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it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

As expected from Monogram, the sets are cheap, the comedy broad, and the acting erratic. Still, the premise is engaging. That is, how can deaf-mute Harrison (Hamilton) manage to be in two places at once. If we're to believe our eyes, he's emceeing big public events in one part of town, while in another part, he's wringing people's necks. Pretty good trick. So the movie's more a howsitdun than a whodunit.Hamilton's excellent in the pivotal role. Looks like he's been doing sign language for years. Plus there's that unblinking stare, while we wonder what's behind it. Happily, Woodbury (Barbara) injects needed spark as a girl Friday, while Moreland enlivens with his bug-eyed comedic bit. Too bad he soon disappears (as another reviewer points out). Now, if casting had kept Moreland and dumped the unfunny cop Hymer, things would have improved—but then Moreland probably had to get over to the Charlie Chan set. And who is Dick Purcell, the supposed leading man. I kept looking for him, but he's so recessive, he's hard to spot. I guess all the good B-leading men were away at war, but then neither the script nor director Beaudine throws much Purcell's way.Anyway, despite the drawbacks, there's enough suspense-- especially around the piano-- to keep up interest and maybe even reaffirm the laws of physics.

Racist overtones aside, there is a lot to recommend in this remake of The Sphinx where horror icon Lionel Atwill played a dual role, one a killer, the other his alibi. To prove you can't be two places at once, a deaf and mute philanthropist is off doing good deeds while the other is on nefarious sprees. The outcome is obvious but the method of revelation is what makes it more fun and intriguing. Replacing Atwill is an obscure actor named John Hamilton, a George Zucco look-alike who lacks the sinister image of both Atwill and Zucco. B fan favorite Joan Woodburry is the feisty reporter who fights for her belief in Hamilton's innocence while Dick Purcell is the detective trying to prove just the opposite. On the right side of the law are J. Farrell MacDonald and Warren Hymer, still typecast as a buffoon.There's racial overtones concerning the cowardly black porter played by Mantan Moreland who first encounters Hamilton then runs to his gin stash upon discovering the film's first corpse. Director William Beaudine speeds up the plot by instilling lots of humor, particularly a sequence with Hymer on the phone with his nagging wife who squeals like an old record on the wrong speed while Hymer hides the phone in a desk drawer. Like other Monogram remakes of their earlier films, this is even better than the original. It is pure entertainment without pretension made during the war ear that needed diversions like this.

The film is a nice mystery piece. Well acted by the male and female leads playing a District Attorney and his news-reporter girlfriend. Their snappy dialog and colorful personalities keep this show moving and bright. The plot has a nice twist using a deaf mute and a twin gimmick. The show is very watchable and does fool the viewer in the best places. John Hamitlon aka TV Superman's 'Perry White' turns in a moderately menacing villain who likes the ladies and is very tricky. The rest of the cast is rounded out with police types and several character actors. One memorable performance was that of the courtroom witness played by 'Rodchester' of the Jack Benny Show. This show was contained in a three detective story DVD of the pre-war area. This was one of the best on this DVD for my likes. I can recommend it to anyone to enjoy.

Remake of the Linoel Atwill thriller the Sphinx has been rethought so its now a jokey romance between an Assistant District Attorney and a reporter. Its not bad, but where the original was a creepy thriller, this is too light to be truly gripping, especially if you've seen the original.The plot has ADA Dick Purcell investigating the murder of a wealthy individual. The one suspect, a known deaf mute played by John Hamilton was seen to talk by a janitor (Montan Moreland) at the crime scene, while he was seen by dozens of witnesses, including the reporter, at a dedication ceremony. The solution here is so clumsy as to be obvious well before its revealed making the film unexciting. The result is we're left with the not a great deal to hold our interest, and the feeling that once again a very good original should not have been remade.