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So Long at the Fair

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So Long at the Fair

Vicky Barton and her brother Johnny travel from Naples to visit the 1889 Paris Exhibition. They both sleep in seperate rooms in their hotel. When the she gets up in the morning she finds her brother and his room have disappeared and no one will even acknowledge that he was ever there. Now Vicky must find out what exactly happened to her brother.

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Release : 1951
Rating : 7.1
Studio : Gainsborough Pictures, 
Crew : Art Direction,  Supervising Art Director, 
Cast : Jean Simmons Dirk Bogarde David Tomlinson Marcel Poncin Cathleen Nesbitt
Genre : Drama Thriller Mystery

Cast List

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Reviews

Evengyny
2018/08/30

Thanks for the memories!

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Deanna
2018/08/30

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Scarlet
2018/08/30

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Cristal
2018/08/30

The movie really just wants to entertain people.

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clanciai
2017/03/24

Brilliant thriller of suspense increasing all the way, until the absurd mystery ends up in a most surprising explanation. The best mysteries are the deepest and most inexplicable ones that all the same finally reveal a most logical solution. Jean Simmons' situation is really quite upsetting, she couldn't be more helpless in her predicament, but fortunately there is Dirk Bogarde at hand in a typical role of his as an English painter in Paris. The French people are also quite convincing, and fortunately they even speak French. It's easy for a foreigner to get lost in Paris with always strange things going on and bodies being fished up from the Seine almost every other day, and here there is even a world exhibition going on with the premiere of the Eiffel Tower and an awful balloon accident on top of that disposing of a key witness to add to poor Jean Simmons troubles... It's an ingenious intrigue, and every detail is important. It's vital that you don't miss anything of what is said in any conversation, since every piece in this puzzle is indispensable to the whole picture.

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Spikeopath
2012/11/17

So Long at the Fair is directed by Terence Fisher and Antony Darnborough and written by Hugh Mills and Anthony Thorne. It stars Dirk Bogarde, Jean Simmons, David Tomlinson, Marcel Poncin, Felix Aylmer and Cathleen Nesbitt. Music is by Benjamin Frankel and cinematography by Reginald Wyer.Adapted from Thorne's novel of the same name, story is set in Paris 1889 (not 1896 as some other sources strangely suggest it is) and sees Simmons as Vicky Barton, who awakes in her hotel to find that her brother, and his hotel room, are missing. With the hotel staff adamant that she checked in alone and that her brother never accompanied her, Vicky is confused and very alone. However, hope comes in the form of handsome artist George Hathaway (Bogarde), who had an exchange with Vicky's brother and therefore can vouch for his existence. But with the odds stacked against them and proof hard to find, can the pair of them uncover the truth and solve the mystery?It seems now to be a familiar plot, but it wasn't back then and the story's origin is derived from an urban legend. What unfolds over the film's running time is a sharply told mystery that is infused with good quality drama. Simmons and Bogarde make for a very engaging couple and it's very easy to root for them as they set about their sleuthing. However, the film is split into two as regards tonal worth.The first half is the most atmospheric as Simmons' Vicky is a stranger in a strange land, her fraught helplessness over her missing brother is enhanced by the language problems. This aspect impacts on us the viewers by there not being any sub-titles for the French speaking parts of the script. A good move is that.Once Vicky teams up with George the thriller suspense gives way to detective mystery, which is fine, and for sure the "reveal" that comes in the finale is credible, but it's hard not to lament a touch that the pic hasn't stayed in "darker" mode, even if the score is consistently too jaunty for such a story. While the black and white photography is, however, tonally pleasing, and the Victorian costuming is authentic looking. There's a couple of off kilter shots but noir like visuals are in short supply, and characterisations and basis of plotting do not scream out as being noir influenced, so you have to wonder why the film has found its way into a DVD collection of British Noir? It's a classy little mystery, boosted by some prime British acting talent, but first time viewers expecting a Brit film noir should heed my warning, it's not! 7/10

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Arun Vajpey
2008/09/13

Not many people know that the basic plot of this film is based on a real life event that took place during the 1889 Great Exhibition in Paris. There are major differences of course; for a start, the young woman arrived with her mother and not brother as depicted in the film. Secondly, they arrived directly from India and not Italy. Ironically, the 1955 TV Episode 'Into Thin Air' - part of Alfred Hitchcock presents - is far closer to the truth than the 1950 feature film.But I agree to the change of plot because casting the missing person as the brother gives the story more flexibility. That said, the script should have been far more exciting than the rather bland fare that the director had to cope with. There was plenty of scope for a brilliant thriller with plenty of red herrings, something which Hitchcock would have exploited with glee - as he already had done in his 'The Lady Vanishes' and would do so again in the aforementioned TV episode.

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MartinHafer
2007/06/01

Young Jean Simmons and her brother, David Tomlinson, arrive in Paris for the opening of the 1889 Exposition. Oddly, however, the next morning when Simmons awakens, he is gone. Odder still, the people at the hotel tell her that her brother NEVER checked in and she was alone! Naturally something is amiss, but when Jean looks for his room, it is gone and there is no evidence to prove he was ever there. When she goes to the British Consulate and police, they both understandably think she might be crazy as she cannot prove any of her assertions that he was kidnapped. You really find yourself feeling for Simmons' character and she is about to give up hope when she stumbles upon a person (Dirk Bogarde) who saw Tomlinson and can prove she is not losing her mind. Now here is where the writing falters a bit, as you'd think she'd immediately take Bogarde to the authorities. But due to bizarre movie logic, Bogarde goes under cover and investigates the matter like he's a detective--and puts himself potentially in harm's way. In other words, he's the only proof of a conspiracy and yet he could get himself killed by investigating himself. Regardless, the film does work and the conclusion as to where Tomlinson is and why he was taken works out well--making the film seem rather credible. This is a nice little mystery--worth your time due to good acting and an interestingly original story idea.

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