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Murder on a Honeymoon
A schoolteacher and amateur sleuth suspects foul play when a fellow passenger on a seaplane gets sick and dies. The third and final film with Edna May Oliver and James Gleason as the astute schoolteacher Hildegarde Withers and the New York Police Inspector Oscar Piper busy solving crimes.
Release : | 1935 |
Rating : | 6.7 |
Studio : | RKO Radio Pictures, |
Crew : | Art Direction, Art Direction, |
Cast : | Edna May Oliver James Gleason Lola Lane George Meeker Dorothy Libaire |
Genre : | Comedy Mystery |
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Simply A Masterpiece
One of my all time favorites.
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
One of the most extraordinary films you will see this year. Take that as you want.
Another fun Hildegarde Withers mystery starring the great Edna May Oliver. This is the third and final Withers film starring Oliver. She would be replaced by two other actresses in the other films. Those don't match up to the Oliver entries in the series but are watchable. The plot here is about Hildy flying on a plane when one of the passengers is mysteriously killed. When the plane lands Hildy wastes no time starting her investigation. She contacts Inspector Piper (James Gleason), who quickly comes to help. Oliver and Gleason are terrific, as always. Their banter and chemistry is the primary reason to watch these movies. Nice cast includes Leo G. Carroll and the lovely Lola Lane. Willie Best also appears in one of his stereotypical parts that will make some modern viewers uncomfortable.
Murder on a Honeymoon opens aboard a seaplane flying several passengers out to a vacation destination: it's a neat opening scene that sets the plot in motion with a murder and introduces us to all of the suspects as well. Among those passengers is Hildegarde Withers, played one more time by the great Edna May Oliver, who is a bit sick during the flight but recovers nicely when the plane lands and it is discovered that a fellow passenger is dead.James Gleason returns as Inspector Oscar Piper; it seems the murdered man was involved in a case his department is on, so he hops a flight himself and quickly joins his old collaborator Miss Withers. ("Hildegarde, you get screwier every day" is practically the first thing he says to her when they meet, thus quickly re-establishing their outwardly adversarial, genuinely affectionate personal relationship.) Good photography—both of island scenes and in some atmospheric shadowy night shots—adds sparkle to a script that neatly balances comic banter with murder. A solid supporting cast features Leo G. Carroll as a big shot movie director (who carries a flask with two compartments in it—one containing the good booze he drinks, one stocked with the cheap stuff he shares with others) and Lola Lane as an aspiring actress hoping to catch his eye.Overall, the suspense is a bit more taut, the solution more surprising than in the two previous Withers-Piper pictures; it's a top-notch B mystery. Oliver, especially, is at her very best, especially when dealing with those who underestimate her—for example, the local police chief and doctor, who are beginning the murder investigation while still in their bathing suits: "Don't try to be impressive in that rig, my man," Miss Withers snaps when one attempts brusqueness. "You can't frighten me until you've put on your trousers."
Murder On A Honeymoon finds Edna May Oliver on holiday to Catalina Island where on the small plane she's traveling on, a witness in a mob case from New York is poisoned. The case piques the interest of Oliver's old friend Inspector James Gleason of the NYPD for him to come out and help the Catalina PD.In these three films Edna May is a virtual stand-in for Agatha Christie's Miss Jane Marple who is constantly making fools of the police wherever they may be. But she and Gleason have a really effective chemistry in the three films they did. Sad to say Edna May did not want to continue the series. She and Gleason would have been a great weekly series in the age of television.Murder On A Honeymoon may have been the best of the three films because based on the other two, I thought I had the perpetrator all picked out. But I was completely wrong and I think other viewers will fall in the same trap. Two other murders occur before Gleason and Oliver finally figure it out. By the way the clue here is in how the crime was committed. And a big red herring is also served up for the audience to convince you of the perpetrator's apparent innocence.Even on vacation it seems as though Edna May's Hildegarde Withers can't get away from murder.
Edna May Oliver returns as the indomitable schoolteacher/sleuth Hildegarde Withers. Even while on vacation in California she has no trouble in finding murders to solve.Miss Edna May is again quite wonderful to watch. This was her third & final outing as Withers - she would soon be leaving RKO for MGM and other memorable roles there. James Gleason is back as her New York City detective boyfriend. Comic relief is provided by Willie Best.The movie is enhanced considerably by location filming at Avalon, on Santa Catalina Island. The huge Casino, which dominates the Avalon waterfront, provides a spooky scene or two.