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Memorable, crazy movie

Highly Overrated But Still Good

Fresh and Exciting

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

I quite enjoyed this one when I first saw it many years ago, but it doesn't stand up well. Barrymore is the main problem. His is a ranting, self-glorifying, drown out everyone else in the cast performance, which, to my surprise, director Mike Curtiz indulges rather than trying to keep a lid on it. And I don't know that it was a good idea of the screenwriters not only to keep so much of the moribund stage play in the action, thus slowing it down, and then pandering Barrymore with long speeches, and thus slowing things down even further. Director Mike Curtiz seems to be in awe of Barrymore and favor him with eye- rolling close-ups and long takes at the expense of other members of the cast, especially Marian Marsh. In fact some of our favorite people have very little footage, including Boris Karloff who makes a significant entrance and then totally disappears. We do see a lot of Donald Cook, however, despite the fact that he is, at best, a rather stodgy, humdrum actor with – at least in this movie – little in the way of charisma. I'm not surprised the movie failed dismally at the box office. Sometimes, not often, mind you, audiences showed good taste! This movie is available on very good Warner Brothers DVD, but with no extras, alas!

I've always liked the John Barrymore/Marian Marsh film "Svengali" and have always wanted to see Warner Brothers' re-teaming of the two in "The Mad Genius". Thankfully, Ted Turner seems to own it and shows a very nice print of it on TCM. I've got it recorded and I like to watch it now and again. Although it's not a favorite of mine like "Svengali" is, "The Mad Genius" is still a film that I enjoy. Tsarakov (Barrymore) rescues a small boy from his abusive father (Boris Karloff). As the years pass the boy, Fedor (Donald Cook), grows up to become a seasoned ballet dancer and Tsarakov is the ballets impresario. Tsarakov pampers every move in Fedor's life; getting him leads in ballets and encouraging him to have a steady supply of young women lovers. However, Fedor loves Nana (Marian Marsh) and Tsarakov, seeing this as the ruination of Fedor's career, forces Nana to take up with Count Renaud (André Luget), a good-natured, understanding man. Will Fedor and Nana reunite? What will happen to Tsarkov? Watch "The Mad Genius" and you'll find out. You may marvel at the films casual pre-code approach to sex. Very good film, but not as charming as the classic "Svengali".

Taped this picture on the late-late-late movie channel on the NY TV stations and have never seen it again. John Barrymore(Tsarakov) plays a crippled, half-mad puppeteer, who yearns to dance. Upon saving the young boy Fedor(Frankie Darro) from his foster father's (Boris Karloff) abuse, he recognizes the youth's ability and hopes to make him a famous dancer. Karloff's role was very minor, and he did not reappear after the opening sequence. There was a mention of Frankenstein in the script where it refers about a Golem fashioned from mud and given a human soul and is asked by Tsarakov " Frankenstein's man? John Barrymore dominates the entire screen, but they still need Karloff to bring the 193l audiences into the movie houses.

In another of John Barrymore's bizarre characterizations the great actor portrays a club-footed itinerant puppeteer who rescues an abused boy from vile existence,recognizes the lad's incredible of agility and footwork and begins to train the youngster to be a "new" Nijinsky.Years go by,the boy reaches manhood,and Barrymore the impresario of a successful ballet company.But when the ballet dancer begins to have ideas of his own,falls in love with pretty Marian Marsh,Barrymore,consumed with madness and jealousy attempts to manipulate their lives leading to shocking results. This extraordinary film oscillates between intriguing drama and moments of near horror with Barrymore in masterly control of his human puppets. Boris Karloff is the boy's monstrous father and Luis Alberni stands out as the drug-addicted ballet director.Magnificent direction by Michael Curtiz