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Simply A Masterpiece

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

A clunky actioner with a handful of cool moments.

A cheaply done made-for-TV feature I started off thinking why should I bother continuing, but eventually it started to pull me in even though it ends on a predictable flutter of hysteria with its clunky revelation.Environmental designer Susan Brice lives a lonely life, where the death of her husband two year earlier still haunts her mind. But she overcomes that when she meets Kevin, a financial adviser and the two seem to hit it off. The romance hits sky high as they elope when in Las Vegas, but suddenly from nowhere she becomes a target of a stalker (dressed in a black wide brim hat and trench coat) that really has it in for her. Leaving unpleasant phone messages, spying on her, petty vandalism but then it gets even more dangerous as there are attempts on her life. Kevin suddenly reveals to the police and finally Susan that it might an unstable ex-girlfriend seeking revenge.Small-scale, textbook stuff ensured. The red herrings spring up to only be cancelled out with non-effective attempts of drummed out suspense and simmering in the background an oozing, silk laid jazz score. The material is kind of all over the place in what it truly wants to be, but still manages to be quite captivating and the static direction while technically efficient limps along until its noisy, but emotionally starved climax. However the camera-work has some elasticity to it. The fetching Nastassja Kinski gives an earnest performance in the lead. Maxim Roy is wholesomely good in her role as Susan's beaten sister Justine and Gordon Pinsent eases in with his role of a classical music loving private detective.A slow, but mildly tolerable and engaging made-for-TV mystery thriller.

Two years after her husband Alan died, environmental designer Susan won't admit she is lonely, but her business partner Peggy sets her up with Kevin, a financial adviser. The relationship is supposed to be professional but later develops into something more.Susan's sister Justine gets money from a trust fund (so their parents were rich), but not too much at one time because her husband Jack, who is abusive, might spend it all.Susan starts getting mysterious messages and phone calls after a female neighbor says Susan shouldn't close her blinds because she 'likes to watch'. And then the situation escalates into something truly frightening.Nastassja Kinski did a good job except for the accent. If her character had been adopted, it would have been understandable. But her sister had no accent. I think Kinski was trying to talk like a 'regular American' but wasn't quite succeeding, which was distracting.The standout performance came from Gordon Pinsent as a quirky yet dignified private detective Susan hired. I liked his classical music (which he pretended to conduct), his dial telephone, and his early 1970's Chevy.I was impressed with the lobby Susan designed in a downtown skyscraper located in an unnamed city--it even had full-size trees! Perhaps it wasn't just done for the movie but it was a great job by someone.The mystery was interesting, and although there was some violence, it wasn't too explicit. There were many possible leads in the case, but the final solution certainly wasn't one I expected. The ending turned out to be quite exciting.For a TV-movie, this was pretty good.

Spoilers herein.I think this was a made for TeeVee production that somehow was made financially attractive to Blockbuster to stock. It is the old Diabolique play, arranged by the greedy husband. You can see it a mile away. What attracted me was the name of Ms Kinski -- just as it was supposed to.Here is very clear proof that at least some great beauty and effectiveness in acting comes not from the actor. In Polanski's hands (literally we understand), she was hypnotizing. Here, she is talentless and incidentally unlovely.You can have some fun with this film, though. It is so formulaic and predictable, it is so composed of prefabbed parts, that you can readily imagine how you could improve it. How you could increase the ambiguities of perception; how that could reflect on the multiple red herrings (here never red enough). I couldn't help comparing this to `Fifth Floor,' which had similar production values. It wasn't great, but it had a real actress at risk, and some rather more competent pasting together of found parts.

Surprisingly...this is not bad at all. Yes, it's strictly a straight-to-video/made-for-tv-movie kind of thing, but it's paced well, coherent, reasonably suspenseful, and Nastassja looks great. I say 'reasonably suspenseful' because most people will figure out the mystery 3/4 of the way into the film.