Watch Absolute Evil For Free

Wonderful Movie

hyped garbage

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

German film director Ulli Lommel dedicates this abortive flick to his mentor, the well-regarded Rainer Werner Fassbinder. Though Fassbinder is probably turning somersaults in his grave at the idea of being associated with this cinematic tripe, the dedication is instructive in knowing where Lommel's head is at. Lommel, who has operated out of the US for decades, continually tries to gain some recognition in his own country as a genuine auteur. But the Germans think he is a joke. ABSOLUTE EVIL absolutely will not help his reputation, either, which has bottomed out after he aggressively directed a rash of poor horror movies, such as KILLER NURSE, DUNGEON GIRL, THE TOMB, and GREEN RIVER KILLER.ABSOLUTE EVIL is the work of an artist who has no original ideas and so imitates what he believes will sell -- a bit of horror here, a bit of western "homage" there, and other bits and pieces of ideas from other movies. The film, which looks like every other Lommel movie and is shot on a camcorder -- is a junker of a movie that ka-clumps along in tiresome fashion, made with the conviction of people who possibly had a large mortgage to pay off. The movie may attract you because of David Carradine's presence in an undistinguished cameo role.In this revenge story, a young woman chases down the killers of her car mechanic father with the help of a boyfriend, who may have helped the killers.Lommel also wrote the banal dialog that is painfully under-rehearsed by the actors, and prior to its screening at the Berlin festival, he touted this production as more substantial than the progressively awful wave started in 2004 with ZODIAC KILLER. However, even with a little extra money in the budget, Lommel defaults to his trademark poor camera-work, one-take direction, terrible acting, slow pacing, and disjointed editing. In the style of all Lommel films, footage is repeated ad naseum and to the point of distraction. Worse of all, he gets a lousy performance out of Carradine! What a sad waste this is.

What a pathetic excuse for a film. Ulli Lommel is infamous for his zero-budget slasher flicks, so incompetently made that even Aunt Martha's home movies look like Kurosawa, but with this abomination Lommel really hit rock bottom. The script and dialog is nonsensical and ridiculous and the "photography" doesn't deserve to be called that (just put the camera in a corner on auto setting, push record and pray for the best). Seeing other "reviewers" compare it to Fassbinder is a joke. It is obvious that the persons responsible for this laughable excuse for a movie have absolutely zero clue about film-making, framing, acting, writing, structure or taste. To be avoided at all cost.

I've watched "Absolute Evil" three times now. And each time it gets better and better. there are so many cool elements in the movie, and so many hidden messages. It's almost like you're on a treasure hunt. I dunno why anyone in their right mind doesn't get this, but I guess we live in a world of quick fixes and surfacy attitudes. I - like many other viewers - absolutely hated Lommel's serial killer films, I mean Lions Gate obviously did a great job with trailers and DVD cover and so on, but the minute you watched one of those films, you had to be disappointed.So when my buddy Charlie, a die-hard Ulli Lommel fan, dragged me into "Absolute Evil" I was ready for more of the same. But, hey! Was I wrong!!! This one really rocks, man! Eighty tight minutes of twists and turns and cool character developments and commentaries on our messed up society. Ulli Lommel haters, get ready: You cannot diss this one, you just can't!! And take this from a former hater. He made a great film, guys. Now what???

"I only want you to love me" is the title of a Fassbinder movie. Ulli Lommel, who once was Fassbinder's partner in many movies, seems to have adapted this slogan for his main characters. Whether it's his cult hit "Tenderness of the Wolves" (1973) or his bizarre serial killer series with Lionsgate in the U.S., all his main characters seem to scream the same desire. In "Absolute Evil" David Carradine, who plays the angry leader of the 17th Street gang, yearns for love, but doesn't know how to give it. The film is an homage to all film noires, all suspense thrillers, especially from the 1940s. The story moves along like a cool spider web, slowly but steadily grabbing you by the tail and sucking you up in its horrific universe of revenge, torture, redemption and murder.It's one of the best indie low-budget films I have seen in years. How the hell can I get my hands on a DVD? Who's releasing this gem?