Watch Incense for the Damned For Free

Nice effects though.

As Good As It Gets

This story has more twists and turns than a second-rate soap opera.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

I was pleasantly surprised to find myself enjoying this troubled production after hearing so many bad things about it. Sure, it's not a brilliant film by any means, but it's nowhere near as confused as it's made out to be and there are plenty of things going on to retain the interest. The film is one of those old-fashioned adventure yarns, set in a foreign country as a plot with our British heroes encountering mad cults on a Greek island. It may be nonsensical at times but to make up for these lapses there are also some fairly exciting moments to be had too. And above all this it's still worth watching to hear Edward Woodward's hilarious speech equating vampirism with sexual perversion - psychological mumbo-jumbo at its most unintentionally funny! A good cast also helps to compensate for the negative aspects of this film. It's nice to see that one of the heroic leads is black, something very rare for a film from this period. I can't actually think of another British horror film where the protagonist is. Patrick Macnee is on hand to lend a much-needed air of authenticity but sadly falls off a cliff after being struck by polystyrene boulders in one amusing moment. Patrick Mower is good as the tormented man who falls under the curse of the cult while Edward Woodward and Peter Cushing both put in good cameos, Cushing excelling in a scene in which he is called upon to cry, totally convincing us in doing so.Other things to look out for include the typical awful fashions; some out-of-place music playing over the action and a weird, psychedelic orgy which gives the film the opportunity to show lots and lots of gratuitous naked women. There are also a couple of smashing action bits in there too, the first in which Sekka is forced to take on four thugs single-handedly, the second being the fraught rooftop finale which ends in tragedy. Also catch the dramatic speech at the end, literally show-stopping. The vampirism angle is actually kept to a bare minimum in this film, the menace working best when it is unnamed and faceless. This film actually reminded me of RACE WITH THE DEVIL, with tourists being hunted down by rabid cult followers. It's flawed, yes, but interesting to watch for all the above reasons.

Blood Suckers is a bit of an oddity really. On the surface it looks like yet another typical British horror movie from the early 70's. A little bit of the occult, some nudity and starring Peter Cushing. But, in all honesty, it's not that typical at all. Despite having a pretty impressive cast – Patrick Macnee (The Avengers), Patrick Mower (The Devil Rides Out), Edward Woodward (The Wicker Man) and Cushing – it doesn't really utilise them very well at all. Cushing is in it at the beginning and end but doesn't really register; Patrick Macnee is killed half way through, Woodward has an uninteresting cameo role, while Mower seems to sleep-walk through his role. Technically the film itself is, at best, a little haphazard. It appears to have been edited together using a hack-saw, while the storyline could charitably be described as a little confused and unfocused. In fact it begins with the kind of voice-over that is normally used to cover for the fact that a lot of material was not filmed; seemingly the film ran into some difficulties so this may explain this.Having said all this it is a little unusual and that does garner it some points. The story of the are-they-or-aren't-they vampires is a little different, if admittedly not all that successfully told. The varied locations do offer something a little different to the norm too, although it does feel more like an action-adventure than an actual horror film a lot of the time. So, it's a mess but a mess not without some interest. Also, on the DVD release I saw, the deleted scene was an extended psychedelic orgy which was completely removed for some unfathomable reason; it would have easily have been the best sequence in the film proper if it had been included.

Incense For The Damned is a poor, hastily-made and incredibly muddled British horror film that has acquired a small cult following. I am certainly not among this group of foolhardy fans - indeed, if I had things my way, this awful little film would be quietly disposed of in some dusty vault, and brought out only for die-hard fans of the stars so that they may tick it off their list. Even the film's director - Robert Hartford-Davis - was so disappointed with the movie that he refused to put his name on the credits, using instead the pseudonym Michael Burrowes. When the man who MADE it can't bear to be associated with the film, you know that it must be pretty bad!Oxford student Richard Fountain (Patrick Mower) is on a working holiday in Greece when he mysteriously disappears. Richard's friends back in Oxford are concerned for him, so they set out to Greece to find him. Tony (Alexander Davion), Bob (Johnny Sekka) and Richard's girlfriend Penelope (Madeleine Hinde), soon discover that their lost pal seems to have headed off to the tiny, isolated island of Hydra in the Aegean Sea. Upon arriving at Hydra, they stumble across some kind of vampire sect led by the beautiful but deadly Chriseis (Imogen Hasall). It seems that Chriseis and her minions are murderers who drink the blood of their innocent victims, and that Richard may have been drugged or brainwashed into joining their pagan acts. The friends pursue Chriseis to her death and rescue the bewildered Richard, returning him to Oxford. But all is not well back in the UK, as Richard does not seem to have recovered from his ordeal - in fact, it is obvious to us (though not, it seems, the other characters) that Richard himself is now a vampire.What drew me to the film was the fact that it "stars" Peter Cushing, Patrick Macnee and Edward Woodward. I consider these three actors to be among the finest talents Britain has produced (they certainly have each made telling contributions within the horror genre, if nothing else). It is with huge disappointment, therefore, that I must report they all have absurdly brief cameo roles that could easily have been cut from the film without making a hoot of difference. to the overall story. Talk about false advertising!! But that's not all that is wrong with Incense For The Damned. It suffers even further as a result of silly psychedelic sex-and-drug-abuse sequences, a confused script, ultra-low production values, and choppy editing. At least the Greek scenes highlight some pleasant locations - competently shot by Desmond Dickinson - but on virtually every other level Incense For The Damned is a damned mess! The film was completed in 1970, shelved until 1976, and all but forgotten soon after its belated release. Things like that happen to movies for a reason - and if you watch Incense For The Damned it won't take you long to figure out why it has faded into obscurity.

I'll be a little less harsh than my fellow reviewers here, who all seem to agree that this `Incense for the Damned' is a giant waste of time, effort and film. I can't deny this is a failure in all viewpoints but I'm deeply convinced that the story's potential, along with the talent of the cast, could have resulted in a much better film. Although the screenplay remains faithful to Simon Raven's novel, the film completely lacks feeling and coherence. Small aspects, like the annoying use of voice-over, ruin the horror atmosphere and the occult-aspects are dreadfully overstressed. There's a drug trance/ sexual ecstasy sequence near the beginning of the film and it takes WAY too long! Even Imogen `the Queen of Cleavage' Hassall doesn't manage to keep you fascinated during this tedious scene.But I still stand by my idea that the messy `Bloodsuckers' (the more appealing a.k.a of the film) contains several neat moments of clarity! Like a brief appearance by Edward Woodward, giving us a little insight on the unusual and slightly perverted sexual fantasies of humans… Or Desmond Dickinson's brilliant camerawork on location in Greece. I might even say that the entire substance of the story is excellent horror matter! Richard, a young and respected Oxford student has disappeared in Greece and a group of friends, including his girl, go on a search for him. Richard seems to be under the influence of a beautiful, sexy vampire who even forces him to perform sado-masochism. Believing they annihilated the ravishing bloodsucker, the return to Britain. Yet, Richard's behavior when back at Oxford remains bizarre and alarming… The plot is promising enough, no? If `Incense for the Damned' would have been directed by Roman Polanski, I might have enjoyed a classic status by now. Erotic morbidity is definitely more his field! Or, who knows, in the hands of Italian mastermind Mario Bava this could have been one of the greatest horror masterpieces ever. Instead Robert Hartford-Davis directed it and the only appreciation he gets is when people hear he took his name off of this project afterwards. Better luck next time.