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Between Love & Goodbye

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Between Love & Goodbye

A modern gay drama about falling in and out of love, and the rocky road in between.

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Release : 2009
Rating : 5.6
Studio :
Crew : Director,  Writer, 
Cast : Simon Miller Aaron Michael Davies Jane Elliot Matthew Ludwinski
Genre : Drama Music Romance

Cast List

Reviews

Pacionsbo
2018/08/30

Absolutely Fantastic

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TrueHello
2018/08/30

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Sameer Callahan
2018/08/30

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Erica Derrick
2018/08/30

By the time the dramatic fireworks start popping off, each one feels earned.

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MaybeTomorrow
2012/06/14

I decided to write this review because i see allot of negativity on this film here, of which i believe isn't deserved. "Between love & goodbye" is a small and solid film. Sure it isn't perfect, but which movie is? As the title gives away, it's about falling in love and also out of it. It features overly sweet moments between the two boys that seem too much, but if you have been in love yourself, you will recognize these little moments and know them to be true. I've read complaints about the film being too over dramatic and "unreal", which might be the case for some people, but once again, if you have lived through bad breakups as well, you'll know things can go that way and in real life. The acting is not awful. I felt it to be genuine. It's not the greatest you'll ever see but it is not bad. The bitchy sister seems over the top, but i know people who act like that, so i had no trouble accepting that performance at all. They do exist! ha ha. The film features some nice music. Personally i think there's a bit too much of it, but since the lyrics are about the relationship between the boys, it's cool. Overall, a movie worth watching. It kept coming back to me in the days after, which to me is always a good sign. 8/10.

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sandover
2010/04/15

There was a small exchange in the film between Kyle and Sarah where he says: "He (Marcel, his boyfriend) can be so egoistic sometimes!", to which she replies "Actors!" That reminded me Jules Renard's wonderfully biting gag "An egoist is someone that does not care for me." It sums up pretty well I think the stupid tone of this film.A new low for bad writing, too. "It was so exciting," and after two lines "It meant nothing"? Has anyone told these people that writing is not brainstorming clichés in an effort that apparently spans some days in the making of that script. Unless implausibility is what one wants to encounter - did I say implausibility? And then "You're a born loser"? OK, we came to appreciate the high-school charm of the concert's throughout presence that comments and communicates what happens in the film, bla bla bla, but this is off limits; telling your boyfriend how you feel, by a song in a concert? Whee, how humiliating. And lame. And mad.Perhaps you will say, that happens in real life. Sure, there are people, lots of people who wander through life thinking they are ethically realistic, which is actually another name for cynicism, but who cares? "I'm an artist, and my heart tells me what to do." That means "I'm using this as an excuse to prove I am conceited." And then things try to get even worse, and make an amazing effort in the end. Why did I say try?Ah, let's remember Dali, and his wonderful phrase: "Mediocre artists, no matter how hard you strive to be bad, you will always be mediocre."

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GessHu100
2009/02/01

Casper Andreas makes brave, thoughtful, and realistic movies that reflect truths that exist in this world. His characters are three dimensional, and, while they don't always do what you want them to do, they are always dramatic, fun, sexy, interesting, and evocative: You need to see them! The ensemble cast blends together as best friends do. It's easy to accept their relationships as real. You'll find yourself loving the "good" guys and hating the "villain," although sometimes the line between them blurs...just enough to be true to life. The characters are written with human flaws and the actors embrace them and make them genuine human beings. (Yea Simon, Justin, Jane and Rob!) Andreas takes subjects that are considered "Taboo" in other arenas and shows how "Natural" they are to many. Embrem continues to make the gay lifestyle a part of the mainstream of our culture and not just an addendum...it is a voice which must be heard. See this film!

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gweatherford
2008/10/12

This film about falling in and out of love has an interesting premise: What brings men together and what tears them apart? Apart from the premise, however, it is pretty bad.Two young hot guys (an American and a Frenchie) meet cute in a bar, decide they love each other "pour toujours" very quickly, and then, after a few years together, when one of the partners renews ties with a sibling, all begins to swiftly and dramatically unravel. From one extreme of sickeningly sweet "I thought you two were going to last," the film drops quickly into obsession, selfishness and pathology.Most of what makes the film so annoying is that the writing is overwrought; and though I know some of the dialog is likely intentionally so, it does not ring true even in context. When the couple is falling in love, for example, the dialog seems to come straight out of Harlequin; and when they are fighting it goes towards bitchiness that goes beyond what one might expect from the characters.The result is that one does not know whether the protagonists are meant to be understood or scorned; and the central acting certainly does not help, with two main actors who do not seem to register beyond type, and are not strong enough to effectively portray an potential Jungian undertones.In short, I was never quite sure whether to hate or feel for these people, or which one I was to feel for if I was meant to take sides. Was it intended to be a gay "War of the Roses," or some kind of queer morality tale? Aside from one increasingly interesting performance (the lesbian roommate), and one HORRID performance (the sibling, perhaps a victim of one-note writing), there is just so little that stands out.

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