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People are voting emotionally.

Nice effects though.

It's no definitive masterpiece but it's damn close.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Special, heartfelt, wonderful. Couple a boneheads with moments of beautiful human depth and relate-ability. It's what I love about Kevin Smith's films when he really gets it right. Enjoyable.What I love about the Canadianness is that even in conflicts there is an underlying politeness and even niceness that I hope to emulate. It's like when kids fight, they have the humanity to forgive and forget in like a minute.Filmed really well as well. Considering the budget they must have had, it is seamlessly wonderful in that you never really feel like 'oh this is a documentary and I'm supposed to forget the camera is a weird thing to be there', you're just there with them in an effortless looking but very difficult way to achieve.

There were a couple of drunken character moments early in this film that gave me some good strong belly laughs but the longer the film went on the less I laughed and the more I just winced, sighed and eventually bailed 30 minutes before the end. I very rarely stop watching a film mid-way, it has to be an especially cringeworthy - almost embarrassing experience for me to turn off early - strangely the last film I watched to provoke an early exit was MacGruber - perhaps it's the mullets. In my opinion, the Fubar producers' choice to inform the audience in the opening credits that the film was a fictional documentary was a bad error on their part and ruined any opportunity they had to successfully dupe the viewer into believing this could possibly be a 'real' documentary. Perhaps there was legal reasons for this admission but even if it had been omitted, the woeful performance of Gordon Skilling as the straight man Farrel would most likely have raised most viewers suspicions as to the truthfulness of what they were watching.The longer I watched this film, the stupider I began to feel, whether it be through some strange osmotic character/viewer transmission or just for the fact that I was continuing to watch a film that proclaimed itself to be a fictional documentary still painfully attempting to pretend to be a documentary. Overall, the whole experience felt like being back in late primary school with a bunch of filmmakers who only had three fingers and yet were still trying to give me a decent Chinese burn. All a bit lame.

This movie took a couple viewings before the funny set in, but once it did, I laughed out loud and spilt a couple of drafts. Totally Midwestern humor (thanks for ruining the election) and Canadian humor. My Canadian friends hate this movie with a passion but had to admit that it really was a good characterization of the Canadian lifestyle. The plot is standard but by the end of the film we realize how interesting these two guys are, even though their in a predicament because of a minor tragedy involving one of the guys.The quality of the film is a bit grainy, but I suppose it's supposed to be that way?Definitely a good movie but it's not a date movie. Definitely one to see with the guys.

Although filmed in Calgary, any Canadian can identify the unique cultural phenomenon of the aging headbanger. This movie is a brilliant little mock-umentary that is funny and quirky enough to become a cult classic, and is definitely worth seeing. We are taken into the world of Dean, a wannabe bass player, and Terry, a swamper in a furniture factory. The two buddies give the audience a candid look at their lives, captured by documentary filmmaker Farrel Mitchner, whose accidental death is captured on film. The actors fool anybody who isn't aware into thinking that this is a genuine documentary, so it's fun to watch with an unsuspecting friend. A Canadian comedy accessible to any open-minded North American viewer.