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Week-End in Havana
A ship company employee, Jay Williams, is sent to Florida where one of the company cruise ships is stuck on a reef off of the coast. He obtains waivers from all of the passengers with the exception of Nan Spencer, a department store salesgirl who wants her vacation now, not later. Jay is instructed to take Nan to Havana, set her up in the best hotel, and keep her entertained. She visits a nightclub where the star attraction is Rosita Rivas and meets Rosita's worthless manager, Monte Blanca, who makes a play for her. Trouble also comes in the form of Jay's fiancée, Terry McCracken, when a romance develops between Nan and Jay.
Release : | 1941 |
Rating : | 6.5 |
Studio : | 20th Century Fox, |
Crew : | Art Direction, Art Direction, |
Cast : | Alice Faye Carmen Miranda John Payne Cesar Romero Cobina Wright |
Genre : | Comedy Music Romance |
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Reviews
One of my all time favorites.
Admirable film.
Absolutely Brilliant!
This is a must-see and one of the best documentaries - and films - of this year.
'Week-End in Havana' couldn't be missed due to the anticipation of seeing Alice Faye, Carmen Miranda, Cesar Romero and John Payne in the same film and being a fan of musicals. It didn't disappoint me at all, getting more or less what was expected and wanted, and anybody who likes films of this type or musicals from this era are likely to find it very difficult to resist.Pretty much the only not so good thing about 'Week-End in Havana' is the story, which is as thin, predictable and nonsensical as one would expect from particularly a WW2-era musical. Also wouldn't have said no to Alice Faye having more to do than she did, and even the presence of Charlotte Greenwood, Edward Everett Horton or both may have enlivened things even more.However, as far as escapist entertainment goes and for anybody wanting a fun, delightful hour and a half diversion to blow any troubles away, 'Week-End in Havana' regardless of any reservations with the story delivers one hundred percent. The film looks gorgeous, with lavish set and costume design, big, bold, rich colours that leap out at the screen that always dazzle rather than nauseate and photographed in a way that shows a lot of love and care.The music is both infectious and beautiful, Carmen Miranda's numbers "Rebola a Bola" and "When I Love I Love" are uproarious, "Tropical Magic" is melodious magic beautifully sung in all its reprises (especially with Faye and Payne) and "Romance and Rhumba" benefits from particularly clever and nostalgic choreography in a film full of it.Furthermore the script is filled with snappy lines that crackle in energy and wit, the whole film is breezily directed with a clear love for the content and while a long way from perfect the story is never dull and has its charms.Miranda comes very close often to stealing the show in a hilarious performance, while Romero is the epitome of confident charisma and suavity and Faye is charmingly luminous and sings with beauty and heartfelt emotion. Payne is more at ease than he can be and is a suitably attractive leading man. Billy Gilbert, Georges Barbier and Leonid Kinskey are fun in supporting roles.All in all, one fun, delightful weekend indeed. 8/10 Bethany Cox
Splashy TCF musical with an imaginative plot, but also with an unfortunate lineup of undistinguished musical numbers. Payne's supposed to keep Faye happy on her Havanna vacation so she won't sue his cruise ship line. That might be okay if Payne didn't have an impatient fiancée, Wright Jr., waiting back home. Worse, Faye wants romance and thinks she's found it with handsome gold-digger Romero. But what happens when the greedy Romero doesn't pan out. Payne's got a big juggling act to do. And through it all, Miranda rhumbas her way, sporting a permanent smile and a half dozen top-heavy hats. The mystery is how she gets them to stay on.Faye's her usual winning self, while Payne gets to go Tarzan-like shirtless. But together they do make a compelling couple, as a dozen of these TCF musicals show. Meanwhile, Romero and Wright get to model some impressive high fashion, as compensation, I guess. Fortunately, director Lang keeps the circus running smoothly, but don't let all that splashy Technicolor overwhelm you. Nothing special here, just a truckload of eye-catching Hollywood escapism.
Carmen Miranda, in rare form, greets you with the title song in this 1941 film.When a tourist ship is hit by a reef, the owner of the company sends his prospective son-in-law to Havana to settle with the passengers. All do so with the exception of Alice Faye who puts demands on Jay, John Payne...and the fun begins.Payne wines and dines her and even gets Cesar Romero, a gigolo after rich women to get involved. Of course, Romero believes that Faye is a wealthy woman, from her room and certainly not a Macy's sales-girl.Romero owes money to the Cuban mob and Payne attempts to pay his debts off. When Miranda, Romero's girl-friend finds out what is going on, all appears to be lost, but Payne finds romance with Faye, until his bride-to-be pays an unexpected visit.Very lively fanfare with a predictable ending, but you will not in the least, as the picture is entertaining and enjoyable.
I really enjoyed this musical. Carmen Miranda and Ceasr Romero are especially charming and at the top of their game. The songs and dancing routines are first class, a little "Hermes Pan" influence. I am also a fan of John Payne. His understated and often over looked skills as an actor are on display as be brings a light touch to this enjoyable romp. I thought Alice Faye was wonderful but would like to have seen her do a couple of more musical numbers like she has done in her other projects. No one can introduce a song during the era of the 30s and 40s like Alice. The colors are big, bright and beautiful and makes for a wonderful watch. I may be old fashioned but this is a film i could watch with the grand children and laugh out loud with them.