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15 Till Midnight
Parallel worlds collide as a secret society policing this phenomena track a man whose wife has seemingly disappeared.
Release : | 2010 |
Rating : | 2.8 |
Studio : | Rotten Apple Productions, |
Crew : | Director, Screenstory, |
Cast : | Devanny Pinn Andrew Roth Manoush Lauren Francesca |
Genre : | Drama Science Fiction Mystery |
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Reviews
Memorable, crazy movie
An Exercise In Nonsense
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
One of the worst ways to make a cult movie is to set out to make a cult movie.
I'm not a professional reviewer, so I'm not going to get into all the fine details, but felt I needed to give this film a fair shake after seeing all the negative reviews. I can only guess they are expecting some multi-million dollar blockbuster with city destroying explosions, robots, and half naked chicks. This film was filmed on a shoestring budget, over a very tight shooting window, by guys that are "semi-pro" (for lack of a better word...)Anyways, with that in mind, I thought the movie was excellent. First of all, it has a plot line, that's solid, and thought provoking. More than I can say for those robot films... The acting isn't bad at all, absolutely no worse than Shia's, so don't see that argument either. Yes, I will agree the soundtrack was a bit overbearing at times, so audio I would consider the weakest part of the film, the actors didn't seem mic'd properly a few times, but no where near killed the movie for me. Camera work was solid, and effects felt appropriate to the situation.Overall, I enjoyed the film, felt the story was intriguing and deep. Which I what I watch movies for, not from eye candy. It held me through the entire film. People just need to watch it as an indie production and stop expecting a $200 million dollar budget.
This may be a movie that is too highbrow for its own good. While a bit pretentious at times, the plotting and writing here is smart, and leaves you thinking and figuring out new plotpoints and twists long after the credits roll.This movie isn't a rapidfire cutting roller-coaster ride but rather a somber character study in a science fiction setting. It reminded me of the scifi of the 60's and 70's (Phillip K. Dick is acknowledged as an influence and it shows).I do agree with a comment posted that the acting fluctuates between a "mumblecore" improv style and then "Hollywood Blockbuster" style, but that's fine as it suits the film.Worth a shot...if you sit back and don't let smart films insult you.
This seems to be becoming one of those love it or hate it kind of films. It has either vicious haters or passionate admirers. I'm closer to the admirers. While I do understand some of the criticisms I am reading here (long, drawn out scenes, loud music mix, etc), the good far outweighs the bad.Brandon Slagle (who also wrote the film) is Lukas Reyes, and everyman who had just celebrated his wedding anniversay with his young (almost too young looking) bride, Sera (Andrea Chen). The next morning, all evidence of their life together...is gone. The rest of his life, however, seems to be the same.Lukas's best friend, Damon (Dee Martin) has the perfect solution...get his friend crazy drunk...and he does. The next morning Lukas wakes up, seemingly married to another woman, Nara (Devanny Pinn). He has no memory of this life and upon her claims they've been married for two years, he threatens to call the police on her and throws her out.Sera soon appears, but not before Lukas finds himself attached by a group of mysterious men calling themselves "The Knowers", who "police and fix" any rifts in the "symbiotic relationship" between parallel worlds, which states that each world must maintain a balance, which I assume means that multiple versions of the same person cannot occupy the same world at the same time, or that world destroys itself.It is an interesting, if slightly convoluted, storyline indeed, and quite ambitious for an independent film with no instantly marketable names in it. A lot of similar indie films rely on gore or sex to market themselves, but this one trusts its subject matter to sell it.Does it work? For the most part, yes.The performances are rather understated. A lot of them seem more like improvised conversations sans a few longer passages of dialogue. While this is on one hand a good thing, it also offsets the tone on occasion. Sometimes the film feels like a grandiose epic and sometimes it feels like a small "mumblecore" drama. The editing and cinematography is above average and the music, while it IS loud, is quite well done. A few licensed songs pop up here and there, and in appropriate places.Overall this is an enjoyable effort, with room to expand upon the storyline. A film called "15 Past Midnight" is listed as in-development on IMDb, and I can only assume that is a sequel. If the right tools are given, that could very well be something to look forward to.
I never write review. I'm not even good at writing. I was extremely excited to see this movie. Unfortunately, after watching the movie, I was so disappointed, that I had to register an IMDb account and post a review. Maybe this will get me into writing more reviews in the future.Anyway, I'll start with the positives. The story was mildly intriguing. It definitely had some potential. The music was good. OK, that's it for the positives. Not much, eh? Well...that's the reason for a 2/10. Acting: The acting was absolutely horrible by the main character. Everyone else was mediocre. The main character did not seem believable at all. Granted, this was partially due to the things they made him say in the script, but either way, it could have been much better. Character Development: There was none. The main character was unbelievable and was impossible to sympathize with. I could not imagine anyone reacting the way he did in the same situation as he was placed. Story Progression: The scenes were too long and drawn out. It was so boring that I had to jump ahead 10-15 seconds at a time just to get through the movie.Music: Way too freakin' loud and prominent all throughout the movie. I could barely hear what the characters were saying.Overall: I thought the story was good, but could have been significantly improved. The acting needed to be improved significantly. As much as I hate to say it, I would love to see a Hollywood remake of this.