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Black & White
Chris O'Brien, devote Catholic and rookie cop with LAPD, is assigned to partner with the hard-edged, street-smart Nora Hugosian. A serial killer is loose, and all the victims are low-life guys whom Nora has dealt with. So, when the tire tracks of a police car are found at a murder scene, she's the prime suspect of internal affairs investigator Simon Hertzel...
Release : | 1999 |
Rating : | 5.2 |
Studio : | Tapestry Films, The Kushner-Locke Company, Bergman Lustig Productions, |
Crew : | Production Design, Set Decoration, |
Cast : | Gina Gershon Rory Cochrane Ron Silver Alison Eastwood Ross Partridge |
Genre : | Drama Thriller Mystery |
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Reviews
Such a frustrating disappointment
One of my all time favorites.
It's no definitive masterpiece but it's damn close.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
This is a real pathetic attempt at a modern-day film noir. The concept was good, but was truly executed poorly! Starting first with:DIALOGUE - Excruciatingly painful. The dialogue between characters was similar to a screen test gone wrong. Some conversations seemed mismatched. At some points in the movie it seemed that conversing characters' lines weren't matching. If this was an editing error, then its an embarrassing one. STORYLINE/PLOT - Very transparent; a person born blind and deaf could see what was going to happen before it happened and is finality. And what was the point keeping certain aspects of the story a secret?!? There was no mystery about this movie whatsoever! (Except the mystery about how it was given the green light) And what was with the ending? It was so asinine, I'm not even going attribute it any space in this review. I will say this: if it was a way of bringing the story around, it was a sad attempt.CHARACTER DEVELOPMENT - Big zero! I'm not even sure who this movie was about. Apparently, the writers hadn't the first clue who the main character was; her or him? And their own story didn't mesh; it was very amateur. Also, I don't really believe that the main character - at his age whose living in LA - is THAT pious and innocent. And let's say - JUST FOR THE SAKE OF ARGUMENT - if this character really was that pious and innocent, he wouldn't break so easily. And if this story was about him I would think that his decline would've been the main focus; perhaps delved into a bit more. But alas, it wasn't. In conclusion: this movie was so pathetically embarrassing, don't tell anyone you saw it.
I can be a bargain shopper. I believe that almost any movie is WATCHABLE, and if a title intrigues me in a bargain bin, I'll buy it. I saw Black & White on the discount shelf at Best Buy and decided to give it a chance as I tend to like police movies. Still, it had Gina Gershon, so I was hesitant even at the $5.99 price.It was a surprise though in that it was borderline enjoyable. What held it back was the direction. I feel like there was more to the script that got left out at times.I was expecting nothing so when I saw the opening credits, I was right at that point. The names of the actors, director, writers, producers all flash in and out of a quick, cut and paste scene. That was a horrible start to the movie.The beginning was equally horrible. There was the scene in the apartment that did not fit at all at the time. It seemed as if it was an excuse for Gina Gershon to appear semi-nude yet again. It drug on forever at the beginning.It isn't until the end that everything begins to fit together and you see the purpose of some of the earlier scenes. The final 30 minutes lead you one way, only to reveal a nice little twist to end the movie.If you can sit through the first 40 minutes without turning away, it will be well worth it. Gershon gives the best performance of her career, although I'm not sure how much that really says. The script is well written at times, and seems like filler at times. The direction was some of the worst I've ever seen, however, and that really limits the impact of the ending.
'Black & White' is quite a conventional cop story. The script idea is quite interesting - a murder investigation that turns quickly in an internal police investigation involves a young (and Catholic!) cop and his sexy and more mature partner (Gina Gershon). Unfortunately, the good idea leads to a script full of logic holes (a several minutes shooting scene in a hospital at night without anybody hearing, for example!). Directing is heavy and conventional, makes the film difficult to watch, and spoils even the rather surprising final. The only reason that makes this film worth watching is Gena Gershon - she is a good actress, looks more attractive than ever - even in a cops uniform, and the role fits her perfectly. 6/10 on my personal scale.
If I had to give an award for some of the worst acting, it would go to this movie. I was ashamed to see Gina Gershon doing so poorly in the role of a (crooked) uniformed police officer. Not only was the plot predictable, but the acting stunk. It surprised me because Gina did a great job as Castor Troy's girlfriend in FACE/OFF. So, if you want to see a boring, predictable police "whodunnit" flick, then see it. My advice = forget it. James Handy played the Captain, or Lieutenant, or Sergeant, I forgot, but he's the jerk who plays Internal Affairs, or "IAB" as they call it on NYPD BLUE. He's another character who's acting is predictable, and his character is never really liked. But I guess that's what he's good at. Only actor who was worth his salt was Ron Silver. He does a convincing role as an investigator, but towards the end kind of just fades away! SKIP THIS ONE