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The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Blistering performances.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

This movie feels like it was made purely to piss off people who want good shows

The John Wyndham sci-fi novel THE DAY OF THE TRIFFIDS has long been a favourite of mine; it's a fantastic piece of writing, up there with the calibre of H. G. Wells. Sadly, the story has never translated particularly well to the screen, and it says something that when you search for the title on the IMDb the two results that first come up are the 1963 film - which changed so much from the book that it was almost unrecognisable - and the 2009 BBC adaptation, which was so terrible it's not worth mentioning.However, this 1981 miniseries version of the story is the most authentic one out there, and seen today it's actually very good. Sure, this production suffers from the usual problems of the era, from the cheapness of the cameras making it look at times like an amateur film, and the occasional stodginess of the narrative, to the stilted dialogue and some bad acting (Emma Relph is a particular disappointment). But THE DAY OF THE TRIFFIDS overcomes these problems to provide exciting, fast-paced entertainment.There are six episodes here and the first one is the worst, unwisely throwing in tons of back story and exposition which makes the pace crawl along. Things pick up in the second episode, and all of the major plot points from the book are covered here and in detail. I particularly liked the way that writer Douglas Livingstone kept all of the important subtext from the book, Wyndham's musings on the importance of society and the like, and incorporated it into the backdrop here. The rubber triffids make for an acceptable menace, and the filming locations are all fine; overall it feels realistic throughout, and I particularly liked the handling of the blind population and the late introduction of the ruthless soldiers. I'm a huge fan of BBC TV from the 1980s and this is another string to the bow of a production company that could once do no wrong.

Stylistically speaking, Ken Hannam's production of the classic SF text is very much of its time, with studio-bound sequences alternating with film inserts. The triffids themselves are ingeniously made and cleverly photographed, with the emphasis on their stinging centers and their lengthy stalks. With the accompaniment of creepy music (by Christopher Gunning), they help to create an ambiance that is truly frightening, a dystopian world whose citizens are unable to see, either physically or emotionally.As Bill, John Duttine is both angst-ridden yet determined to ensure that the world should be rid of these threatening plants. His face remains set in an expression of grim determination, contrasting with that of Emma Relph's Jo. There are other actors in the cast, but director Hannam deliberately focuses on the protagonists, thereby emphasizing the importance of Bill's task; as one of the few people still possessed with sight, he has to work mostly independently relying on a combination of native cunning and animal intelligence to succeed in his task.The half-hour episode format works splendidly, helping to provide viewers with a series of climaxes that sustains their attention. If nothing else, DAY OF THE TRIFFIDS proves the old adage that directors and production designers need minimal props in order to create suspense and sustain our attention. If the script is good, and the filming technique cleverly accomplished, our attention can be readily maintained.

I remember watching this BBC version of "The Day of the Triffids" when it was first shown (1981?). It has stuck in my mind ever since as being a really great series. I didn't remember that many details (except the final scenes where the survivors drive through the fence and out of their triffid-proof enclosure to new life somewhere else), only that I really enjoyed it. Then two or three years ago I saw it at the National Film Theatre in London and it all came flooding back! Now I am watching the DVD.I have only listened to an abridged audio book so I can't comment on the faithfulness of the adaptation, but I can say that the characterisation is good, the acting (especially John Duttine) is excellent and the special effects are good enough to serve their purpose. Remake? Noooooooooo!

This movie was...well...pretty goofy. The soundtrack is practically taken out of an episode of Mr. Rogers, and the kids laughing in the audience at the beginning of the film is a bit weird. I got a kick out of the football fans trying to sing their cheer about "the famous arsenal," but all the rest of this movie was coated in moss and overgrowth. Maurice Colburne does an awesome job, though.Unlike a lot of Hollywood productions, this film actually stays somewhat close to the book it's based on. John Duttine (Bill) I could've sworn was in "Jesus of Nazareth." If they could've had some more scenes with people wandering the streets it would've felt more like a catastrophe. Ditch the soundtrack and it's a decent film.