Watch The Bishop Murder Case For Free

hyped garbage

Beautiful, moving film.

Absolutely the worst movie.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

"The Bishop Murder Case" may seem antiquated to modern audiences, but it's worth sitting through for some very effective camera shots (examples: the second and the fourth murder), a twist-and-trick-filled ending, as well as Basil Rathbone's terrific performance as Philo Vance; taller than everyone else in the cast, he is authoritative, suave and convincingly intellectual. Some of the other actors still have the tendency to do grimaces and gestures more befitting of silent films (which is understandable, it was 1930 after all), but others (Philo's two sidekicks, for example) are more modern. Now more widely available for viewing, "The Bishop Murder Case" does require some patience, but it has its rewards. **1/2 out of 4.

This was the third Philo Vance detective film, and the only one to star Basil Rathbone. William Powell played Vance in the two previous films (1929 and 1930) and the two succeeding ones (1930 and 1933). It is fascinating to see the young Rathbone nine years before he made his first Sherlock Holmes film, 'The Hound of the Baskervilles' (1939). He is very much 'Sherlock before Sherlock'. There are two amazing character actors in this one, George F. Marion and Zelda Sears as the Drukkers, brother and sister. What faces! That was when people looked different, not the same as now when everyone is the same. The director makes the most of them, and they certainly add an eerie dimension to this story. A lot of people get killed in this tale, though of course we do not see the blood and gore because it is only 1930, and it is all we can do to hear the early sound sometimes. Cedric Gibbons as Art Director did some bold sets, with enormously high windows and huge rooms. The film is creaky in many ways, but it is a ripping yarn. Try and figure this one out! This is perhaps the cinema's earliest portrayal of a serial killer, which goes to prove that nothing is new. It is not a whodunnit, it is a whodunn'em.

Bishop Murder Case, The (1930) ** (out of 4) A man named Robin is killed by an arrow so Philo Vance (Basil Rathbone) is called in and he soon determines that a killer is using nursery rhymes as his motive. Like so many other early talkies, this one here suffers from non-stop-talking syndrome, which really kills the film. The mystery and motives of the killings are pretty interesting but sadly all we hear is talk and this gets very tiresome because the characters keep talking about the same things over and over. By the time we get to the ending it's hard to care about who has been doing all the murders. Rathbone, looking incredibly young, is pretty good in his role and does a good job at taking command of the character. It's also interesting to see certain gestures, which he would later use as Sherlock Holmes. Even though this was an early talkie, the sound quality is actually better than a lot of the films I've seen from this period but the camera work looks really, really bad throughout.

S. S. Van Dine's socialite detective is brought to film for the third time - this time having Basil Rathbone play Philo Vance. While I will not argue with some of the critical assertions that the film is static, stationary, and decidedly creaky, not too mention very far-fetched and predictable, The Bishop Murder Case was made in 1930 when sound was just coming into its own. That is very evident in this film as much of the dialog is hard to hear and comprehend. The stationary microphone was used throughout with director Nick Grinde using lots of expansive scenes with the actors standing around the screened microphone as was the case for sound pictures then. That being said, the film is a pretty decent detective mystery for its time. Rathbone makes an affable Vance. His character is given little depth, however. The mystery, while not entirely and sufficiently explained to me has some things going for it with red herrings involving chess pieces, archery, Ibsen plays, and murders emulating nursery rhymes of a kind. While Grinde directs with the limitations at hand, I did like some of his wide shots. The balcony of the building scene when the professor discovers a man killed by an arrow looked quite impressive, and you can see some wide shots that most definitely mirror German film expressionism of the 1920s with some large, long windows shot in the backdrops of several scenes. All the actors are competent with some real nice character turns by the likes of Charles Quartermaine as a chess expert, George F. Marion as a hunchbacked pseudo-intellectual, James Donlan as a police sergeant(giving the film some of its much needed light moments), and Roland Young, Cosmo Topper himself, turning in a sly, witty performance as a possible suspect. The script is unfortunately riddled with too much ambiguity to make any real sense, but when all is said and done, The Bishop Murder case is mildly entertaining - again making consideration for the time it was made.