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Dixieland Daimyo

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Dixieland Daimyo

Shipwrecked African-American slaves arrive in the midst of Bakumatsu-era Japan; they soon carve out a niche in the market with their musical talents.

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Release : 1986
Rating : 7.1
Studio : Shochiku,  Daiei Film,  Kihachi Productions, 
Crew : Director of Photography,  Director, 
Cast : Ikko Furuya Ichirô Zaitsu Ai Kanzaki Taiji Tonoyama Hirotaro Honda
Genre : Drama Comedy Music

Cast List

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Reviews

WillSushyMedia
2018/08/30

This movie was so-so. It had it's moments, but wasn't the greatest.

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Numerootno
2018/08/30

A story that's too fascinating to pass by...

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Invaderbank
2018/08/30

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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Rosie Searle
2018/08/30

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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DICK STEEL
2006/10/26

My initial reaction was, this sure is one strange movie. Set in the late 19th century and after the end of the American Civil War, three slaves decided to make their way back to Africa, but en route, found themselves on the shores of Japan after a shipwreck. From then on, it's a weird mix of Japanese shogun intrigue and jazz music fused into a somewhat nonsensical end.The introduction needed a little getting used to, since the Americans were clearly speaking in English, but had their speech dubbed over with voices speaking Japanese. Subtitles and intertitles became Japanese at certain points of the story, although English subtitles were used when they had their voices dubbed. So it's listening to two concurrent language tracks, and reading the English subtitles.The storyline and its characters were peculiar as well. Essentially, it's about the chancing upon a group of gaijins who bring along their musical instruments and talent for jazz (well, actually not quite. They only know one song, and it's played ad nausem after plenty of practice), and sharing their passion for music with the native Japanese. And it all turned out to be one huge STOMP-like ensemble performance and a trance like rave party, which seemed pretty out of place given the development of the storyline.Actually, what storyline? The "intrigue in the palace" styled story isn't inspiring, and for most parts it just bores. There are some characters which had potential to be something more, like the martial arts skilled princess, but given its runtime of less than 90 minutes, it's already hard pressed to get any more character development.So that leaves the finale, which looks like an extended music video. But what I thought was interesting, was the way how the portrayal of "leaving society" was handled, with the jazz performance, and the depiction of turmoil and inevitable changes happening above their performing grounds. There were murmurings around me about how absurd it all is, but I thought it was quite neatly done, and brought its own message across in a very non- conventional way.

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