Watch Every Sunday For Free
Every Sunday
Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want to cancel these concerts. To stop this from happening, Judy and Edna gather a crowd the following Sunday; and to keep its attention, they themselves perform with the orchestra. Edna sings an aria and Judy sings 'Americana'.
Release : | 1936 |
Rating : | 6.7 |
Studio : | Metro-Goldwyn-Mayer, |
Crew : | Director of Photography, Director, |
Cast : | Judy Garland Deanna Durbin Kathryn Sheldon Jack Lindquist Clem Bevans |
Genre : | Comedy Music |
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Rating: 6.7
Reviews
Just what I expected
Crappy film
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
As has already been noted, the short film "Every Sunday" (1936) could be considered the first music video. This was a happy accident resulting from MGM's need to crank out a variety of short films for exhibit with its feature length material. They had a couple fresh young singing talents (Judy Garland and Deanna Durbin) available and essentially slapped together a blend of music styles in a kind of Norman Rockwell concert in the park setting. Who would have dreamed at the time that they would capture the best collection of images since Eisenstein's "Odessa Steps" sequence. It's Sunday with some inattentive folks sitting around a small wooden band shell in the park while a tired looking ensemble play Strauss. Events unfold and the next Sunday Judy and Deanna save the day. The operatic Deanna sings "Il Bacio" (The Kiss) and Garland follows with the contrasting "Waltz with a Swing". The climax nicely blends the two styles into a duet of "Americana". A must see.Then again, what do I know? I'm only a child.
I have seen over 2000 Studio-Era sound films-- including lots of Judy Garland, Lena Horne, Shirley Jones, and Deanna Durbin's own Universal features-- plus a decent amount of live and studio-recorded musical comedy and opera. And I assure you, no one tasked with singing in front of a camera and microphone, or maybe anywhere ever, HAS EVER TOUCHED DURBIN'S SOLO here...mono soundtrack and crap 1930s microphones and all. The kid from Canada sings this bit from "Il Bacio" like she lived and wrote it herself and then happened to show up for a retrospective in Italy late in her career, not like a child who learned it from her music teacher.If you skip this Extra on the DVD-- or skip ahead to the Garland solo-- you are just depriving yourself, since this cheap MGM teaser just happened to capture one of the greatest performances of the 20c.
Canthony is correct that this little short is just an excuse to hear a very young Judy Garland (fourteen years old!) singing with a slightly older (by one year) Deanna Durbin. But I must disagree with everything else he or she said, including the running time -- which is only about ten minutes, not twenty (a single-reeler).The song is not her best, obviously; but it's enjoyable and definitely worth the ten minutes to watch on Turner. The duet with Durbin is quite interesting: two conflicting styles that nevertheless dovetail reasonably well.The short is just a throwaway, but it's nowhere near as bad as the other reviewer made it out to be. Honestly, I enjoyed it.Dafydd ab Hugh
We are very fortunate to have such historic pieces of film preserved. Deanna and Judy captured on film at the very beginning of their individual spectacular careers. Two diverse voices blended in a brief eleven minutes. Many other ledgendary performers were filmed at the outset of sound, and these may be the only records in existance of their performances. Living history.