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Spectres

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Spectres

KELLY is a beautiful young 16-year old who, like many teenagers, feels her life has become unbearably dark and depressed. Unable to make a meaningful connection with anyone around her, least of all her workaholic mom LAURA LEE, Kelly decides she'd rather be with her dad, who died several years before. The suicide attempt fails, but Laura Lee gets an urgent wake-up call and is determined to give Kelly some desperately needed attention. Hoping a change of scenery will help, mom and daughter rent a house for a long summer vacation. THE BIG HOUSE ON THE HILL offers peace, quiet, and ... mystery.

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Release : 2004
Rating : 5
Studio :
Crew : Director,  Writer, 
Cast : Marina Sirtis Dean Haglund Tucker Smallwood Lauren Birkell Linda Park
Genre : Drama Thriller Science Fiction Mystery

Cast List

Reviews

Linkshoch
2018/08/30

Wonderful Movie

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Actuakers
2018/08/30

One of my all time favorites.

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Matialth
2018/08/30

Good concept, poorly executed.

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Lela
2018/08/30

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

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fedor8
2007/08/31

When I saw Marina Sirtis in the opening scenes I thought that she looked familiar, but couldn't pinpoint where I saw her. But then I checked her bio and realized she was in one of those really awful "Star Trek" spin-offs. Naturally, she gets cast in a cheesy horror/drama/comedy(?). The movie was so forgettable that I kept focusing on Marina's lips, simply because they look exactly like Meg Ryan's, post-lip-enlargement. And Lauren Birkell looks a lot like Thora Birch.Anyway...The movie promises at the very outset that it will do its best to rip off "The Sixth Sense" and it doesn't disappoint in that regard. However, while TSS remains somber throughout, something strange happens in this low-budget little movie: half-way through the film, the characters get quite smart-ass-like, things get decidedly tongue-in-cheek, so for a moment there I thought this might become a sitcom. However, dormant comedic passions of the writer and actors settle down, and the movie ends dramatically, without comedy.The problem with this movie is that after the quick, effective introduction, things move at a slow pace. Plus, there are several scenes that do very little for the plot or characters but just serve as fillers. There are also lines in the dialogue that sound awkward. The best example would be the black psychic saying "How dare you?!" to the shrink; I thought that was worthy of a MST3K stinger! More problems come in the form of bad acting, and I'm referring to the Asian kid and his father. And guess whom they cast in this "serious" movie to play the long-lost Daddy? That IDIOT from that 90s MTV dating show with Jenny McCarthy! What were they thinking? Btw, that "hot-shot" is the son of a bowling "legend". I know, I know: yet more nepotism in movies. And yes, I KNOW: "bowling" and "legend" can't possible go together, it's an oxymoron.For a movie that is about ghosts, lost souls, and haunted houses where things go "bump", there sure is a severe lack of atmosphere. When a cup of coffee is spilled on the ground it's just boring. The movie just looks and feels flat. As flat as Keira Knightley's pitiful pair...

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The-Kurgan
2005/06/15

With the name and the description, it's easy to mistake this as being another edge-of-your-seat, thrill-ride horror movie. It's anything but. Apart from having a supernatural aspect to it, it's pretty much an after-school special sort of film. Its PG-13 rating isn't even needed. The suicide element is so brief and tame, that this could still easily be rated G (remember, G doesn't have to mean kids, it just means General Audiences). The interesting thing is that, when the credits finally rolled, I was satisfied with what I'd seen. Imagine that, a movie that doesn't go for the kill and just wants to entertain you with a decent story for an hour or two. The script is...OK, the dialogue is... acceptable, the acting is good, for the most part (this movie is rife with underrated actors that are much more talented than they've ever been given credit for). What I find interesting is that everyone comes across as real people. Not "good actors," just your regular, flawed bozos found on every street corner. When Julia Roberts or Tom Cruise are on a screen, you get drawn-in, but it's always "them." Marina Sirtis, on the other hand, makes you believe you're watching a typical house-mom type, not an actress, who's both kind and overbearing under different circumstances --just as a real person might be. There's a scene towards the end that'll have you wanting to give her a medal for realistically portraying someone in emotional agony, and not simply "oh, the script says I'm supposed to scream here." So, overall it's not a blockbuster, and it's not something you'll want to rush out and tell your friends about. Heck, some of the metaphysical/religious concepts used are so... well, let's just say I don't subscribe to them and politely leave it there, suffice to say they're a bit corny and detracting, in an amalgamated "I've read a lot of spiritual books, but don't really know a thing about it" sort of way. But, I gave this one an "8" score for one very good reason: It accomplished what it set out to do, and it did leave me happy that I'd watched it. With Hollywood pumping out multi-million dollar blockbusters with tons of FX and no story on a regular basis, how often can we really say that about a film these days?

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movieman_kev
2005/06/02

16 year old Kelly (Lauren Birkell, soon to be seen in "The Woods" with Bruce 'the Man' Campbell) spending her deceased father's birthday alone, since her mom (Marina Sirtis) is busy with work. After a failed suicide attempt. the mom decides that her daughter needs a change of scenery at a summer rental house. While there the mom convinces Kelly to see a psychiatrist. For the most part I liked this film, the actors all did a pretty good job, and it was fairly engrossing. The last 20 or so minutes though was a drop in quality in plot if not in quality and didn't really seem to belong in the film at all. It didn't really make me totally dismiss the film, just dampened my opinion of it somewhat.My Grade: C+

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ainfante
2004/03/06

Just came from the North American premiere, that happened at Cinequest in San Jose.Marina Sirtis, as well as Tucker Smallwood, Linda Park, the director (Phil Leirness) and script writer (Bud Robertson) were there, and we had a nice Q&A session with them at the end.The movie was very good - I'd say excellent if it weren't for one thing:The actors and director basically took the script in a completely different direction than the writer wanted initially. Which is a good thing, for the most part. However the end result is that the film cannot really define itself as a thriller/ghost story (like it originally was supposed to be) nor a like anything, really. It has ingredients of thriller, but it is mostly about a dysfunctional mother-daughter relationship with some details of paranormal but without taking itself too seriously.What makes it a very good movie is basically two things: wonderful performances by an ensemble cast that was hand picked (and will definitely attract lots of sci-fi fans, with well-known Trek alumni plus Alexis Cruz from Stargate/Stargate SG-1) and the fact that the underlying plot of the mother daughter relationship IS very interesting and very well played out.The ghost story basically comes out as a plot device. This no Six Sense, no X-Files. :-) The actors and the director didn't take the ghost story seriously and that shows. :-) But that's OK - honestly, it makes the movie more interesting and fun to see.Anyway, they said they've found an international distributor and a national one may be in the works - as soon as they figure out how to categorize this movie. If they do find a way - go see it. Even if you're not a fan of any of the actors, their work really deserves your 90 minutes (and $9).

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