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The Weapon, the Hour, the Motive
Don Giorgio, a handsome young priest and teacher in a convent, is involved with two lovers: Orchidea and Giulia. When he repents and vows to return to the Church, he is savagely beaten to death. Not long after, Giulia has her throat slashed. Inspector Boito falls in love with and prepared to marry Orchidea, who is also the main suspect. The key to solving the case seems to lie with an inquisitive boy called Ferruccio, who is kept locked up and drugged. He witnessed one of the murders, but will anyone believe his story?
Release : | 1972 |
Rating : | 6.1 |
Studio : | Julia Film, |
Crew : | Art Direction, Cinematography, |
Cast : | Renzo Montagnani Eva Czemerys Salvatore Puntillo Claudia Gravy Francesco D'Adda |
Genre : | Horror Thriller Mystery |
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Reviews
Excellent but underrated film
This story has more twists and turns than a second-rate soap opera.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
I will hesitate to call it a Giallo - there was only 2 murders, those two too were not that gory by Giallo standards. It's more of a investigation/polizia movie where a detective investigates murder of a church priest. While the direction is pretty good & acting quite decent, plot could contain more twists & surprises. I guessed the murderer before half of movie was over. Neverthless, its a worth watch - if nothing else than for the creepy gothic church set-up.
I liked this a lot. Bit of a confusing and strange start, a young boy in a room, a nurse with a hypodermic and all within a convent of singing nuns. And who is that guy on the motorbike getting in the way of the police? Oops, he is the police! I guess this just about qualifies as a giallo for while it doesn't have the stylish look or garish details, there are the sudden kills, the child always there mysteriously in the background, not to mention the cat and the bouncing marbles. Compelling and absorbing, this is well directed and we have to gradually piece things together as best we can to keep apace. And then there is the extraordinary scene where the priest flagellates himself for his guilt over his lovers, yes two of them. Oh and that is nothing to what we are treated to once the nuns decide to do the same - en mass! Good resolution always helps and so in summary a good yarn intelligently told and peppered with enough sex and violence to keep the most jaded giallo fan happy.
In "The Weapon,the Hour and the Motive" the murder victim is a priest.Father Giorgio is stabbed to death in his congregation church.Two police detectives Franco Boito and Moriconi investigate his murder.The main suspects are Giorgio's two lovers Giulia and Orchidea as he wanted to break up with both.There is also an orphaned boy who saw too much from his attic hideout and he will resolve the mystery.Overlooked Italian giallo stylishly made by Francesco Mazzei.There are some silly comedic moments and some effective shocks.The throat slashing scene is fairly graphic and there is a bit of nudity and sexual perversion.Mazzei is capable of building suspense pretty well too."The Weapon,the Hour and the Motive" deserves more recognition.7 out of 10.
A young clergyman, Don, has had two loves, and now he chooses one of them, Julia, as his only one lover. But soon Don is found dead in the chapel. And there is a witness, Felcio, who tells almost nothing about the murder to the police. But the murderer continues to take people's lives, and finally Felcio decides to inform of the very secret of the first murder... This is a typical Giallo film with good music by Francesco De Masi. The problem is that he does better jobs in other films. Indeed almost everything about this film seems to have average quality and therefore I have almost nothing say about it. Still it can be said that the story itself, which is nether complex nor confused, has at least one interesting side. Person like the first and leading victim, Don, is immoral. And killing the immoral person is much more immoral. But not revealing those immoralities is immoral? Or is there clear distinction between killing and letting-die? Although this film as a whole is not a moralistic one its religious and/or philosophical side, which seems to support the classic claim that there can be a deductive proof that the God does not exist based upon the existence of the evil, is rather unique and therefore can be interesting.