Watch This Time for Keeps For Free

Strong and Moving!

Just perfect...

Excellent but underrated film

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It's the timeless story of Dick Johnson, a young man returning home from war who doesn't want to sing opera like his dad or marry his social-climbing fiancée. Instead he wants to sing in a nightclub and romance a beautiful swimmer. We've seen it all before.A tired musical comedy that's more of a showcase for Jimmie Johnston than Esther Williams. Technicolor goddess Esther does get in the water a few times but there are no lavish swimming numbers here. Jimmie Johnston is as bland and vanilla as they come. In some scenes he looks less like an actor and more like a tourist who just wandered onto set and seems awestruck by the lights and cameras. Not surprising this is the biggest role of his career. Jimmy Durante provides the film's laughs. Child actress Sharon McManus steals every one of her scenes. The music is fine. "S'No Wonder They Fell in Love" is the best number. It's worth a look for Esther completists or anyone who might giggle every time they hear Dick Johnson.

Lauritz Melchior's rich tenor voice, especially at the beginning and end of this 1947 is worth the price of the entire film.The plot is quite simple. An over zealous man and woman announce the engagement of his son to her daughter, respectively. Problem is that the guy, Johnnie Johnston, has found love with Esther Williams, who entertained him at a convalescent home for war-injured soldiers.We have an all-star cast here. Jimmy Durante is Esther Williams's piano player who immediately distrusts Johnston. As a family friend, he favors the producer of the show she works at. The original cast includes Dame May Witty, quite inquisitive as the grandmother of Williams, but with her austere look in color, she has that facade as she did in Mrs. Miniver, but in a comical way.

This film is an enigma because, while it is a properly light-hearted musical (but weren't they all), it also boasts a great many oddities- starting with the strange title (exactly what in the film is "for keeps?"). Esther Williams plays a properly likable, properly beautiful, water ballerina whose relationship with Jimmy Durante (a legend whom I've always enjoyed) should have been that of a father and daughter, but instead is something a tad stranger. Thankfully, this isn't ignored in the film, as her actual love interest (Johnnie Johnston), whom Durante relentlessly 'protects' from Williams, challenges his interference in the film's 11th hour. (While Durante seems to have a bothered conscience about this, it is never confirmed or denied.) Co-starring with Williams and Durante is the very genteel and old-school tenor Lauritz Melchior as Johnston's meddlesome (and somewhat annoying) father. The musical numbers are delightful, if a tad uneven in quality. I wasn't particularly fond of Durante's "Lost Chord" routine, but it appears to be legendary with most listeners. I prefer Johnston's "Easy To Love," the various Xavier Cugat pieces, and most of all, the provocative striptease and swim of "Ten Percent Off."

Williams is lovely as always in this colorful musical, but it lacks the effervescence and spectacle of some of her other, more memorable films. Here she plays the headliner of an aquatic show which also features piano-playing Durante, who has become a father figure to her over the years.She's all set to settle down with kind, but bland Simmons when ex-GI Johnston spots her and recalls being charmed by her when he was hospitalized for a war injury. He begins wooing her heavily, but his father (opera singer Melchior) wants him to marry society debutante Stuart. Meanwhile, Johnston is busy trying to win over Williams' exacting grandmother Witty and precocious little niece McManus. There's a lot of music in the film and quite a bit of romantic complications and misunderstandings, but not really very much water ballet. At this stage in her career, Williams' acting hadn't quite reached a level of confidence or excellence so, while she is gorgeous and appealing, the film lacks the spark to put the contrived and convoluted story across. It doesn't help that the script is pretty lackluster or that her leading man Johnston is not exactly riveting either. He's an accomplished singer, but with very limited screen appeal. Durante holds things together to a point and Witty is always delightful. It just all seems to get spread a little thin by the time Melchior bellows out several numbers and Cugat (along with his worried little Chihuahua) performs several songs featuring an attractive female singer. One major asset (apart from the sight of Williams in her various drop-dead clothes and tasteful swimsuits) is the location work on Mackinac Island with it's stately buildings and eye-catching scenery. ("Somewhere in Time" enthusiasts will recall this magnificent location as well.) Fans of "Search for Tomorrow" will be delighted to see Stuart in her small role as the young fiancée.