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She Devil
Biochemists give fruit-fly serum to a dying woman, with side effects.
Release : | 1957 |
Rating : | 5.6 |
Studio : | Regal Films, |
Crew : | Production Design, Director of Photography, |
Cast : | Mari Blanchard Jack Kelly Albert Dekker John Archer Fay Baker |
Genre : | Horror Science Fiction |
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Fresh and Exciting
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
This is a gorgeous movie made by a gorgeous spirit.
This film begins with a biochemist named "Dr. Dan Scott" (Jack Kelly) feverishly working on a research project involving human adaptation to disease by using fruit flies. Although his experiments on various animals were a tremendous success he now wants to try it on an injured or sick human being. But complicating matters is the fact that his main sponsor, "Dr. Richard Bach" (Albert Dekker) vehemently disagrees with human research without further testing. He changes his mind, however, when he meets a patient named "Kyra Zelas" (Mari Blanchard) who is suffering from terminal tuberculosis and doesn't have long to live. To everyone's surprise, upon injecting the experimental formula, she fully recovers within hours. Unfortunately, both doctors soon learn that the serum has side effects they never reckoned with. Now rather than reveal any more I will just say that this was a fairly decent horror film which definitely benefited from the complete disdain Kyra had for any and all social norms that most people have to observe. She was totally without conscience and human feeling. Even so this movie was clearly a grade-B film and for that reason I have rated it accordingly. Average.
Dr. Scott has created a miracle serum. When he's given it to animals with horrible injuries or on the verge of death, they quickly recover and are healthy. So, they want to try it out on a human...but ethically the only way they could do this is to give it to a terminal patient with no hope for recovery. Kyra (Mari Blanchard) is dying of advanced tuberculosis and she very willingly agrees to be the guinea pig. Amazingly, she soon completely recovers. However, there are unforeseen complications--she is now virtually indestructible AND she's evil!Soon, Kyra is off doing rotten things...and with seeming impunity. In a really, really neat scene for a 1950s film, she bashes some poor guy over the head while stealing something. When the police are searching for her, she hides out in a dressing room and wills her hair color to change...and it does on camera! Then, she just walks off...as they're looking for a brunette and she's now a platinum blonde! And, she seems to exude sex appeal that turn men into puppets in her hands! What's next for this budding sociopath with X-Men powers?!Overall, this is a highly entertaining film that doesn't always make sense. Why didn't the doctors go to the police? This never made complete sense.
As Bill Warren points out elsewhere, director Kurt Neumann had a lot of enthusiasm for the potential of science fiction movies, but he didn't quite seem to have the talents (or the budgets) to make consistently good ones. He seems to have plenty of intelligence - hence adopting a story with the fascinating idea of seeing what would happen if a human being were injected with a serum that enables her to "adapt" to any threat or environment - but he didn't seem to be able to create scenes without tons of expository dialog, or patch the enormous plot holes in the screenplays.She Devil...it has its moments. As a friend said, someone ought to give Albert Dekker the Purple Heart Actor's awards for his valiant attempts to soldier on as he is forced to deliver line after line of clunky dialog in scenes that are going nowhere. And there are some good framing shots and set ups here and there - at times the actress who plays the woman test subject does manage to project a chilly, barely human glamour that makes you believe that she could take a man for everything and kill him once she was bored with him.But the screen play asks the viewer to believe that a millionaire widow wouldn't have a retinue of courtiers and employees and bodyguards who would follow her everywhere, and who wouldn't make a major fuss when she went missing after she visits the two men in the world who created her and know her secret. And it wastes a lot of time foreshadowing a leopards presence in the lab without ever doing anything interesting.Anyway...this what happens when you try to get by with one special effect (the woman seems to be able to change her hair color at will) and pretend you've created a movie about "ideas"...when you don't know how to do anything really interesting with that idea.Still way better than some of its contemporaries (dreck like "Voodoo Woman" make this look like Scorcese) and worth seeing once if you are fascinated by 50's scifi.
Two scientists (Albert Dekker and Jack Kelly) treat a young female patient's medical trauma with an injection that has a profound effect: the woman's black hair becomes luminously blonde, she gains an irresistible sexual magnetism, but she also becomes an impulsive thief and killer possessed with the instinct to get whatever she desires at any cost. Mari Blanchard is ideal in her role as the gorgeous femme fatale, who has also gained an immunity and cannot be stopped even by her own doctors who've created her. Albert Dekker (popular to fans for his title role of DR. CYCLOPS) spews a lot of hokey dialogue in his remarkably self-assured manner. The younger Jack Kelly is his assistant hovering on falling under Blanchard's spell. Another fun 1950s 'B' . **1/2 out of ****