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Overrated and overhyped

Fresh and Exciting

Don't Believe the Hype

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

PLOT SPOILER REVIEW As a child Cathy (Christine Moore) suffered from a jump rope accident. As an adult cello player she has constant flashbacks and has conflicting supernatural entities telling her to "Go home Cathy" and "Don't go home." Her fiancée is the cheating Bob (Gary Warner) model photographer. She is ready to give up her career and dedicate her life to him.Okay, the plot spoiler part is that the film is an early version of "Final Destination." One horror scene had me in stitches, when mom is on a stretcher with a blade in her chest plus horror blood. She turns her head and says, "Go home Cathy." I lost it at that point. I liked the old cars and did you catch they used the words "type set" before "font" became popular. Mom irons and cooks in the kitchen, what we called multi-tasking.Debbie Rochon in an uncredited cameo.Brief sex and nudity (Christine Moore, Annie Grindlay, Ruth Collins)

Plodding horror movie about a woman (Moore) whose traumatic childhood living in an apartment block in the outer limits of NYC continues to haunt her as an adult. Her seemingly supportive fiancé (Warner) convinces her to attend an industry party being thrown by his elusive business partner (Taylor) - that just happens to also be in the same apartment block leading to a bizarre encounter with the occult.Amateurish and undernourished, the acting is weak and the production values limited, resulting in a lethargic thriller that's heavy on symbolism but light on actual shocks. Moore is erratic and Warner sleep walks through his sleaze-bag role; I would've liked to have seen more of Taylor as the sophisticated femme fatale, but she's deprived of the spotlight despite the attention paid to her character in the plot development.The film has a nightclub feel to it, hard on the eyes for lack of light, big hair and typical 80's gaudy costumes, and deafening to the ears for incessant synthesiser riffs. Even more disappointing is the distinct lack of special effects, just a few freak masks and some little blonde kids dressed in white garbs that suddenly appear in doorways and windows, singing those twisted lullabies over and over and over - you know the ones. I think director Findlay should have stuck to filming loops.

The premise of Roberta Findlay's "Lurkers" is certainly fascinating:the group of ghostly tenants are forced to spend an eternity in a creepy New York building.The main character,a violinist is terrorized by the Lurkers. "Lurkes" is an amusing late 80's horror cheapie made by highly prolific Roberta Findlay.The special effects are bad and there is no gore,but some scenes of child abuse are quite unsettling.There are few scenes of nudity,so I am not complaining."Lurkers" is a pure cheese with terrible acting and slow-moving script.If you enjoyed "Prime Evil" any other low-budget horror movie made by Roberta Findlay check this one out.6 out of 10.Just remember:Lurkers are NOT lurking.

After emotionally / psychically being abused by her mother, Cathy would hear tales that the lurkers would come and get her if she was naughty. These lurkers were ghostly figures that hanged around the apartment building and only she saw. While, playing with friends the skipping rope strangely finds itself around Cathy's neck with little concern from the other children. Then a mysterious lady shows up and everything goes back to normal. Then we skip 15 years into the present where Cathy is in a relationship with a photographer, Bob. They're happily in love, but there's something lurking under the surface and Cathy starts getting recurring nightmares of her traumatic childhood.Roberta Findley might not have a great rep behind her films, but surprisingly I enjoyed "The Oracle", which made me grabbed this particular flick. The shame was that I didn't quite get into this shonky trash, despite an interestingly offbeat concept. Sadly I found it quite tough going as its terribly talky without really going anywhere with the idea. Sure, chat is fine, but when it strings you along and along with even more lifeless chitchat. The overall silliness of it shows up strongly that your hoping it would break out the madness, but it hardly eventuates. When it does. It's not for long, and back to pointless chitchat we go. Throw in plenty of redundant build-ups and odd stretches that fill like nothing more than fillers to pad out the running time. This only dragged out the slow pace even more. It should have been more fun than it was, as I found myself to be either bored or baffled.The plotting of the flat story was a convoluted jumble (It skips in between a whole lot of elements) with many uneventful happenings. It's a nasty little item that doesn't explicitly show it, but it's grim and mean-spirited in nature. After a genuinely creepy and tight opening couple minutes when Cathy was a child and throw in some motherly love. Some inspired touches creep up here. It never seemed quite sure where to go and its poor execution shows it up immensely. The look and feel of it is quite amateurish and it can't seem to shake it or work around it without embarrassingly telegraphing to us.Now it's better to leave the moronic script alone! While, the overwrought music score is quite a groaner and like something that would fit nicely in a silent film. The only real component technical aspect had to be that it was actually pretty well shot and caught the grimy locations. The acting was very indifferent and Christine Moore in the lead role was the only one to give a reasonable turn. Roy MacArthur had a bit a fun with his performance and lightened it up when on screen.This forgettable, drab feature definitely squanders every opportunity to make something fulfilling out of this idea.