Watch Everything For Free

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Very very predictable, including the post credit scene !!!

Sorry, this movie sucks

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

An absolutely uncanny performance from Jan Graveson as the Soho prostitute - her character, way of looking, her walk, her movements, facial expressions, tone of voice and the thoughts these implied were uncannily realistic. Her dialogue was so natural - her reaction to her oddly motivated and persistent client, her wariness that he might be violent and her irritation at some of his questions - that many lines could be anticipated before they were spoken. The pacing too was perfect - long pauses when she had to consider something, instant responses when she reacted instinctively. How much was owed to the writer-director is impossible to know from simply viewing the film. As a portrayal it was absolute perfection 10/10.

This film was great because the story was great and the two principal actors gave excellent performances. The core of the film is not about Richard but about Naomi. Richard provides the back story, or 2nd story, but the primary story is Naomi. The story is summed up in a nutshell on Naomi's face the last night that she is with Richard. The film moves from Naomi's "professional facade" uncaring and detached to one of openness and caring. As Naomi spends time with her young prostitute friend it provides her a path on which to walk toward a new openness. The soundtrack is great and the script is sharp. Using available light and many times a hand-held camera Richard Hawkins fashioned a great piece of cinema. Do yourself a favor and see this film. Then ask yourself why can't their be films like this in the U.S.? Save for Brokeback Mountain, small stories with few characters can be as entertaining and enlightening as big productions. The filmmaker of Everything made a great film.

I really enjoyed this film and the acting was brilliant throughout with some outstanding performances. The storyline is completely original and excels by not allowing the plot to grind to a halt. Ray winstone as always is excellent and proves what a versatile actor he is by playing this role. His daughter's role is executed well and I believe she is destined for better things. Gritty in places and all in all a very good film which deserves to be seen by anyone who likes a drama with some substance behind it. Even though the film is about prostitution this is not portrayed in a gratuitous way so anyone looking for that should go elsewhere. The actress playing the ageing prostitute plays it to amazing effect and her role is kept fresh and you feel like you are sitting in the room with them as the film evolves.

For those of us who continue to wave the flag for British cinema, perennially undermined by poor scripts or craven overtures to the States, maintaining such respect is very often like trying to love a puppy that keeps crapping on the duvet. So it's a joy when you stumble across a no-budget homegrown sporting great writing, even better performances – and which doesn't compromise to anyone. Winstone is the mystery john who visits Naomi the prostitute (a terrific debut from Graveson) over 9 consecutive days (the film was shot in 9 days too), without once soliciting sex. He just wants to talk; to find out why she does what she does. On the penultimate day, he even brings a Monopoly set round. If the climax doesn't come as a surprise exactly, the emotional impact remains intact, aided by heartfelt, beautifully understated performances from the cast, including Winstone's real-life daughter. See it.