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The acting in this movie is really good.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Paree, Paree (1934) *** (out of 4)Bob Hope plays a millionaire American touring Paris and falling in love with a woman (Dorothy Stone) who doesn't know he's rich. The man bets his friends that he can make her fall in love with him without telling her how much money he's worth. This musical-short is actually a remake of 50 MILLION FRENCHMEN, the 1931 Cole Porter film. I was pleasantly surprised at how charming this film was because of its two leads who turn in nice work and we've also got some very good musical numbers. We get five different musical numbers and they are all quite good and the dance sequences are handled very well by director Mack who was an old pro at this type of short. Stone really steals the film with her charm, which makes it easy to see why someone would fall for her. I think Hope's comic timing was still a little weak but he too is quite charming in the film.

Netflix should mention this short feature on the info for Silk Stockings. Superior in every way to that over-produced fluff. This had much better Cole Porter songs and lots more energy. Silk Stockings turned out to be a big disappointment. Fred was getting too old for this sort of thing, though the dances and Cyd are lovely. I will be on the watch for the Garbo--Melvyn Douglas version of Ninotchka. Was Peter Lorre ill during the making of Silk Stockings--he seems to be very passive in the more active numbers and with less lines? Very glad that I ran across Paree--Paree by pure accident. Made the whole experience a lot more enjoyable. Bob Hope, as a simple "song and dance man' is pure joy.

You can find this on the DVD of "Silk Stockings" to which it is much superior. Apparently, this is a quickie film of part of a successful show. The songs are inventive and have much more energy than Porter's later work. The musical numbers are pretty standard fare for the time, which means pretty good.Two things worked for me: the story was complete enough to support the songs but simple enough to grasp in a few moments. When the thing was over, I wanted more which is how it should be.The other thing: in such projects, at least one number has to grab me, really grab me for the thing to work. In this one, there's a scene where Bob spends time with the girl he has bet he can marry. He "sweeps her off her feet." The song is forgettable, but the languid energy of her dance really was impressive: no fancy choreography, in fact it looks as if she just made it up that morning. But it came across as natural, almost real.Ted's Evaluation -- 3 of 3: Worth watching.

A delight mini movie, a musical short based on three of Cole Porter's Broadway smash songs. Bob Hope's first credited film is a delight! He plays an American playboy millionaire on vacation in Paris. The film opens with him sitting at a table of an out door café telling his friends about this beauty that takes his breath away. Suddenly he spots her a few yards away. he is so over come his friends tease him and suggest "just show her your bank book." But Hope claims he can win her in less than 30 days with "no" money! They bet polo ponies over the issue and take all his cash and ID's. Hope follows her and when they are alone gushes out a proposal she does not believe he is sincere until he sings to her, "You Do Something to Me" by Cole Porter. But she must leave and he tries to earn money as a tour guide so he can pursue her. But when she sees him showing another girl around town, disillusioned she wants to drop him. He continues to chase her and catches up to her and her family at a race track where he bets his meager earnings on the last race hoping to win enough to impress her. Through a series of events and large synchronized dance numbers he loses the winning ticket and she decides to marry him rich or poor. So he wins the girl, the race and the bet and sings two more songs!