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brilliant actors, brilliant editing

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

It is both painfully honest and laugh-out-loud funny at the same time.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

This is MGM's film version of composer Pyotr Ilyich Tchaikovsky's famous ballet, The Nutcracker, filmed at Burbank Studios in California.I would watch this movie when it is aired on TV during Christmas time for several years in a role. It tells the story of Clara dreaming about her Nutcracker Prince while The Pasha tries to win her heart and delight her with musical dance sequences - Spanish Dance, Arab Dance, Chinese Dance, Russian Dance, Dance of the Clowns and Waltz of the Flowers. These sequences are probably the highlight of the entire Nutcracker Ballet.Except for the narrator, there is no spoken dialog in the movie. It is just the cast of characters dancing around the huge stage through Tchaikovsky's rich music, performed by the London Symphony Orchestra. Maurice Sendak did a terrific job on the art and costume design - vibrant and brilliant and not too flashy. The story is told through the unspoken actions of the cast, which I thought were brilliantly done. While no dialog, it is still pretty simple to follow the story, even if you are not familiar with the original concept of the Nutcracker Ballet.Though a majority of the movie is shown on a typical theater stage, the special and visual effects made the setting much larger than it really is and it gives you the impression you are right on stage with them. The water scene with the "floating ship" is my favorite effect. I also like how the entire movie is told from the perspective of the toymaker; the plot of the movie begins after he falls asleep on his desk and the figurines begin to dance in a large music box he just designed, which then leads to the main story. The only problem I have with the movie is that some of the dancers were not in sync with the music, especially during the "Waltz of the Flowers" sequence. Other that that, this is an overall terrific film that brings back the nostalgia and spirit of past Christmases and today.Grade A

Thinking of all the great productions of The Nutcracker I've seen, I thought back to see if there was one I'd forgotten from childhood. I realised I had, this film version by Carroll Ballard, responsible for directing the brilliant Black Stallion. I knew I wanted to see it again, as I love the ballet so much- the story and ballet are among my all-time favourites in regard to anything- and would watch any production or film version. I was intrepid though as well, as I remembered that it was quite dark, darker than the usual production of The Nutcracker. And unfortunately not all the productions that take a darker edge have been particularly good, Maurice Bejart's production was a self-indulgent mess and the 2008 Mariinsky one was incoherent and ugly managing to waste the talented performers. But I watched Ballard's film version anyway for the first time since I was 10, in two minds of what to expect, and I am glad I did. Whether it is the best version of The Nutcracker I am not sure, seeing how much I love the 1977, 1985, 1989, 2001 and 2009 productions. But it is for me the most underrated one, and a long way from the worst. Considering some of the reviews I'd read beforehand(Ebert, Maltin, RadioTimes) I was expecting it to be bad. But it wasn't.It is as dark as I remembered, as well as quite serious with some sexual tension perhaps in the mix. But unlike Bejart and Mariinsky, this dark approach is actually cohesive and come to think of it the Hoffmann story has some dark elements anyhow. The more somewhat sensual chemistry between Clara and Drosselmeyer in the party scene is not going to please everybody, I am not sure myself. But compared to everything else, it is something I could ignore easily. The sets and costumes do look stunning, those of the second act of the ballet have many vivid colours. Ballard's editing has been much criticised, I think overly-complicated was how it was described, true maybe there are a few too many shots of dancers' limbs but overall it didn't interfere that much with the dancing. Speaking of the dancing, aided by the truly magical choreography(some of the best I've seen for any production of The Nutcracker), it is impeccable, not only does it look so elegant and graceful but the dancers don't forget to emote. The Pas-De-Deux brought tears to my eyes, the party scene is joyous with a very Christmassy feel and the divertissments in the second act are characterfully danced. The dialogue is only in the narration, and I was really impressed by how colourfully and affectingly the story was told without words spoken, narration excepted. The narration is thoughtfully delivered also.Summing up, not all my childhood favourites have held up, most have and this is one of them. While not my favourite Nutcracker ever it is an underrated one and much better than I'd heard it was. I'm glad that other people have a fondness for it also. 9/10 Bethany Cox

Superior Dancers, fabulous sets by Maurice Sendak, and a better telling through dance and sets than any other Nutcracker ballet I have seen. The ballerinas and danseurs are not only technically superior, they are wonderful actors through their faces as well as their dancing.

I feel great pity for those who have only been able to see this on film, and for the fact that this film is not available on tape or even better DVD. Living only 12 miles from the Seattle Opera House where this particular production is staged each year (to sell out houses) I have seen it both ways. The film has very few effects which don't exist on the stage so when you are seeing the film you are seeing the stage show. As for the story line, this version holds the closest to the original story of any version I have ever seen, and I've seen quite a few. Truly this is a film to be treasured and shared and hopefully the owners of the film will realize this and make it available to the general public once again.