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Suburban Melody
The life of Roberto takes place in a suburban bar between singing and letters. There, along with his partner, as scamming unsuspecting lives falls into the table. One night she crosses paths a young piano teacher hear him sing and gives him the chance to do it professionally. The fame and love give Roberto a chance to redeem himself.
| Release : | 1933 |
| Rating : | 6.9 |
| Studio : | Paramount, |
| Crew : | Director of Photography, Director, |
| Cast : | Carlos Gardel Imperio Argentina Vicente Padula Manuel París |
| Genre : | Music Romance |
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Reviews
Simply Perfect
Fantastic!
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Although it was the second time Carlos Gardel and Imperio Argentina met in films, the first one was a lost short called La casa es seria (actually only the audio is preserved, as the film was lost in a war bomb raid in France). Here they sing together the tango "Silencio" (silence) and it was the only time Gardel sang a duet. The film plot is better than most of the other Gardel films, even includes a crime and is solved in a fine way. I like the end specially, that connects the last scene of the film with the first one using the vinyl record playing the tango "Melodía de arrabal" (suburban melody) and because this one and Tango Bar are the best quality DVD copies of all Carlos Gardel movies.
Paramount Argentina mounted a few small scale musicals around the now legendary "Caruso of Tango" Carlos Gardel. Most of these were made by Hollywood directors working apparently at the Astoria New York Studios and resembled the contemporary vehicles for studio contract artists like Bing Crosby.This one has a few prestige elements, like top billed Imperio Argentia and camera work by the great Harry Stradling (Kermesse Heroique, Streetcar Named Desire) no less, though this looks muddy in a poor transfer.The opening plays in the seedy Cafe Lo Estrelea, where the drinkers are about to fight over the flamenco dancer (who we could have seen more of) or shoot it out in crooked car games, while outside armed plain clothes men wait to close in on the wanted "rascal." This intrigues and is a match for French films like COEUR DE LILAS or PEPE LE MOKO or even an indicator of CASABLANCA. Gardel's "Barrio, Barrio" song, which gets the attention of passing music teacher Argentina, meshes nicely.Unfortunately the rest of the film is solid gangland vs. concert hall cliché - " I trust you hands more than I trust your throat" our hero's gambler partner suggests. Miss Argentina, in a few becoming outfits, gets to beam a lot and sing but most of the action is conducted by middle aged men in suits.The short lived Senor Gardel makes little impression.The GLD copy has excellent English sub-titles.
