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The Return of the Exorcist
An archaeology student photographs a mysterious naked woman by a waterfall, unaware that she is a female demon called Haggia, who soon takes possession of him via a cursed amulet.
Release : | 1975 |
Rating : | 3.8 |
Studio : | Manila Cinematografica, Colosseum International, |
Crew : | Director of Photography, Director of Photography, |
Cast : | Richard Conte Françoise Prévost Patrizia Gori Jean-Claude Vernè Sonia Viviani |
Genre : | Horror |
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Pretty Good
Powerful
Disappointment for a huge fan!
It's a mild crowd pleaser for people who are exhausted by blockbusters.
This one has tons of titles, like Exorcist 3: Cries and Shadows, The Possessor, Un Urlo Dalle Tenebre and Naked Exorcist. It lives up to those titles, trust me. Particularly the last one.A nun learns that her brother, Piero, has become possessed due to a pendant he found and a mystery woman who he isn't sure that he saw. Within minutes — no need for the build of the original here — Piero has chest pains, is flipping out on everyone and sometimes becomes the previously mentioned woman. His powers aren't well defined, but you won't care. Your jaw will be on the floor at the craziness that this film has in its grip.Oh yeah. There was also a huge Satanic orgy in the house a few years ago. We know this because this scene is repeated throughout the movie. Luckily, the Exorcist (Richard Conte in his last film. Conte was going to play Don Corleone in The Godfather, but as the film increased in budget, A-list actors started competing for the part. He did end up playing one of the film's villains, Don Barzini.).If you watched The Exorcist and thought, "This would be so much better with b-roll footage of Rome and, oh by the way, could we make it a ton sleazier?" then yes, this film is exactly what you want. Franco Lo Cascio is the perfect director for this, as despite starting his career with 1975's Mark of Zorro (starring George Hilton from All the Colors of the Dark as Zorro!), he's worked mostly as Luca Damiano in the Italian porn industry.For all the movies that Warner Brothers sued out of theaters, the fact that this one got through unscathed is a miracle. Then again, when we're referring to movies about Satanic possession, perhaps that isn't the best choice of words.A warning: this film is not for the weak. If you were offended by The Exorcist, you're in for it. If Amityville II: The Possession upset you, you are also in for it. If you're looking for a film that doesn't suddenly stop the narrative and starts showing b-roll footage of nightclubs, you are also in for it.Read more at http://bit.ly/2j3yT6X
Cries and Shadows, or Exorcist III as it was released in some places (got to love those international copyright laws), is one of the sleaziest Exorcist ripoffs that I have encountered. That is neither an endorsement nor a warning, just a statement. The plot has a young man finding a strange medallion while on vacation with friends. Because of this medallion, the teen becomes possessed by a succubus (Mimma Biscardi, here often nude). The possessed's acting out is of a sexual nature. The teen as the succubus (whom, strangely, the victims can see) first tries to rape his mother and then his sister, who is a nun. At about the hour mark, Richard Conte shows up as the priest who will carry out the exorcism. And, that is about all there is to the film. The film's one asset (aside from Mimma Biscardi's bare skin) is the setting. The film takes place in a village built on a hillside. The bourgeoisie family's villa is at the very top. It is a striking location and used well by the filmmakers. The rest of the film is mostly forgettable. I had seen this film once before and had remembered almost nothing except for the setting. As these type of films go, I prefer The Night Child (aka The Cursed Medallion) and The Antichrist (aka The Tempter). Nonetheless, Cries and Shadows does revel unapologetically in its bad taste. Fans of Exorcist ripoffs might be amused.
I can understand that a real fan of the original Exorcist coming to this and expecting something similarly serious then they will inevitably be disappointed because as most would realise this is exploitation cinema and as such this movie does very well indeed, thank you. Oddly this does copy, pretty much, the same plot line of the Friedkin film but as you may have guessed, or been completely aware of if you'd bought it under the English title of Naked Exorcism, this has been, as you might say, sexed up. Indeed, we begin with a black mass and the sacrifice (nude woman, obviously) and proceed to include bursts of nudity and violence, an oft repeated orgy sequence and some amazing scenes, I assume not real, that purport to be of a woman's insane asylum. Jean Claude Verne is great as the possessed one (oh yes they change the sex, I forgot) Richard Conte, a bit lame as the exorcist but he doesn't show until the end and was, I understand, one of his last roles. Blasphemous both with regards the church and film fans, this nevertheless delivers exactly what it promises and is most entertaining throughout.
This is one of your more blatant Italian "Exorcist" rip-offs. The main difference between this and the original model though (besides the criminally low budget and incompetent film-making) is that the possession here involves an adolescent boy rather than adolescent girl. The devil takes the form of a voluptuously naked, red-headed witch, who the boy first spies while taking pictures of a waterfall. Later when she shows up in his room, he does what any normal teenager would do when confronted by an attractive and willing woman--he tries to strangle her! Then he slashes her throat with a knife which somehow causes his tease of a girlfriend to drop dead miles away where she's frugging to bad music in a disco. Finally, the witch takes control of the boy and uses him to go after his mother and his sister (who's a nun) in quasi-incestuous/quasi-lesbian scenes that only the Italians could (or would) perpetrate. It turns out the witch actually had a relationship way back during the Inquisition with an ancestor/previous incarnation of the sister(they're played by the same actress anyway), and she somehow "impregnated" this ancestor with a devil child, who was spared the latter's burning at the stake. This plot-line is summarily dropped, but it does allow the movie to rip-off Mario Bava's "Black Sunday" as well as "The Exorcist", and even more importantly, it allows for lots of scenes of satanic orgies and that old Italian favorite--hot, naked nun sex! With the exception of the most famous (and most boring)of them, "Beyond the Door", all of these Italian "Exorcist" knock-offs added a lot of sex into the mix. Some are satanic movies with sex ("The Antichrist", "Damned in Venice", "Ring of Darkness") while others could be better describe as sex movies with a little satanism ("The Eerie Midnight Horror Show", "Malabimba"). This movie is roughly half and half with a lot of nude scenes by the sister, the mother, and obviously the witch. This might keep heterosexual male viewers, at least, from slipping into a boredom-induced coma. The movie really suffers, however, from a lack of name or even recognizable actors. Richard Conte collects an easy paycheck by showing up at the very end as the exorcist. Partizia Gorzi, who plays the sister/nun, was in the giallo "Crazy Desires of a Murderer", and also played another ill-fated woman in Joe D'Amato's sleaze classic "Emanuelle's Revenge". I'd definitely recommend this to all the Italian devil movie completists out there--but that might be tantamount to recommending it to myself. As for everyone else, uhhh. . .