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So much average

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This film is so real. It treats its characters with so much care and sensitivity.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

This movie is the second of 3 versions of the classic story I'm seeing in chronological order. The first version was made in 1912, a year before this movie came out, but despite this slight difference in years this movie is highly improved, and is much more involved than the other one. The run-time is longer (26 min, very long for the day) it sticks to the original story much more than the other one (including the characters Utterson and Lanyon, which the 1912 version failed to do) and, while it has a new ending, this new addition is actually an improvement on the story.The film gets off to a slow start. We're introduced to Jekyll, his girlfriend and stuff and told how he cars for the poor. Then the action starts, where Jekyll drinks the antidote and turns into Mr. Hyde. As several other reviewers pointed out, the Hyde here is actually a bit lame. The 1912 version's Hyde had some good makeup and acting, but here there isn't much of that so Hyde pretty much crouches on his knees like an idiot. Then, he goes around scaring people and murdering and stuff until the finale occurs, which I'm not giving away, because it really comes off as surprising.Overall, it is interesting comparing both versions of the story, because they vary a lot. While the Hyde here is envisioned differently than you'd normally think, it makes his appearance new and interesting. Even with 26 minutes of screen-time, Herbert Brenon was really able to stick to the novella. It's definitely worth checking out.

This is a great horror movie. It is very scary. It is one of scariest movies you will ever see. Great acting. Great story line. Great special effect. This movie is very intense. It is a true horror classic. This is a great movie. See it. It is a must see. I need more lines and I am running out of things to say. This is a great movie. Great movie great movie great movie great movie. Do not miss this movie if you find it. One of greatest horror movie ever made. Best on one of the best horror stories ever told. This movie will give you goosebumps. If you like really scary movies. Then you need to see this movie. Very scary very scary.

This is at least the 22nd(!) version – or variation on the theme – of the venerable R.L. Stevenson novella that I have watched (incidentally, yet another one would follow it the very next day). It came hard on the heels of the 1912 adaptation – which makes one wonder as to why another stab at this property was deemed necessary so soon, considering that cinema was still practically in its infancy…but, then, the inherent contrast between the Jekyll/Hyde personas always seemed to attract actors wishing to demonstrate their versatility (the ultimate irony being, however, that the individual 'star' of these Silents – namely James Cruze in 1912 and King Baggot in the film under review – both eventually became better known as directors)! Incidentally, I was most anxious to watch this particular version because our 'colleague' Michael Elliott considers it the best rendition of the classic horror tale ever!; that said, I know he will not be offended when I say that I have learned to take such hyperbolic assertions with a pinch of salt – especially since he also feels that the 1920 adaptation featuring the obscure Sheldon Lewis (which I rated ** myself) is superior to the John Barrymore vehicle from the same year! Anyway, the film is quite faithful – unlike, say, the aforementioned Lewis version – to the source material (if not necessarily its spirit); however, the thoroughly unsubtle acting – Jekyll emphatically waves his arms so much throughout the film that he can easily be mistaken for a preacher – to say nothing of the cartoonish Hyde make-up (complete with Groucho Marx walk and Jerry Lewis teeth!) is worthy of a parody. The transformation occurs a record number of times during the picture's brief 27-minute duration, with the last three minutes or so – in which the clumsy Hyde knocks over the last antidote serum, searches frantically (literally mounting on shelves!) for leftovers in his laboratory and eventually folds up on the table – in particular being unintentionally side-splitting!! Having said all that, I still think this was a worthy effort for its time and I am glad I have finally been provided with an opportunity to watch it for myself after hearing so much about it on this site…but as for being preferable to or better than the Mamoulian, Renoir, Albertazzi, Borowczyk, Robertson or even Fleming versions…?!

Carl Laemmle's Universal Studios was less than a year old when he made this 3 reel version of Stevenson's novel, at least the sixth film version done since 1908! King Baggot, the star, was the moving pictures first real (reel?) superstar, sometimes appearing in a new movie each week (wow!). Baggot later gave up acting and went to the other side of the camera to become a director, doing such things as THE PONY EXPRESS (1924). This version is well done though the first transformation has a bad gaffe. The double exposure is badly timed and for a moment it looks like there are 2 people in the room. Apart from that it is well done and convincing. I like the way Hyde scares the life out of everyone in a seedy pub just by standing in the doorway and glaring at them. It is my life's mission to see as many versions of this film as I can and this one was certainly worth tracking down. Give it a try.