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Down Argentine Way
The story—in which an American heiress on holiday in South America falls in love with an Argentine horse breeder against the wishes of their families—takes a backseat to the spectacular location shooting and parade of extravagant musical numbers, which include the larger-than-life Carmen Miranda singing the hit “South American Way” and a showstopping dance routine by the always amazing Nicholas Brothers.
Release : | 1940 |
Rating : | 6.4 |
Studio : | 20th Century Fox, |
Crew : | Art Direction, Art Direction, |
Cast : | Don Ameche Betty Grable Carmen Miranda Charlotte Greenwood J. Carrol Naish |
Genre : | Drama Comedy Music Romance |
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Perfect cast and a good story
hyped garbage
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
... when it could just as soon have been called Down Upper Sandusky Way in terms of plot. What it was, of course, was at once a morale booster and a nod to its South American neighbours from the movie capital of North America if not the world. This was Carmen Miranda's first appearance outside the Latin American market and as such she has absolutely nothing to do with anything even faintly resembling a plot. C.Aubrey Smith lookalike Henry Stephenson is about as convincing as a South American horse-breeder as Michael Jackson would be as a gaucho but if things like this bother you then you're missing the point. Charlotte Greenwood weighs in with her trademark high kicks and there are more of the same from the Nicholas Brothers; leads Don Ameche and Betty Grable exhibit as much chemistry as an empty petri dish but score individually whilst Mack Gordon and Harry Warren turned in a score that was just about up to snuff. All in all a pleasant enough crowd-pleaser.
This movie is a remake of the classic Western KENTUCKY (1938) and so John Taintor Foote should have been given at least a story credit, as the plot is based on the plot of that movie, even with the back story of the conflict deleted and the dialog altered. Don Ameche, standing in for Desi Arnaz, gives a creditable performance as the son of the Argentine stable owner who refuses to enter his horse Furioso in a race for money. J. Carrol Naish turns in a magnificent performance as the old Argentine stable hand who has raised Furioso from a small colt by hand and therefore knows him better than anyone else. Naturally, Furioso wins the race despite the introduction of a substitute jockey at the story's end and everybody turns out to be very, very happy.
Of its genre, one of the greatest musicals ever. Betty makes male hearts swoon (and that's not all)! Any questions as to why she was number one with our boys overseas? Carmen is a firecracker and the Nicholas Brothers have never been duplicated. This film was much more about the players than the meat of the film. Meat-wise just a bunch of fluff, but performance-wise and production-wise, excellent!
The plot is slight- but it doesn't really matter. Don Ameche is charming, the songs, for the most part, are fun, and Carmen Miranda steals the film from Betty Grable. Certainly a lesser musical- but fun for fans of the genre.