. Most of the stars of 60's horror films are gone sadly and now that horror films are again very popular they aren't around to enjoy a final film. Christopher Lee of course is alive and well, but has so far "only" been in non horror films during this new interest. Vincent Price was in some films for Tim Burton, but these too were small parts in non genre films. And lets not think too hard back a few years to Bela Lugosi going on working for Ed Wood or those last few lousy Boris Karloff Mexican productions.So congratulations to Paul Naschy for being in what is a very creative horror film and showing that he's a better actor and still a very cutting edge writer all these years later. This is a slick film, gruesome and creative on many levels. It's a good and or better than anything he's ever been in or made. Though he's playing a character somewhat like himself, a former horror icon, there is little trace of self consciousness in his performance.Naschy had recently been in two American Horror films, but let's admit that they are two lousy films from two lousy filmmakers. He also had a fun small role in a not so bad Spanish film SCHOOL KILLER a few years ago. But for him in his native land to get this film made,let alone for it to be a good film, it's just well almost unheard of triumph.There is little nostalgia in my thoughts towards this film. It stands on it's own even if you aren't a Naschy fan, or if you think of him as sort of a camp figure from the past. If you haven't heard of him this would be a great introduction.Most actors could only wish for a comeback film like this in any genre. Let's hope this isn't the final film for Naschy because he shows he's still got it in him to do cutting edge horror.